Taming Of The Shrew Analysis

The Katherina that gives the final speech in The Taming of the Shrew is quite a departure from the Katherina we were introduced to in Act I. This new Kate is modest, quiet and obedient. All of these qualities were not present until Act V. Such a profound personality change prompts the questions how this happened and what purpose do her changes serve?

Katherina may be a shrew, but Shakespeare’s The Taming of the Shrew does not truly show a study of how a selfish, spoilt individual is made to conform to society’s expectations, or be tamed into a ‘proper’ woman. At the end of the play, Katherina is not, necessarily, tamed - she just realizes what she must to do in order to get the things she wants. Two main examples of her submitting to Petruchio in order to achieve her desires are in Act 4, scene 5, (the sun versus moon scene) as well as Act 5, scene 2 (the kiss me kate scene and her final monologue).

In the play Taming of the Shrew by William Shakespeare, Shakespeare includes several appeals of pathos, ethos and logos. In the last passage of the book, Katharina speaks out to all of the characters with a speech. Katharina describes how she has changed into a person who looks to her husband as her lord, her care taker. The characters who listened to her speech seemed impressed on how she has finally changed her rude attitude and how she obeys her husband Pertruchio’s every word.

In the play, The Taming of the Shrew, Petruchio is a foolish nobleman who tames the character of Kate because she is a shrew. A shrew is ill-spoken woman who has a negative reputation in the Elizabethan period. Petruchio tames Kate by abusing her physically and mentally, Petruchio starves Kate and deprives her of any sleep, finally he humiliates her. Kate is forced under submission because of Petruchio trying to “...cure her wild and willful nature...” (Act 4, Scene 1, Pg. 10). Petruchio explains that all his abusing is because he loves her and for her own good, when in fact he is trying to break her down. The Taming of the Shrew is about the conflict between Kate and Bianca in which their father’s rule which does not allow Bianca to get married

Kate’s ending monologue seems to show the audience how much she has changed, however some critics think this monologue could be seen as sarcastic, which, arguably, would fit in much more with her character than the apparent sudden change in heart. When Katherine speaks about being a wife she says “when she is forward, peevish, sullen, sour, and not obedient to his honest will, what is she but a foul contending rebel and graceless traitor to her loving lord?” it could definitely be construed as sarcasm, as she is largely describing herself or how she acted before, and in calling Petruchio her “loving lord” she seems scornful as he has been anything but loving towards her and earlier in the text she thinks of him as a fool.

Katherine could not stand Petruchio but she liked the attention due to the fact that she never got any from her father because she was the least favorite daughter. Shakespeare made it out that Katherine was a shrew the whole book but in reality, she was nothing more than a daughter wanting attention. Once she married Petruchio she stopped acting as a “shrew” and started acting as a wife because for the first time in forever she was actually given attention. Petruchio believed it was because he “tamed” her but in reality she was “tamed” the whole time.

In Acts I and II, Katherina is a more masterly, dominant, and familiar character than the others. Katherina’s envy and suspicion of others is so great as well as her need for assurance, that it is believable to her that everyone is fallible and believable to the other characters that before Petruchio, no one could penetrate her defenses. So determined is Katherina to make herself invulnerable to others that she makes herself insufferable, and finds in insufferability, her one defense. It is no wonder that Katherina is a bad-tempered, headstrong, domestic tyrant and for these reasons, that Petruchio’s tactics of “curing” Katherina, are quite shocking, yet in the same notion predictable, because as the old saying goes, “fight fire with fire”. A great deal of the humor of the first meeting between Katherina and her suitor Petruchio depends on the determination of each to reduce the other to subhuman status. In “The Taming of the Shrew”, Katherina′s "pointed nose" or rather her sharp tongue, is her bone of contention (Thompson 7). This essentially means that her foul and crude language is the problem which defines her as a shrew that must be tamed. Katherina’s language does not fit in the language patterns of her gender, as well as she herself does not fit into the typical patterns of society and the hierarchy within her family, reasons enough for the patriarchical society to believe she must be tamed. In the beginning of the play, Petruchio gets a

The Taming of the shrew was just one of William Shakespeare's 4 great comedies. Taming of the shrew is based on a king named Baptista who had two daughters named Katherina and Bianca. Both daughters had arranged marriages by there father. Since Katherina was older she had to get married first. Her father chose Petruchio for her to marry. Katherina did not want to get married to Pertuchio, but Katherina did not have a choice. Katherina was very disobedient at the begging of the marriage, but Pertuchio was very determined to tame her. Katherina would not want to do anything that Pertuchio was telling her to do. But soon she found out that if she did everything that he asked her to do then she will get what she wants.

She undergoes a loss of her previous identity, the one where the sun was the sun, the moon was the moon and the idea of love was a far-fetched notion saved only for beautiful Bianca. Through her change, she discovers her new self and perhaps the person she always was or wanted to become; a person who is a bit more easy-going and open to a world of new possibilities, such as the sun actually being the moon. Petruchio took on the task of “taming” Kate not to create a submissive wife through barbaric and tyrannical measures. Yes, he yelled and ordered Kate around, but it wasn’t out of hatred and meanness. He did this because this was the way to get through to her as she wasn’t going to change until she believed she wanted to.

Taming of the Shrew Character Profile · Romantic comedy Time and place written · Around 1592, London Date of first publication · 1623 Tone · The overall tone of the play is light and comic, though the exploration of larger social questions, such as the proper relation of the sexes in marriage, lends much of the comedy a more serious tone. Settings (Time) · Unspecific, though presumably sometime during the Italian Renaissance Settings (Place) · Padua, a city-state in Italy prominent during the Renaissance Major conflict · Petruccio's attempt to "tame" Katherine; that is, to assert his authority in their marriage and overcome her hotheaded

Also, Katherine herself apprehended the error of her ways, making the women feel sheltered and making the men feel self-assured about their dominant position in society. The audience presumably went home contented, because such a shrew was tamed, and could be tamed so well. Katherine’s soliloquy reinforced the moral values of the Elizabethan era, making the conclusion of the play more enjoyable and entertaining. The final scene of The Taming of the Shrew shows ”the triumph of the unconventional over the conventional”, it shows that Katherina and Petruchio’s marriage, which has started rather unconventionally, seems to have better chances of being a happy. Shakespeare speaks out in clearly favors of the unconventional concept of love present in the relationship between Petruchio and

In lines 183 through 235 of the second scene of the third act of William Shakespeare's play, The Taming of the Shrew, Petruchio tames Katherina with his controllability of harness, establishing a theme of Patriarchy. Furthermore, the theme is reinforced when he shows his patriarchism when he wants to “be master of what is mine own: she is my goods, my chattels; she is my house, my household stuff, my field, barn, my horse, my ox, my ass, my anything” (225-228). Provided that, she is treated like property, one of his possessions, as he degrades her to such common household objects. In addition, he has his own agenda.

Kate is venting her anger that Bianca should be able to get suitors while she remains alone. Kate knows that she is a smart and fiery woman and wouldn't be satisfied with such wimpy men as Gremio and Hortensio. She needs a strong man to go with her own strong and powerful personality. When Baptista enters and comes to Bianca's rescue, we find out what is really the cause of Kate's behavior: She's angry that Baptista likes her younger sister better than her. Kate tells her father, that Bianca is his "treasure" and "must have a husband" while she, embarrassed, dances "barefoot on her wedding day" and leads "apes in hell" (II.1, 31–36).

Performing Marriage with a Difference: Wooing, Wedding, and Bedding in The Taming of the Shrew Amy L. Smith Even before the recent burgeoning of performance theory, The Taming of the Shrew was of great interest to critics interested in role playing , identity, and theatricality. And because Kate's "taming" and her performative speech both take place in a play-within-a-play, Taming fostered a critical interest in the intersection between performance and gender long before the phrase"gender trouble" became commonplace. The recent debates about performance, culture, and theater sparked in part by Judith Butler suggest, however, that it is time to revisit our analysis of gender and performance in this play. Although there are a number of

Love is an ever-changing concept which varies from one person to the next. Not all love is positive for some is toxic and destructive. Shakespeare’s 1590s play ‘The taming of the shrew’ is a representation of mainstream society views and ideologies of the Elizabethan era. The play display what woman should do and not do. The play is a precise preservation of how female and males acted towards one another and singularly. Since the play has first be released ideas and belief over certain genders and their roles have changed. The play ‘The taming of the shrew’ which once embodied a love story is now seen a misogynistic story. The play has since been constructed into a few films. The most well-known films are the 1967 film