preview

Talk Radio Film Analysis

Good Essays

Few film directors can capture the feeling of sheer intensity on screen quite like Oliver Stone. Whether it be with hyperviolent genre pictures like Natural Born Killers or methodical dramatic pieces like Wall Street, Stone has a knack for delivering intense and often unsettling narratives and characters within them, and as such is able to consistently instill in his audience a feeling of discomfort and disturbia, all while satirizing various facets of American culture. It is somewhat ironic that one of Stone’s most intense films is also one of his more subdued films and less violently graphic films. The film in question is 1988’s Talk Radio, based on the play of the same name written by Eric Bogosian, who also stars in both versions. Throughout …show more content…

Though their influence is present and effective throughout the film’s entirety, there are two scenes where their editing mastery particularly stands out. The first scene in question is in the film’s opening credits sequence, when the viewer is introduced to Champlain as he is recording his radio program “Night Talk”. He begins the show by lamenting about a recent study suggesting that three out of four Americans would rather watch television than have sex with their spouses, followed by the story of a group of teenagers stabbing an elderly woman to obtain money for drugs. This quickly turns into an impassioned rant concerning the state of American culture at the time, before Champlain takes questions from callers to the show, resulting in a number of exchanges some would surely consider unsettling. Perhaps the most important element of this first sequence is that we do not actually see Champlain on screen for a good few minutes into it. The viewer is relegated to only hearing his voice as he goes on the air and watching the film as it quickly cuts between various shots to give the viewer both insight into the process of radio production, but also an idea of what it is like to work on Barry’s show in particular. Brenner and Hutshing make the clever decision to quickly cut between shots of various equipment being utilized, along with close-up shots …show more content…

After speaking to his ex-wife Ellen (Ellen Greene), whose attempts to pull Barry out of his funk and let them go back to their old life they shared together prove more than futile, Barry takes another call from a woman named Theresa, who calls in to warn him that his downfall is imminent, and the fallout will be catastrophic for him and for those close to him. Barry responds with what starts as an apologetic lament, calling out his own hypocritical nature. “I ask for sincerity and I lie. I denounce the system as I embrace it . . . I want ratings and success. And I don’t give a damn about you or the world. That’s the truth!” This remorseful lament quickly turns into another rant, targeting his listeners and those who have treated the show and him with great hostility. This sequence not only serves as a terrific showcase for Brenner and Hutshing’s editing – employing many of the effective techniques found in the aforementioned opening sequence – but even moreso proves a worthy exhibition of Robert Richardson’s cinematography and Bogosian’s performance. As he goes into what looks like another typical Barry Champlain-style rant, Bogosian’s performance becomes one that is much more somber and regretful than had been shown before. As he goes on about his audience ganging up on him and embracing the hatred seen in the country at the time, it becomes evident that the issues he has been observing and ranting about

Get Access