Few film directors can capture the feeling of sheer intensity on screen quite like Oliver Stone. Whether it be with hyperviolent genre pictures like Natural Born Killers or methodical dramatic pieces like Wall Street, Stone has a knack for delivering intense and often unsettling narratives and characters within them, and as such is able to consistently instill in his audience a feeling of discomfort and disturbia, all while satirizing various facets of American culture. It is somewhat ironic that one of Stone’s most intense films is also one of his more subdued films and less violently graphic films. The film in question is 1988’s Talk Radio, based on the play of the same name written by Eric Bogosian, who also stars in both versions. Throughout …show more content…
Though their influence is present and effective throughout the film’s entirety, there are two scenes where their editing mastery particularly stands out. The first scene in question is in the film’s opening credits sequence, when the viewer is introduced to Champlain as he is recording his radio program “Night Talk”. He begins the show by lamenting about a recent study suggesting that three out of four Americans would rather watch television than have sex with their spouses, followed by the story of a group of teenagers stabbing an elderly woman to obtain money for drugs. This quickly turns into an impassioned rant concerning the state of American culture at the time, before Champlain takes questions from callers to the show, resulting in a number of exchanges some would surely consider unsettling. Perhaps the most important element of this first sequence is that we do not actually see Champlain on screen for a good few minutes into it. The viewer is relegated to only hearing his voice as he goes on the air and watching the film as it quickly cuts between various shots to give the viewer both insight into the process of radio production, but also an idea of what it is like to work on Barry’s show in particular. Brenner and Hutshing make the clever decision to quickly cut between shots of various equipment being utilized, along with close-up shots …show more content…
After speaking to his ex-wife Ellen (Ellen Greene), whose attempts to pull Barry out of his funk and let them go back to their old life they shared together prove more than futile, Barry takes another call from a woman named Theresa, who calls in to warn him that his downfall is imminent, and the fallout will be catastrophic for him and for those close to him. Barry responds with what starts as an apologetic lament, calling out his own hypocritical nature. “I ask for sincerity and I lie. I denounce the system as I embrace it . . . I want ratings and success. And I don’t give a damn about you or the world. That’s the truth!” This remorseful lament quickly turns into another rant, targeting his listeners and those who have treated the show and him with great hostility. This sequence not only serves as a terrific showcase for Brenner and Hutshing’s editing – employing many of the effective techniques found in the aforementioned opening sequence – but even moreso proves a worthy exhibition of Robert Richardson’s cinematography and Bogosian’s performance. As he goes into what looks like another typical Barry Champlain-style rant, Bogosian’s performance becomes one that is much more somber and regretful than had been shown before. As he goes on about his audience ganging up on him and embracing the hatred seen in the country at the time, it becomes evident that the issues he has been observing and ranting about
With Film Analysis comes the analyzation of films and movies that depict narrative structure, cultural context, the evaluation of discourse, and many other approaches. The film, “Friday” (1995), is a comedy and drama that displays the relationship between two childhood friends growing up in an impoverished neighborhood. These two friends became affiliated with a neighborhoods drug dealer, and were startled and clueless as to how they were going to come up with the money they owed him by the end of the night! The characterization, setting, and conflicts are the three main elements, in which are portrayed can indicate the analyzation of contributing a larger meaning of this particular film.
The dramatic and uplifting movie “Radio” starring Cuba Gooding JR. and Ed Harris, is based on the true life story of James Robert Kennedy, a k a Radio; a mentally retarded young African-American who spends his days pushing a shopping cart around the streets of Anderson, a small South Carolina town, collecting junk and old radios.
Jean-Marc Vallee’s 2014 film Wild is based off of Cheryl Stryaed’s memoir “Wild: From Lost to Found on the Pacific Crest Trail”. The film changes the genre by having a woman as the main character in a man vs. nature situation a rare chage from the typical hero. Vallee had a budget of $15,000,00 for the film and it brought in $4,112,752 on opening weekend, January 30, 2015. Wild, was nominated for many prestigious awards and won few. (imbd). In a initial review of the film published in The New York Times, noted film critic A. O. Scott wrote, “The film adaptation of her book — itself already a classic of wilderness writing and modern feminism — provides another reason to be grateful that she did”. Proving that the change in the genre did not
Harold and Maude, a movie directed by Hal Ashby and released in the 1970’s, did not receive much attention and popularity when first released. Since the movie depicted obsession with suicide through a 20-year-old character Harold, the movie received backlash because during the 1970’s there were high rates of suicides among teenagers and college students. However, over time college students found the movie very entertaining, therefore bringing the movie into the lights and making it a cult hit. In Blue Velvet, a neo-noir mystery film directed by David Lynch and released in 1986, received a variety of critical responses from a wide range of audience, but this movie’s unique style earned Lynch his second nomination for Best Director. The idea of innocent getting caught in a web of evil is portrayed through the character Jeffrey Beaumont, who first encounter’s a severed ear in a grassy abandoned field. In this paper I will compare and contrast these two movies that include key actors Bud Cort, played as Harold, and Kyle MacLachlan, played as Jeffrey and include a few key points that have made these movies enjoyable to watch.
The movie “Radio” is the tale of a young African-American man who suffers from severe mental retardness and his journey to fame from football in the small South Carolinian town of Anderson. James “Radio” Kennedy is befriended by the T. L. Hanna High School head football coach, Coach Jones, and begins to help as an “assistant coach” of some sort. Eventually, James begins to attend Hanna High as an eleventh grade student due to the persistent efforts of Coach Jones.
Newsies, a classic musical based on the late 1800’s is a very entertaining and family friendly musical-- except for the few profane words. On a cloudy, partially rainy saturday morning, I laid out on the couch and watched the movie from the comfort of my own home. I was hesitant to watch this movie because I am not much of a musical person. About midway through I found myself at the edge of my seat hypnotized by the movie. As the movie drew to an end, I was completely sucked in and waited for something more. The movie I so dreadfully did not want to watch became something I did not want to end. In this movie the director and composer correlated their scenes and music perfectly together to touch the thoughts and emotions of the audience watching.
During the end of the 3rd Century, the Playwright Plautus wrote many of the first Roman comedies. A Funny Thing Happened on the Way to the Forum is a musical comedy film adaptation of Plautus's comedies.Set in ancient Rome, many aspects of Roman theatre, including stock characters, were included in the film’s production. While the film is based off of multiple comedies, Plautus's Pseudolus character Calidorus is nearly identical to the film’s Hero. During the time Pseudolus was written, the Crisis of the Third Century led to up to 25% of Roman population being comprised of slaves(Southern). Of the many stock characters Platus included in his comedies, Calidorus/Hero, the son of Pseudolus’s owner and the stock character adulescens, best
In the mid 20th century intriguing drama directed by Dennis Hopper, Easy Rider, we were drawn back to 1969 to shed light on the influences of drugs, sex, and culture as the characters began to question the American system in this counterculture movement. The counterculture movement provoked an alternative lifestyle that came about during the Vietnam War. The tensions following the protests of human inequalities embodying racial segregation and the frustration faced with the draft system resulted in not only the Civil Rights Movement, but the counterculture movement as well. This film, Easy Rider, helped to formulate and to transition over to the New Hollywood era, or also referred to as the American New Wave.
I watched the movie Radio which is a film set in South Caroline in the late 1970s. The main character is a young man named Radio who has an intellectual disability. He spends his days pushing around a shopping cart full of random things all over town. On his daily trip he passes by a high school football field where the team practices every afternoon. One day a football flies over the fence and near where Radio is standing watching the team and he picks it up and puts it into his cart totally ignoring the player yelling at him to give it back.
The splendid and cruel Quentin Tarantino now gives us an immeasurable American epic set for the most part in only one room. Truth be told, the different areas and corners of that room begin to feel as far off as urban areas or deserts. At one stage, a character recommends separating this space to speak to the Unionist North and Confederate South, and it's not all that quite a bit of a stretch to envision, in spite of the fact that the elusive severe amoralism of every last one is such that tribal-unwaveringness segment was never going to work. Tarantino has made another stunningly snazzy and sharp film, a Jacobean western, insinuate yet some way or another peculiarly huge, at the end of the day discharging his own particular sort of unwholesome insane interesting brutal nitrous oxide into the silver screen assembly room for every one of us to breathe in. Additionally, Tarantino now makes a genuine star of Walton Goggins, giving a silly execution as the profoundly temperamental Chris Mannix, soi-disant Sheriff Choose of Red Rock, Wyoming. What's
“Radio” the film released in 2003 was directed by Michael Tollin, is about the story of a mentally disabled black man. The film is set in a small town of South Carolina in the period of 1970s. The movie starts with the scene of main character, called Radio who is pushing a cart in the street going on his rounds in streets of town. People around him in streets show annoyance and resentment as he passes by but Radio is walking though as if it is part of his daily routine. Gooding named James or Radio in movie looks down all the way and gesticulation of James shows mental or psychological challenge or disability.
The preferred reading of Woody Allen’s movie, “Stardust Memories,” appears to be that there is comedy in the midst of our most dramatic and traumatic relationships. Preferred Reading is a term, which Stuart Hall originally uses in relation to television news and current affairs programs but which is often applied to other kinds of text. Readers of a text are guided towards a preferred reading and away from “aberrant decoding” through the use of codes. Preferred reading in movies is the intentions of movie directors who lead audiences to understand theirs movies in the way they devised. In the movie “Stardust Memories ”, Woody
The weather is sizzling hot and tensions are slowly coming to a boil in this Bedford-Stuyvesant Brooklyn neighborhood. Slowly but surely we see the heat melt away the barriers that were keeping anger from rising to the surface. The Blacks and the Hispanics own the streets the Koreans own the corner store and of course the Italians own the pizzeria, the Cops who happen to be all Caucasian, prowl the streets inside out, looking for anyone to harass. Toes are then stepped on and apologies are not made. Spike Lee creates the perfect set-up for a modern day in Bed-Stuyvesant. Without fail Spike Lee is transformed into an anthropologist. Spike Lee’s goal is to allow viewers to glimpse into the lives of real people and into a neighborhood they
While the movie Radio Days lacks a clear plot and a theme, it is still, nevertheless, a wonderful film that revolves around a typical American family, and their constant use of the radio. Written, directed and narrated by the renowned comedian Woody Allen, the film occurs during the late 1930s to the late 1940s, and thus it is no surprise that World War 2 and other major events during that time period play a tremendous role in the events that transpired in the film. The setting of this film was Rockaway, Queens, which resonated with me well because my middle school was at this exact same location. Seeing young Joe, the main character in the film through whose viewpoints the movie focuses around, travel to the beach with his friends and go Nazi submarine hunting reminded me of the times my friends and I would travel to Rockaway Beach after school to view the water and the beautiful boardwalk. Additionally, I was enthusiastic about actually knowing the Rockaway jargon, such as Breezy Point, and thus invoking an “it’s a small world” attitude from me.
The year is 1959 and America is going through one of the most pivotal moments of its cultural history: when rock gave birth to the Sexual Revolution. Grease, considered by some to be “A fantasy of the 50’s” (Canby) and “50s nostalgia fun” (Boyle), is in fact a direct parallel and excellent representation of America’s turbulent graduation from the 50s to the 60s, from repression to freedom, from calmed to riotous. This hour-and-fifty-minute roller coaster of a movie inspired by a rowdy, concupiscent, and altogether brilliant piece of Broadway theater rejects the stereotypes of the time for musicals and attempts a purer experience to reveal the underlying truths of American culture.