The Character Message in The Conjure Tales of Charles W. Chesnutt

The article “The Negro Digs Up His Past’’ by Arthur schomburg on 1925, elaborates more on the struggles of slavery as well as how history tend to be in great need of restoration through mindfully exploring on the past. The article, however started with an interesting sentence which caught my attention, especially when the writer says ‘’The American Negro must remark his past in order to make his future’’ (670). This statement according the writer, explains how slavery took away the great deal freedom from people of African descendant, through emancipation and also increase in diversity. The writer (Arthur Schomburg) however, asserts that “the negro has been throughout the centuries of controversy an active collaborator, and often a pioneer, in the struggle for his own freedom and advancement” (670).

Omi and Winant provided an excellent historical context of racial formation, from the being the United States’ social, cultural, political, and economic

One of the most pervasive themes in this passage is that of a spreading decay that is taking over the society. This is first expressed in quite a literal sense, as an actual decay of fruit and produce, which spreads like a virus across the American countryside and farming lands. Due to the economic mismanagement of the farming industry, fruit and other produce are left to rot and decay on the trees because they are not picked by the farmers. The text gives many examples of different fruits being left to decay on the farms. We see, for example, the cherries, that are described at first as “full and sweet”, being left to turn into seeds which “drop and dry with black shreds hanging from them”. The purple prunes, which now “carpet the

Johnson uses words like “disdainful”, “magnificent”, “pompous”, “incompetent”, “imitate”, “supercilious”, “arrogant,” “meed,” and bold to describe the Negro in Harlem and to show their ‘supercilious’ nature towards other cultures.

In the midst of a long passage on black people in his Notes on the State of Virginia, Thomas Jefferson (who sniffed that [Phyllis] Wheatley’s poetry was “below the dignity of criticism”) proposed that black inferiority- “in the endowment of both body and mind”- might be an unchangeable law of nature. (181)

The novel The Garies and their Friends is a realistic examination of the complex psychology of blacks who try to assimilate through miscegenation and crossing the color barrier by “passing as white.” Frank J. Webb critiques why blacks cannot pass as being white through the characters Mr. Winston and Clarence Jr.

T.H. Breen’s and Stephen Innes’s book “Myne Owne Ground” did an outstanding job of showing readers the differences in perspectives of African people living in Virginia, one of the thirteen original colonies. It went in depth and showed how an indentured African person was competent and was capable of acquiring a wealth comparable to what a wealthy white person has. However, it would never be recognized by the general white population. There are two main themes in this book, whether the society, which was introduced in this book, was color blind or not. On one hand, the authors made an argument that the African people was able to live normally and be viewed as relatively equal to white if they were rich and owned plenty properties. On the

Historical archives discovered by Dorman show that colorism had tangible boundaries within the African American community during the 1920s (47). It is stated that blacks often divided themselves into four subcategories which consisted of “black”, “brown”, “light brown”, and “yellow” Negros (Dorman 47). The above ranking would be listed in a hierarchy from “black” being at the bottom of the socially accepted hierarchy to the “yellow negro” being the most revered and desired socially.

“The Negro, too, for his part, has idols of the tribe to smash. If on the one hand the white man has erred in making the Negro appear to be that which would excuse or extenuate his treatment of him, the Negro, in turn, has too often unnecessarily excused himself because of the way he has been treated. The

The “new” negro no longer embodied “old” characteristics that defined a black man. Society had always taught a black man how to act; however, now he was adapting to the world. Locke declared that ‘the Old Negro’ had long become more of a myth than a man” (Locke, 1). A furthered and detailed definition of an “Old Negro” was that he “was a creature of moral debating historical controversy” (Locke, 1). The four

White over Black: American attitudes toward Negro 1550-1812 is a book written by Winthrop D. Jordan, who was a historian in the subject of the history of slavery in the Americas.

Chesnutt uses “Upon reaching the shop he removed the doll from his pocket and hung it on one of the gilded spikes projecting about the wire netting surrounding the cashier desk, where his eye would catch it” (109) to reveal the importance of the doll catching the barbers eye. Chesnutt expresses sight imagery through giving vivid explanation of the barber removing the doll from his pocket and hanging it upon a golden spike. This image allows the readers to visualize where the doll is hung and understand why it is hung there. He also uses “barbers eye” to stress the importance of the barber seeing the doll later in the story. Chesnutt is allowing the reader to understand the importance the doll has on the barber, his community, and his daughter.

The life of African Americans in the 19th and 20th centuries has been a truly storied past. One of the most astonishing aspects of African American life, in this period, is the degree to which it was heterogeneous. The experiences of African Americans differed widely based on geographic location, class, gender, religion, and age. Despite a high degree of variability in the experiences of Blacks in America, if one were to consider the sociopolitical fact that Black people as a group in America were a subordinate caste in dominant society, then it becomes possible to make certain overarching connections. One such connection is the presence of secretive subversive ideologies and actions. The existence of these secretive subversive activities is apparent if one examines the labor tendencies, the folklore, and the outward societal projections of black people. By briefly examining the labor practices of Black women in Atlanta during the latter part of the 19th and early part of the 20th centuries, The Uncle Remus tales, and cultural icon Louis Armstrong, one can deduce that secretive subversive actions and beliefs were an integrated aspect of Black existence during this period.

Picked up the paper and they say my nigga Eddie caught a body, I'm convinced

The essay The New Negro by Alain Locke’s defines what Locke believes to be the “Old Negro and the “New Negro. This paper will compare and contrasts Marcus Garvey The Future as I See it and Langston Hughes various poems on why Locke would have characterized them as either Old Negroes, New Negroes, or both. I believe Locke, Garvey , Hughes were determined to see Blacks succeed. Each writer expresses their idea in their own unique way, but they all wanted freedom, equality, and respect.