The Beginning Of Gothic Art

In normal life, people will sometimes suffer from depression or sickness caused by the loss of a loved one in a romantic or family relationship. This has been a part of life for hundreds of years and it is a way that authors like Edgar Allan Poe, William Faulkner and Horacio Quiroga connect with people all throughout the world. Using exaggerated scenarios, these authors communicate how much of an impact isolation or abandonment can have on a person physically or mentally decaying.

These kinds of art was made during the Gothic period that marks a transition from medieval to Renaissance. It was the time when churches had religious disputes. Gothic art in Italy transitioned in to the Renaissance. The Gothic period was strongly influenced by the Dominican and Franciscan monks. The Renaissance brought contemporary reality of the time into true-life paintings and sculptures. It started from Northern Europe towards South Italy. Olivetan Master some collection names are “Cutting from a choir book” and “Four Saints”.

The Gothic period, by and large set between the twelfth and fifteenth hundreds of years in Europe, was described by religious workmanship with an attention on design. The Renaissance period, which covers the Gothic period in right on time years, is for the most part considered to have spread over from the late fourteenth century to the seventeenth century, and enormously extended the degree and topic of craftsmanship. In spite of the fact that these two periods have some normal qualities, the Gothic and Renaissance periods have altogether different purposes of core interest.

Much of the architecture in the Romanesque era evolved into Gothic architecture. The Gothic era ran from the 12th century into the 16th century. There wasn’t necessarily a clean break from Romanesque to Gothic styles of architecture, but rather a gradual shift in design. The main characteristics of Gothic architecture are the pointed ribbed vaults and arches, flying buttresses and, in place of solid walls, a cluster of columns. Due to the vertical emphasis of the design, the archways could be redesigned and stretched or pointed. Four main Figure 5 – The depressed arch supported by fan vaulting at King’s College Chapel, England.

The reader is able to satisfy his or hers innermost desires through the pages of the book. The reader finds refuge through Gothic text. This is no exception with the authors. The author also wants to satisfy their imagination by creatively and articulately channelling their thoughts into a work of art. Robert Kidd writes in his ‘Transgressing the Boundaries’ article, “The power and passion of Gothic Literature seemed eminently suited to the iconoclasts who wished to challenge the status quo”. There were many famous writers like this, for example, Horace Walpole, Lewis, Godwin and of course Mary Shelley. The authors and readers of Gothic Literature share a very special connection. Both sides gain from books and share the same feelings as one writes and one reads the book, with both satisfying their imaginations.

The Gothic genre often reproduces a conservative paranoid structure when it comes to homophobia and other moral panics over sex (Hanson, Pg. 176). Eve Sedgwick depicts this in her work, ‘Between Men: English Literature and Male Homosexual Desire’ as she discusses how these ideas (paranoia) are represented within the Gothic, in what she describes as the ‘homosocial’ in reference to male bonds (Sedgwick, Pg. 86). She also discusses how bonds between men exist as the backbone of social form and forms (Sedgwick, Pg. 86). Thus, a consequence of said structure is the ability to define, control, and manipulate male bonds, which in turn becomes an inexplicably powerful instrument of social control (Sedgwick, Pg. 86). Thus, homosexuality is represented as the ‘unspeakable’ within the Gothic, as it has been defined, controlled, and manipulated to be such though social control. Therefore, this paper will discuss how ‘homosocial’ bonds between men, are used as a tool in social control and used as a way to produce paranoia and moral panic, thus in reference to the Gothic, these forms epitomize homosexuality as the ‘unspeakable,’ especially through homosexual representations within the contexts of ghosts and haunted houses.

As with many art historical terms, “Gothic” came to be applied to a certain architectural style after the fact. The style represented huge steps away from the previous and relatively boring building systems that had prevailed. The Goth’s grew out of the Romanesque architectural style, when both prosperity and relative peace allowed for multiple centuries of cultural development and great building schemes. From roughly 1000 to 1400, several significant cathedrals and churches were built in Britain and France, offering architects and masons a chance to work out ever more complex and daring stunning

Gothic Style is some of the most beautiful works of art that man have ever made. It originated with the Romanesque style of building which lasted for about one hundred years before it was replaced by Gothic styles. The founder of the Gothic style was a man by the name of Abbot Suger. Notre Dame de Chartres cathedral was built in France between 1145 and 1513 and is Gothic architecture. Another Gothic architecture is the Bourges and it is located in Bourges France. Both of these works of art are very similar with many different features.

Gothic architecture a new style developing from an old style of architecture with similar characteristics and in a way different. Architects wanted to build bigger buildings with stronger walls something that could not be found elsewhere. The old buildings did not have windows they were dark places that in order to get light they needed many candles. Not even the candles could give the right amount of light the buildings needed. The middle ages architects wanted big windows on the buildings and this new style made their wish come true. Architecture during the Middle Ages became a new style with new problems to solve and a new kind of extraordinary buildings to build.

The Gothic style, dating between the 12th century and 16th century, began in France and eventually spread throughout the rest of Europe. An example of the first true Gothic church was St. Denis of Paris. Now, it is considered one of our finest artistic periods, but at the time, the term “gothic” did not exactly hold the same meaning it does today. The name came from the Goths and was used rather negatively when describing this style of architecture as they considered it to be similar to the works of the barbarians from which the name was derived.

The Gothic style was an over exaggerated, awe-inspiring attempt to become closer to God. The worshipper was not only drawn to the altar, but experienced an ascent to heaven at the same time.1 These artistic gems are a grand testament to historical technology and the imaginative approach and vision of skilled craftsmen. The gothic style is one of the most

Gothic art flourished from the 12th century to the 16th century in Europe in response of the Byzantine and Romanesque tradition. Although Gothic is associated with arts, its most prominent use is in architecture, mainly for its pointed arch and flying buttress. To this day, the Gothic style is taken as a ‘label’ for visual arts such as concept art designs, yet the meaning stray from the original context, thus becoming rarely accurate.

Gothic Tradition was said to have started in Europe. Gothicism came from the Romanticism in the early 19th century (Book Rags). Two people who are said to have

The research paper, shall be concerned with discussion Gothic architecture in Europe-namely England, France, Germany, and Italy starting from 12th to the 16th Centuries. Architecture was the most original and lasting form of art during the Gothic Period, which lasted for four centuries starting from the mid 12th century. The impetus for this architecture was the Roman Catholic Church, which sought to portray their houses of worship as something which transcended the realm of mankind. It is interesting to note that many of the Northern European areas were predominately pagan, and only recently brought into the Church. The imagery provided by Gothic structural design was something these peoples could more readily understand, as they

This majestic cathedral decorated the land of Paris, dominating both the history of architecture as well as religion history. The cathedral still stands proudly after enduring an eventful history over many centuries. Truly a fascinating historic building to behold, ‘Our Lady of Paris’, another term for Notre-Dame of Paris, portrays many diversified characteristics which will help identify a structure as Gothic. One may lay eyes upon this building and refer it to one of Gothic’s grand structure. For many, their first concept of Gothic architecture derives from some reference to this majestic construction. In this research, I shall consider the following questions as an approach to appreciate and comprehend Notre Dame de Paris’s architectural aesthetic and value better: