The Absent Mother In Shakespeare's King Lear Character Analysis

After King Lear’s two oldest daughters, Goneril and Regan express their love for their father in a flattering speech they were granted their share of the kingdom, and Cordelia his youngest daughter and favorite daughter refused to play along, Lear felts she was disrespectful and she was banished from his sight. Cordelia bids farewell to her sisters, and tells them that she knows they don’t love him, “I know you what you are, and like a sister am most loath to call your faults as they are named.” (1.2.273-275). “Time shall unfold what plighted cunning hides; who covers faults, at last shame them derides. Well may you prosper!” (1.2.284-286). Once Cordelia left, Goneril and Regan revealed to the audience that they had no love for their father.

To compound matters, he makes a little game out of it. Whoever loves him the most gets the most land. This does not make Lear look like a very good father. Nevertheless, his daughters, or at least two of them, seemingly have no qualms about telling their father of their love. The first daughter to profess her love to her dear old dad is Goneril, and she lays it on so thick it is almost sickening:

In the novel, the first act begins with King Lear wanting to distribute evenly his inheritance, including his castle and all his money, to his three daughters but in order to decide what goes to who, he has each girl tell him how much they love him and value him. The two older sisters, Regan and Goneril both satisfy King Lear with their sweet, loving, but fake words, they knew that they had to exaggerate how it is they feel towards him in order to receive part of his inheritance. On the other hand, there was Cordelia, the youngest of them all and whom he describes as his favorite, whom was sincere and told him

The emotive grandstanding language illustrates the dynamic prominence of exercising power imprudently and in haste. However, in contrast to The Queen, Lear’s transference of political authority to his daughters is on the prerequisite of flattery with an over exaggerated speech which must appeal and appease his ego: “Which of you shall we say doth love us most, that we our largest bounty may extend.” (Act 1.1.45-50) Lear’s actions have afforded his daughters the opportunity to take advantage of him. This strengthens Shakespeare’s theme of power, that authority is nothing more than a show and a display of status through language and verbal praise.

Many fathers appear in the works of William Shakespeare, family dynamics are the center of nearly all his plays. Shakespeare must have known that relations between members of shared bloodlines were ripe for drama, suspense, and highly emotional content. However, despite the many fathers depicted, and plays named for them, fathers King Lear and Titus Andronicus stand as share contrasts to one another. Both have their plays named ominously for them, insinuating that they are the center of the events, as was expected in during the period when these plays were written and published. Despite the separate locations and time periods the plays are set in, the patriarchal line of importance remains in both. However, Titus represents a man who loses the ability to control and protect his children from sinister others and even himself. Lear, however, suffers the tragedy of being betrayed and harmed by his own children. In this aspect Lear and Titus represent two extreme examples of fatherhood, and explore the faults and dangers of each.

It is clear from the beginning of King Lear that Cordelia has an entirely good nature, she remains constant throughout the play, never wavering in her morals. The play begins with Lear deciding that he will have his daughters compete for their divisions of his kingdoms based on which of them can impress him the most with their proclamations of love. Cordelia, however, cannot express her love for her father in words, and refuses to deceive him by doing otherwise, stating that she is “sure [her] love's more richer than [her] tongue” (278-80). She realizes that by holding her tongue she is infuriating her father, but her nature cannot allow her to do otherwise. When King Lear asks her what she has to say, she states “Nothing, my lord.” This shows Cordelia’s inherent good nature by doing what is right in a tough situation. Lear’s lack of understanding of the natural bond between parents and their children leads him to his eventual demise. He is easily mislead by the other sisters, Goneril and Regan’s fake natural behavior when they give their long speeches in order to try and flatter him.

One particular word from the play Hamlet that works powerfully to communicate William Shakespeare's theme that women are weak --a ridiculous gender stereotype-- is the key word "mother" (IV.iii.52). In context, Hamlet is saying goodbye to Claudius because he is leaving Denmark for England, Hamlet says, "farewell, dear mother," referring to Claudius as "mother" instead of father (IV.iii.52). Hamlet has a way with words, so it is difficult for the reader to believe he's joking. Claudius corrects Hamlet by calling himself a loving father, but Hamlet insists on Claudius being a mother. On its surface, the word "mother" basically suggests that Claudius is being nurturing much like a mother would be for her child. It makes sense too because Claudius is trying to get

Lear was so hung up on the fact that Goneril and Regan were able to tell him how much they love him but Cordelia was not that he had no insight into why Cordelia was doing what she was. Lear now sees how gullible he was to believe what his daughters were saying. Lear unfortunately learns his lesson too late because Cordelia dies soon after and Lear does not get the chance to enjoy the unconditional love that he should have valued in the

The basis of the father-familial relationship as plot tension or subject is often similar through literature: the patriarch wants something and the family doesn’t. However, the contrast of this paradigm within the two genres of tragedy and comedy is readily apparent within William Shakespeare’s A Midsummer’s Night Dream and King Lear. The relationships of the characters, most notably women, to their father and lord show the contrasts in the differences of the seriousness and depiction of tragedy and comedy. The most acute examples of this are the relationships between noble, rebellious daughters Hermia and Cordelia and their respective, fathers Egeus and King Lear.

As for the relation of the plays to both past and modern politics, Shakespeare’s tragedy, King Lear has not changed much in its predominant context. When in comes to the overall stereotype of most leading political figures, this story fits the same idea flawlessly, since it is one seen and preserved in the media’s eyes every day. This, in return, is expressed unto whoever just so happens to hear about whatever upcoming story they decide to talk about. Meanwhile, in the play, and elderly King Lear is planning on turning over his power to his three daughters, but allowing whichever of the daughters who loves him the most to have the largest piece of the share. While the honest and loving daughter is banished for her brutal modesty by saying that she loves him like a daughter should, the other two are left to take charge and

At the beginning of the play King Lear denounces Cordelia as his daughter in a fit of rage. He has this reaction simply because she refused to flatter him and speak exaggerations of her love for him. As his favourite daughter, Lear was expecting Cordelia to shower him with compliments and praises like his other two daughters and when this did not occur he was overwhelmed with fury and denounces her as his daughter. Lear also falls victim to wrath once he realizes what his other two daughters have done to him. “I will have such revenges on you both, That all the world shall--I will do such things,-- What they are, yet I know not: but they shall be The terrors of the earth.” (2.4.305-9). In this quote Lear reveals the wrath that he wishes to inflict on both of his daughters for deceiving him and rejecting him after he gave them everything he had. King Lear’s wrath is fueled by his daughters’ betrayal. Lear never actually did proceed to inflict his wrath upon his daughters but he did however have every intention of doing so if given the opportunity.

By examining Shakespeare’s treatment of familial ties in his plays The Life and Death of King John and The Winter’s Tale, we can see how his attitudes and opinions towards family relationships evolved. In King John (written between 1594 and 1596), Shakespeare adopts what was then a fairly conventional attitude towards family relationships: his characters never question the highly patriarchal family hierarchy. They also assume that the majority of wives will be unfaithful, simply because they are female—however, they take the charge of adultery rather lightly. By contrast, in The Winter’s Tale (written between 1610 and 1611), he adopts a much more progressive, feminist view of family

At the beginning of the play King Lear has more power than anyone else, the feeling of power made him think it was okay to ask his three daughters who loved him the most. When his youngest and favourite daughter Cordelia did not give him the answer he wanted by saying, “Unhappy that I am, I cannot heave / My heart into my mouth/ I love your majesty / According to my bond, no more nor less” (King Lear 1.1.91-93). he started lashing out. Lear clearly values Goneril and Regan fawning over him over Cordelia’s sincere honesty. Out of pride and anger, Lear banishes Cordelia, as well as Kent for defending her. Lear splits the kingdom in half to Goneril and Regan which leads to the deaths of many people in the play. Throughout the play he becomes increasingly shocked when people do not obey him the way they did before and the lack of respect he receives. With his loss of power Lear often responds to these problems with anger saying things like “My curses on her!” (2.4.138). about his own daughter. By the end of the play he recognizes that he takes responsibility for both his own problems and for those of others. King Lear’s actions were the first step to the plays tragic outcome.

This quote is coming from Cordelia in the first scene of the first act. Lear has just called his three daughters in and is dividing up his kingdom. The daughters are telling Lear how much they love him in order to influence the decision on dividing the kingdom. Regan and Goneril both lie and say that they love him more than words can express but Cordelia doesn't lie and tells the truth. In this quote, she says, “Lear you have raised me and loved me and I’m returning the favor. I love you just as I should, I obey you, I love you and I honor you. Hopefully, when I get married I will give you my husband and half of my love.” This quote is showing that in King Lear, Shakespeare uses characters to represent something greater. In the story, there are a few main characters that are big metaphors one being King Lear representing madness and insanity. A second being Goneril representing greed and lastly, Gloucester used to show the metaphors of people not opening their eyes to what's actually going on. All these metaphors have an important lesson to them that can be applied into the

Cordelia is the epitome of goodness in Shakespeare’s King Lear.  "What shall Cordelia speak?/ Love, and be silent" (I.i.63-64). These words echo a reminiscent time when loyalty to the king and one's father was paramount. King Lear, Cordelia's father, planned on dividing his land among his three daughters, but for a price, the price of their love. While her sisters exaggerated their love for their father to win the "prize," Cordelia stayed true to herself and her loyalty to Lear by not making a mockery out of her feelings for him and playing it cool. She was also not characterized by her openness of her feelings. She was a quiet girl who kept emotions locked inside. Even so, Lear got angry at her response and disowned her. Why such a brutal attack on his daughter? Cordelia is known to be Lear's favorite and he had hoped that he could give her the largest piece of land so he could reside on it with her, but the plan failed. Overall, the King's decision lead him and his