Anne Bradstreet in her poem, “The Author to Her Book”, elaborates on the true struggles of the publishing process that writers may experience in their writing careers. Through a unique perspective, Bradstreet introduces the narrator of the poem as a writer with a “deformed” piece of work, which is compared to a mother with a child with deformities; both of which are exposed to the public eye. Though the use of an extended metaphor, Bradstreet in “The Author to Her Book” compares a defected piece of work to similarly, a child that has defects as well, which is used to convey the speaker’s self-critical, yet, loving attitude toward her work.
Bradstreet begins her poem by revealing the self-critical perspective of the narrator. The narrator
…show more content…
Additionally, she reveals through this comparison, that her “blushing was not small,” meaning that she is thoroughly embarrassed by her work. Her work is a product of her. However, given the circumstances of the public viewing it without the prior consent of her, she may not be too proud of her work. This can compare to a mother that gave birth to a child with defects, the mother may be very hesitant or even embarrassed to show the world her product. Since she focuses on the many mistakes and errors contained in the novel, it reveals that she is, again, very self-critical.
However, a shift occurs in the middle of the poem, which reveals the narrator’s more “loving” and “affectionate” side. Through the use of an extended metaphor, the goal of showing both of her feelings to her product is successful. This affectionate side to the narrator becomes apparent when she says the following: “yet being [the narrator’s] own, at length affection would thy blemishes amend, if so [the narrator] could.” She accepts this child as her own. Like a mother with a child with birth defects, the mother still loves and cares for her child. This is much like how the speaker, even though embarrassed and very self-critical of her work, still cares for her work. The work is a product of her. Such a product, like a book or even a child, could mean so much to her, even though it may not be completely perfect. The
Anne Bradstreet was a woman in conflict. She was a Puritan wife and a poet. There is a conflict between Puritan theology and her own personal feelings on life. Many of her poems reveal her eternal conflict regarding her emotions and the beliefs of her religion. The two often stood in direct opposition to each other. Her Puritan faith demanded that she seek salvation and the promises of Heaven. However, Bradstreet felt more strongly about her life on Earth. She was very. She was very attached to her family and community. Bradstreet loved her life and the Earth.
"The Author to Her Book" shows Bradstreet's feelings about the unauthorized printing of her work. She expresses her modesty about her ability to write by comparing her work to "homespun cloth" meaning that is was coarse and unrefined. Bradstreet also uses humor to express her feelings about the publication of her work without corrections, but there is still some genuine discomfort. "At thy return my blushing was not small" shows that she was a bit embarrassed about the world reading her rough drafts, but she amends her view towards the book as the poem continues. "Yet being mine own, at length affection would Thy blemishes amend…" illustrates that she truly loves her poetry, and after it is "cleaned" she takes pride in it. She show her delight in her work with the admonition "If for thy Father asked, say thou had'st none." Bradstreet wanted everyone to recognize her for the talented woman writer that she was, but requested this acknowledgment in a humble way.
She says that the "child" had been by her side until "snatched from thence by friends, less wise than true" (line 3). Basically she is saying a trusted person “snatched” her work from her without permission to take them to England to be printed. Had it not been for her brother-in-law taking her work back to England and getting them printed they may have never been known. The intimacy and feeling she shares with her work is like that of a mother and child and that bond was infringed upon when her work was "exposed to public view" (line 4). The intrusion of her brother-in-law getting her work printed is the cause of feeling that follow. Ironically the next thing she talks is the shame she has been thrust upon her by not being able to perfect the work before it was published. This is illustrated in line five where she writes, “Made thee in rags,” as to say her work is like a child dressed in rags.
The confessional mode of poetry delves into the inner struggles of the persona as she seeks creative independence, free from the constraints of her role as mother and daughter. The juxtaposition between the two settings, “the lit house and the town,” symbolises the persona’s desire for isolation as she contemplates her filial responsibilities relative to an innate desire for solitude, “wanting to be myself alone.” Dobson’s biblical allusion to Peter’s betrayal of Jesus in “Three times I took that lonely stretch,/ Three times the dark trees closed me round” utilises anaphora to indicate her prolonged attempts to embrace her creative potential. Writing in a period of social and gender re-evaluation during the 1960s, Dobson gives us insight into the way women were struggling to balance career against the patriarchal expectations of motherhood. The night, free from daily pressures metaphorically “absolves me of my bonds” creating a lighter sense of being, which is reinforced in the synecdoche “only my footsteps held the ground.” However, the use of conduplicatio in “One life behind and one before” represents her feeling of entrapment, as he remains in a conflicted state. The emotive language in “cut off… from love that grows about the bone” captures the confronting nature of her discovery by examining the
Anne Bradstreet was not only the first English-speaking, North American poet, but she was also the first American, woman poet to have her works published. In 1650, without her knowledge, Bradstreet’s brother-in-law had many of her poems published in a collection called The Tenth Muse Lately Sprung Up In America. Although these poems did not reflect what would be her best work, they did emulate what would be the greatest influence on all of her writing. Anne Bradstreet’s Puritan life was the strongest, and the most obvious influence on her work. Whether it was her reason for writing, how she wrote, or what she wrote about, Bradstreet’s poems would reflect the influence of Puritan life and doctrine.
Puritan literature captures not only their beliefs as a religion, but their beliefs as individuals. All Puritan literature is utilitarian, meaning it is useful, purposeful, and reflecting a non-ornate style of writing. One of the most prominent of early English poets was Anne Bradstreet. Her poems reflect the utilitarian style, but do so in a way that is entirely unique to herself and her emotions. Anne Bradstreet opens the bridge between her faith and her personal experiences in her poetry. In her poems “Upon the Burning of Our House” and “In Reference to Her Children” she reflects utilitarianism by recounting the conflicts between her love of her worldly things and her devotion to God’s eternity.
"You think because I am her mother I have a key, or that in some way you could use me as a key? She has lived for nineteen years. Over and over, we are told of the limitations on choice--"it was the only way"; "They persuaded me" and verbs of necessity recur for descriptions of both the mother's and Emily's behavior. " In such statements as "my wisdom ! came too late," the story verges on becoming an analysis of parental guilt. With the narrator, we construct an image of the mother's own development: her difficulties as a young mother alone with her daughter and barely surviving during the early years of the depression; her painful months of enforced separation from her daughter; her gradual and partial relaxation in response to a new husband and a new family as more children follow; her increasingly complex anxieties about her first child; and finally her sense of family balance which surrounds but does not quite include the early memories of herself and Emily in the grips of survival needs. In doing so she has neither trivialized nor romanticized the experience of motherhood; she has indicated the wealth of experience yet to be explored in the story’s possibilities of experiences, like motherhood, which have rarely been granted serious literary consideration. Rather she is searching for
women are still fighting for equality every day. In the time of Anne Bradstreet, women had few
Bradstreet's attitude changes over the poem as she realizes that she should look at losing all of her things could be more than just a negative outcome.
Another poem titled “The Author to Her Book” gives the reader the image of a baby being born. Bradstreet critics her works again and again seemingly portraying her works are not good enough. She refers to the “child” having blemishes and crippling handicaps that represents the deep faults and shortcomings in her work. Washing the child, rubbing off a blemish, and stretching its joints but failing to improve his imperfections all contribute to an image of Bradstreet rewriting her book. Dreadfully trying to increase the quality and standards in her work, the more imperfections she found. Towards the end of the poem Bradstreet talks about how she would give her ugly “child” new clothes and it just appears that her real life actions contradict her poem. She is actually very poor in life and could not afford new clothes thus sending her children away from the house.
Anne Bradstreet, as a poet, wrote as both a Puritan woman in her time and as a woman ahead of her time. Zach Hutchins analyzed this tension in “The Wisdom of Anne Bradstreet: Eschewing Eve and Emulating Elizabeth”, and makes a primary argument that three of Bradstreet’s poems provide evidence that Bradstreet rejects the Puritan views of a woman while keeping her own personal faith. Hutchins fither his argument by declaring that readers should not view Bradstreet as a symbol of rebellion or submission, instead as a symbol of wisdom.
In the 1600’s, Puritans living in both England and New England held their views on God rather tightly and lived their lives as good Christians. Puritans were selfless individuals who had escaped and came to America in search of religious freedom and peace. In literature during that time period, it is made very clear that everything the Puritans had accomplished or acquired was a result of God, and that they were forever in his debt. One of the great poets from this time era was Anne Bradstreet who wrote about her children, husband, and parents. Anne Bradstreet blended her domestic life with theological imagery in every poem she did, explaining that her grandchildren were merely lent to her but
Bradstreet wanted her poetry to remain private. She accepted her poetry unconditionally, like a mother accepts her child, because if she tried to correct the poem's flaws more flaws appeared. A distinct expression of Bradstreet true love to her
Anne Bradstreet is well-recognized because she was the first female American poet. The previous statement makes it seem as if her poems are only noteworthy due to her literary importance in history outweighing her poetic artistry. Luisa Hall in The Influence of Anne Bradstreet’s Innovative Errors explains that “the problem Bradstreet faces...is not the problem of being a woman or being the first American poet, but...fearing she has no right to speak, of fearing her voice cannot insert itself into English literary history” (23). Another writer that supports Hall’s claim is Catherine Sedgwick: “Sedgwick’s ability to champion an expansion of woman’s sphere beyond domestic settings was blunted by “deep inner restraints” that derived from her
Anna Bradstreet grows up in a healthy family. She was the daughter of Thomas Dudley who is the manager of the country estate of the Puritan Earl of Lincoln. Anna Bradstreet got married at the age of 16 to the young Simon Bradstreet who was working with Anna father. Anna Bradstreet never went to school but her father always taught her and gave her an education. It that time many women didn’t have an education. Anna considers one of the best and most important American poets. When Bradstreet was a little girl, she writes poems to honor and please her father. After she got married, she kept writing and it marriage didn’t stop her. Her brother in law, John Woodbridge, pastor of the Andover Church, brought with him to London a manuscripts collection of her poetry in 1650. It was her first book, The Tenth Muse was the first published volume of poems written by an American resident and it was widely read. Anne Bradstreet was a very religious and Godly woman. Anne Bradstreet always tried to live life in a perfect way. Anne Bradstreet was a woman of God and she always wrote about her faith in her poetry. She always talked about the Puritan and their believes and views on salvation and reclamation in her poetry. Anna seems to believe that God has punished her through her sicknesses. The Puritans believed suffering was God’s plan of preparing the soul and heart for accepting his mercy