The Character Edna Pontellier In The Awakening

Born in 1851 to a wealthy family, Kate Chopin was an unconventional woman. She dressed in strange clothing, smoked, and went on unaccompanied walks, something unheard of during this time period. In the 1890s, Chopin turned to writing after an emotional breakdown due to the death of her husband. Her writing generally received good reviews from critics, but nothing brought widespread public attention until the publication of her second novel, The Awakening. Published in 1899, the story of Edna Pontellier’s sensual awakening and abandonment of her family was just as unconventional as Chopin herself. It was met with harsh criticism and surrounded by controversy. Sensitive to the pushback, Chopin retreated into the background, publishing few more

Birth, whether of children or desires, existplays an active motif throughout The Awakening. Edna Pontellier, as one of the leading characters, is a child discovering her very sense of self. Her attitude toward her children reveals that she is not the typical “mother-woman” the preferable type of woman in Edna’s society. The term, mother-woman is a reductive one which implies a singular purpose or value. The mother-woman is a mother; being one defines and regulates every aspect of her life. (51). The critical elements to identifying Edna’s awakening. One thing that different Edna from other women in the society such as Madame Ratignolle is that she has not accepted her role unquestionably.

The ending of Kate Chopin’s The Awakening is both controversial and thought provoking. Many see Edna Pontellier’s suicide as the final stage of her “awakening”, and the only way that she will ever be able to truly be free. Edna’s suicide, however, is nothing more than her final attempt to escape from her life. Edna Pontellier’s life has become too much for her to handle, and by committing suicide she is simply escaping the oppression she feels from her marriage, the suppression she feels from her children, and the failure of her relationship with Robert.

The Awakening by Kate Chopin ends with the death of the main character, Edna Pontellier. Stripping off her clothes, she swims out to sea until her arms can no longer support her, and she drowns. It was not necessarily a suicide, neither was it necessarily the best option for escaping her problems.

In Kate Chopin’s The Awakening, two people who have the ultimate influence on Edna are Mademoiselle Reisz, and Robert Lebrun.

In chapter one, the relationships of Mr. and Mrs. Pontellier and Robert are already shown, even if very briefly. When all of them are watching the Pontellier’s sons playing croquet, most of their feelings for each other and their relationships are shown. Mrs. P and Robert begin to flirt. Mr. P gets annoyed and goes to the Klein’s hotel, he asks Robert to come with him. Robert refuses, Mr. P then making a passive/aggressive comment to Mrs. P stating that she should send Robert to the hotel when he bores her. Also before this, Mr. P comments on how sunburnt they are, for no reason, just to say so. This shows that the relationship between Mr. and Mrs. Pontellier isn’t really good. Moreover, there could be a relationship brewing between Robert

Edna’s awakening was the beginning to her suicide. As Edna realized her capacity to be honest with herself, the old Edna began to die. Edna slowly started to realize she did not want to be like other women, whom “idolized their children, worshiped their

No one in life has gotten to where they are without some sort of sacrifice. It is just common human nature that we must give up one thing, in order to acquire another or appreciate something else. Edna Pontellier from The Awakening is no different as her sacrifice ends up opening her eyes and changes her very nature and values.

The first sign I noticed of Edna’s internal struggle for self worth and importance was in

    "How do you honor the deepest truth you know?" --Ram Das        In order to honor one's deepest truth, one must first discover what that truth is and then apply that truth to everyday life.  The life of Edna Pontellier in The Awakening signifies the search, discovery, and application of an individual's deepest truth.  Edna, a wealthy New Orleans housewife, at first attempts to find the deepest truth about herself by conforming to society's norms.  She marries a well-respected man, Leonce, and bears him children.  However, Edna discovers that she wants more out of life; something about her marriage is not allowing her to achieve fulfillment.  Through her relationships,

These first thirteen chapters chronicle the daily life of Edna Pontellier, The Awakening’s protagonist. The novel opens on Mr. Pontellier; he is smoking a cigar and reading the newspaper while idly observing the life and activity around him. The novel turns its attention to his wife, Edna Pontellier. She is described as “rather handsome than beautiful” and has a face with a “certain frankness of expression,” an intriguing description if there ever was one. She is accompanied by Robert Lebrun, the son of Madame Lebrun, the owner of “the house” at which the Creole aristocracy stayed on the Grand Isle. They are rather close companions; Robert has chosen to follow her around for the summer, as is later revealed to be his custom. It’s revealed that Edna is an American woman from “the old Kentucky bluegrass country.” As the day progresses, Chopin details the tiny minutiae of married life that have disappointed both Leonce and Edna; Leonce feels hurt by her dismissiveness- “He thought it very discouraging that his wife, who was the sole object of his existence, evinced so little interest in things which concerned him, and valued so little his conversation…”- while Edna resents his overbearing conventionality- “An indescribable oppression, which seemed to generate in some unfamiliar part of her consciousness, filled her whole being with a vague anguish.” The Pontelliers reconcile before Leonce leaves for New Orleans

The Awakening by Kate Chopin introduces the reader to the life of Edna Pontellier, a woman with an independent nature searching for her true identity in a patriarchal society that expects women to be nothing more than devoted wives and nurturing mothers.

Edna Pontellier is a woman of great needs. Although she has a husband who cares for her and two children, she is very unhappy. She plays her roles as a mother and wife often, but still keeps doing things unmarried, barren women should do: enjoy the company of other men, ignore her children's cries, dress unladylike for the times. The story is set in the late 1800's, when women were to be in the kitchen preparing a meal for their family, giving birth to more children to help with daily chores, or sitting quietly at home, teaching the children while the husband was at work. Edna Pontellier was a woman not of her time. At only 28, she would have rather been out gallivanting with different men, traveling with them, and painting

By giving her children a sense of independance early which may enable them for success later on. While other children of the times may have a pseudo unhealthy reliance on a mother, much like Robert's brother Victor who still lives at home. Another more risky thing she did was make a statement that most women even now wouldn't agree with. Edna states: “I would give up the unessential; I would give up my money, I would give my life for my children; but I wouldn't give myself.”(Chopin 47) This statement holds quite a lot of weight in the way we can view edna. Some may call her selfish for a lack of an undying love for her children. But I view it as brutal honesty. The fact that edna is coming to this conclusion and fighting the ever pushing stream of society really shows how she is trying to fight. Giving up one's self is a very dangerous thing to do. For once you give too much you can lose who you are. But too little and people can lose sight of what you can be/who you are. As a mother edna realizes this and decides to make herself known in a different way than as a mother-woman.

Since the beginning of time social constrictions have always retained a firm grasp on the ideas and actions of humanity. While it remains a formidable foe, still some choose to fight back against the norm. This never-ending war is responsible for major advancements in the social order, but not every story is so successful. In Kate Chopin’s “The Awakening”, Edna Pontellier finds herself fighting this very battle that, although begins with a positive outlook, ultimately ends in her demise.