'The Artist' Essay: George’s Voice
“I won’t talk! I won’t say a word!” is the first line in the movie The Artist, George Valentin’s (played by Jean Dujardin) character in the silent film is being tortured, but won’t speak, this line is foreshadowing much of the plot to come. The director, Michel Hazanavicius, challenges the notion that dialogue is critical to a film. Storytelling typically relies on a running commentary to carry the plot, but by withholding critical information about the main character’s identity by taking away his speech, the director creates a twist that makes the movie.
Most protagonists are defined by what they say, and although the audience can consider George’s stance on silent films and “Talkies,” his expressions and
King George III did a lot of stuff to America for no reason. We shouldn’t of put up with as long as we did. George made people who owned house just let British soldiers come into their house and stay there for as long as they want. Some people do not have room for these soldiers just to come into their house like that. It was are for the people of America to just accept that. When the British troops committed a crime they got away with it. None of this is fair. British cut off all trading with the world and we are loosing everything we have because we can’t make money or get different things to survive. British is a bigger countries and far more developed than us at the moment so we can’t make money like they can. British thinks it's protecting their countries and job but it's not protecting or helping the Americas. George has never let us have any peace in our
As a silent film, Buster Keaton’s The General relied mostly on facial expressions and imagery. This resulted in exaggerated emotions and action packed visuals. Film was fairly new at the point of The General’s release, and films that could be projected to entertain wide audiences had only come into existence around 1895. The General uses it’s stunts and narrative filled with action, romance, and comedy to capture the audience's attention, without sound.
Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the
Have you ever wondered what is the actual definition of courage? What about true acts of courage really are?
The Resurrection of Christ is from the Baroque period. This work of art portrays the sense of dramatic antagonism that Caravaggio achieved by manipulating light across full range of tones, changing the intensity and transforming its radiance this was done so that every beam and shadow expressed a dissimilar emotional content. (Sayre, 2010) In Rembrandt painting he focused on using emotional contrast between light and dark tones to emphasize the emotional difference. Here you can see pure light radiating out of the tomb of darkness. Christ himself begins to rise from the tomb in the light of true symbolic
Hollywood cinema is primarily subjected to telling stories. The inclination of Hollywood narratives comes not just from good chronicles but from good story telling. The following essay will discuss Hollywood’s commercial aesthetic as applied to storytelling, expand on the characteristics of the “principles of classical film narration” and evaluate alternative modes of narration and other deviations from the classical mode.
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
Topic 2: Identity is a central concern of contemporary life. Critically examine and discuss how design or art has been used to explore, discuss and express identity.
This artwork appears to be an abstract piece made from magazine clippings to create a collage. The artwork is a vertical piece that measures approximately 17 x14. It focuses in on the subject of a girl who is created out of neutral colors. She stands out against the rainbow background. In the background each clipping has a different element and pattern, but they all work in unison creating a rainbow background.
Social location is the certain group people belong to depending on their place in history and society. Your social location is defined by your gender, race, social class, income, jobs, religion, sexual preference, age, and geographical location. Sociologists look at social location to find out why people do what they do. Your social location plays a big part in how you construct ideas and how you behave. An example of this is how a male child will act when he grows up, because he is in the male group, some of his behaviors or ideas will be influenced by other males. It can even affect your gestures and the way you laugh. (Page 2)
Throughout the term I have begun experiencing movies in a different way. The class has taken ideas of cinematography, theory, and film history and practically applied it to physically watching movies. By breaking down scenes and movies as a whole, the way I look at films in general has developed. A reflection on two of the films from this term, Casablanca (Curtiz, 1942) and North by Northwest (Hitchcock, 1959) will carry the bulk of the essay. Though, I will also be discussing how this class changed the way I saw a movie just a few weeks ago. Casablanca’s script and acting are of particular caliber, and North by Northwest unfortunately does not deliver with the dialogue and casting of lead actor Cary Grant. Though, overall, they both
If you have some free time and have always wanted to visit an art gallery, a start is the Art Sacré exposition. Just do not expect high quality art. Running from October twenty-third to December eight-teenth at Les Salles de Gesù, the exposition features four artists depicting spirituality and inner self.
Self-portraits have been used by artists for centuries to explore aspects of the self. They are the subjects they know best and artists have reflected this through their treatment of media, subject matter and techniques. Two artists who explore aspects of their personality and life experiences in their self-portraits are Frida Kahlo and Ben Quilty. Many of their artistic techniques can be derived from the same origins. Whilst there are similarities in self-portraits by any artist usually, you will find differences the norm. After all, this is what makes art and art form.
Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to
of art as a finished product, signed by the artist and authenticated by the art market,