The Awakening And Madame Bovary

When Janie is about sixteen her grandmother finds her in the act of kissing a boy, and afraid for Janie, she arranges for Janie to be married to Logan Killicks, who is an older man with vast property to his name. Nanny, as Janie calls her, is unable to wrap her mind around the idea of marrying for love and mocks Janie saying, "So you don't want to marry off decent like, do yuh? You just wants to hug and kiss and feel around with first one man and then another, huh?" (Their Eyes Are Watching God, 13). Her grandmothers’ gift of life is different from the life that Janie wants to live. She tells Janie, “De nigger woman is de mule uh de world so fur as Ah can see.'” (Their Eyes Are Watching God, 11). Nanny doesn’t believe that trying to find love and make a better life for you will succeed, she tells Janie that marrying and older man with land to his name will bring security, and she shouldn’t want more than that. Because of this Janie agrees and goes along with the plan. She is depicted as very compliant and rarely speaks her mind, even saying “But Ah hates disagreement and confusion, so Ah better not talk. It makes it hard tuh git along” (Their Eyes Were Watching God, 90).

Got a house bought and paid for and sixty acres uh land right on de big road…Lawd have mussy! Dat’s de very prong all us black women gits hung on’” (Hurston 23). In Nanny’s speech, Hurston is trying to emphasize that the female’s only role is to marry and look good, and let the man do all the work. Also in her article, Hartman says that “…due to the fact that the man was almost always working, little room was left to develop a connection between husband and wife; love was a foreign concept.”, which describes what Janie and Logan have together exactly. Despite being given all she should want, Janie seeks more.

Janie’s first husband is Logan Killicks, an old, unattractive man whom Janie marries while trying to appease her grandmother. Logan is a farmer with 60 acres of land and a comfortable house. Nanny believes in marrying for financial stability, not for love: “Tain’t Logan Killicks Ah wants you to have, baby, it’s protection” (Hurston 15). Instead of following her heart and insisting on not marrying someone she doesn’t love, Janie consents due to the pressure and marries Logan. He wants to keep her firmly under his control so he forces her to work in the field with him and clean the house. In addition to physically oppressing Janie, Logan also mentally oppresses her by showing Janie no affection during their marriage. Due to

At the same time, however, Janie begins to confuse this desire with romance. Despite the fact that nature’s “love embrace” leaves her feeling “limp and languid,” she pursues the first thing she sees that appears to satisfy her desire: a young man named Johnny Taylor (Hurston 11). Leaning over the gate’s threshold to kiss Johnny, Janie takes the first step toward her newfound horizon. Nanny sees this kiss and declares Janie’s womanhood. She wants Janie to marry Logan Killicks, a financially secure and well-respected farmer who can protect her from corruption. The marriage of convenience that Nanny suggests is “desecrating … [Janie’s] pear tree” because it contradicts her ideal vision of love (Hurston 14). Because she did not have the strength to fight people in her youth, Janie’s grandmother believes that Janie needs to rely on a husband in order to stay safe and reach liberation. Ironically, Janie’s adherence to Nanny’s last request suppresses her even more because it causes her to leave behind her own horizon.

As she protests against her guardian Nanny’s decision, she says, “Ah wants things sweet wid my marriage…” (Hurston 24). Janie hesitantly expresses her true feelings about her current relationship to Nanny, and her guardian tells her that love isn’t important in the relationship. Nanny clearly wants Janie to have wealth and status in the society, something that Nanny never had for herself. But even after Nanny passed away months later, Janie is doubtful if she will ever get his love. And as she leaves Logan for Joe hoping for a fresh start, her desire for love in a relationship grows stronger. She always though“Husbands and wives always love each other, and that [is] what marriage mean[s].” (Hurston 21). Janie knows that in her society she will have to submit under her husband, but her dreams of acceptance and love overshadow the negative aspects of being tied into marriage.

     The plan for Janie’s future begins with her lack of having real parents. Hurston builds up a foundation for Janie that is bound to fall like a Roman Empire. Janie’s grandmother, whom she refers to as “Nanny” takes the position as Janie’s guardian. The problem begins here for Janie because her Nanny not only spoils her, but also makes life choices for her. Nanny is old, and she only wants the best for her grandchild, for she knows that the world is a cruel place. Nanny makes the mistake of not allowing Janie to learn anything on her own. When Janie was sixteen years old, Nanny wanted to see her get married. Although Janie argued at first, Nanny insisted that Janie get married. “’Yeah, Janie, youse got yo’ womanhood on yuh… Ah wants to see you married right away.’” (Page 12). Janie was not given a choice in this decision. Her Nanny even had a suitor picked out for her. Janie told herself that she would try to make the best of the situation and attempt to find love in her marriage to Logan Killicks. But, as time went by, Janie realized that she still did not have any feelings of what she had considered to be love in her husband.

Janie is not afraid to defy the expectations that her grandmother has for her life, because she realizes that her grandmother's antiquated views of women as weaklings in need of male protection even at the expense of a loving relationship, constitute limitations to her personal potential. "She hated her grandmother . . . .Nanny had taken the biggest thing God ever made, the horizon " (Their Eyes 85-86).

Nanny’s idea of a marriage is “a haven from indiscriminate sexual exploitation and as a shelter from financial instability” (Jordan). Janie’s marriage to her first husband, Logan Killicks, is an unexpected grief and he disgusts her sexually. She tries to love him but their relationship lacks intimacy, romance, and fun. Throughout the novel, Janie is on a mission and she soon finds out “that marriage did not make love. Janie’s first dream was dead, so she became a woman” (24). Killicks think Janie is spoiled and “counts Janie among the livestock on his farm, estimating her value by her ability to produce greater surplus value” (Ha 33). It is when Janie realizes Killicks plans to put her to work on a mule because she does not bore him any heir that she runs off with Joe Starks.

Nanny makes Janie believe that marriage makes love and forces her to wed a much older man, Logan Killicks. Jones believes that Janie?s first efforts at marriage show her as an ?enslaved and semi-literate? figure restrained to Nanny?s traditional beliefs about money, happiness and love (372). Unfortunately Janie?s dream of escasty does not involve Killicks. Her first dream is dead. Janie utters, ?Ah wants things sweet wid mah marriage lak when you sit under a pear tree and think? (Hurston 23). Logan began to slap Janie for control over

In the novel, Janie is faced with many obstacles and trials, the greatest of which are her marriages to Logan and Jody. Janie’s grandmother, Nanny, is on her own journey to make sure that she sees her granddaughter married.

Hurston’s main way of inspiring a sense of feminism in her novel, is through the relationships of Janie including her Nanny, Logan Killicks, Joe Starks, and Tea Cake. She addresses Janie’s role differently in each of these relationships using motifs and stereotypes. Janie begins her journey of self-discovery following the dreams of her Nanny to becoming a strong, independent woman who makes her own decisions. All of the roles that Janie obtains stem from the distinct

While Janie yearns for “idyllic union” and emotional fulfillment, Nanny maintains the “prevailing sexual and racial milieu” by arranging her marriage with wealthy landowner Logan Killicks (Meese 264). Hurston purposefully compares Janie’s progressive ideals to those of feminists who were coined as “New Women” who sought marriages based on equality. She directly relates this contrast in beliefs to feminist’s dreams of and efforts towards success and equality through female autonomy rather than material wealth and security under a man’s control. Furthermore, as Janie settles in her second marriage with Jody Starks, she becomes increasingly dissatisfied. Janie’s feelings of confinement and entrapment steadily rise as Jody orders her to remain introverted and shuttle between the general store and home (Moss and Wilson 3). He forces Janie to play the role of a beautiful and submissive wife and “does not allow her to articulate her feelings or ideas [although she] longs to participate in everyday town life” (Moss and Wilson 3). Accordingly, Hurston scorns Jody for believing “She’s uh woman and her place is in de home” (43) and utilizes his chauvinistic outlook to promote women to establish importance outside of homemaking and caregiving. Hurston’s proposal directly reflects and supports Catharine Beecher’s influential efforts to “reconcile women to the limitations of the domestic sphere” (Cott 40) and expand women’s ability to excel in a multitude of different

Janie's grandmother was one of the most important influences in her life, raising her since from an infant and passing on her dreams to Janie. Janie's mother ran away from home soon after Janie was born. With her father also gone, the task of raising Janie fell to her grandmother, Nanny. Nanny tells Janie "Fact uh de matter, Ah loves yuh a whole heap more'n Ah do yo' mama, de one Ah did birth" (Hurston 31). Nanny's dream is for Janie to attain a position of security in society, "high ground" as she puts it (32). As the person who raised her, Nanny feels that it is both her right and obligation to impose her dreams and her ideas of what is important in life on Janie. The strong relationship between mother and child is important in the African-American community, and the conflict between Janie's idyllic view of marriage and Nanny's wish for her to marry for stability and position is a good illustration of just how deep the respect and trust runs. Janie has a very romantic notion of what marriage should be. "She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace . . . so this was a marriage," is how the narrator describes it (24). Nanny's idea of a good marriage is someone who has some standing in the community, someone who will get Janie to that higher ground. Nanny wants Janie to marry Logan Killicks, but according to her "he look like some ole

Through the ‘death’ of Janie’s dream, Hurston argues that one cannot move forward until she has accepted the truth. Janie’s Nanny had constantly reminded her that she needed a husband to one day rely on when Nanny was not around anymore. Nanny claimed that if Janie were to get married to a financially stable husband, she would be prosperous. Therefore, Janie believed marriage automatically results in love. Correspondingly, Hurston writes,

Janie and Nanny’s relationship is that of a mother daughter relationship and that of a father daughter relationship.Since Janie’s parents were not in her life Nanny stepped up to the plate and had to play the role of mother and father to Janie “ You aint got no papa, you might jus’ as well say no mama, for de good she do yuh. You ain’t got nobody but me.” (Hurston 15)” . When Nanny first caught Janie kissing Johnny Taylor she reacted like a father, in that time traditionally would striking Janie. But, Nanny’s motherly side kicked in and she then sat Janie on her lap and talked to her like a mother would. Nanny, like a father would in that time chose what she thought was a suitable man for her granddaughter. And like a mother in that time took