The Characters Of Sympathy In Oresteia And The Oedipus Trilogy

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

Being that Antigone is the protagonist, her character is important in the play. She made the decision to bury her brother knowing that it was against Creon’s law. Ismene refused to help Antigone, which left her angry, yet still determined to bury her brother. She knew that burying her brother could lead to her own death, but she continued to show courage, strength, and determination throughout her role. In the beginning, Antigone says, “Dear god, shout it from the rooftops. I’ll hate you all the more for silence/ tell the world!”(17,100-101). This was said to Ismene, when they were discussing burial plans and Ismene was telling Antigone that she was against the plan. Antigone’s dialogue shows that she is not worried about being punished or worried about who knows what she has done. It is clear that Antigone is sincere about honoring the gods, her actions show that she feels that she is pleasing the gods and that is all that matters to her. “These laws/ I was not about to break them, not out of fear of some man’s wounded pride, and face the retribution of the gods.”(30, 509-511). This demonstrates how she feels about man’s law vs. divine law. In the plot, there was not one time where Antigone denied

In the dialogue between Creon and Antigone she also defends herself when he questions her as to why an enemy should be honored. She responds by saying she loved her brothers and her family, and they are not her enemies. Creon also asked Antigone why she was the only one defying him. She answers him by saying that there are many others who do not speak out because they fear him. (lines 508-509) Antigone offers one last argument in stating that she loves her family and will welcome death because she

By definition tragic heroes can be considered one who is held up high by society for the good deeds they bring, but is then slowly or quickly taken away from that grace and placed in a world far below what they were originally. An example of this is the excerpt and the tragedy of Oedipus the king. The play shows that the faults humanity can fall through when put into a very stressful situation. Oedipus is a tragic hero because he wants to improve the lives of his citizens, he has a major human flaw of being impulsive and easily irritable, Oedipus takes more punishment than what the play told, his life and fate was not fully under his control, and he makes a vast realization with an equal amount of change.

Antigone’s motivation is love for her family- she puts it above all else. In fact, she is willing to sacrifice her life to defend that love. Antigone goes to great lengths to bury her deceased brother, who according to an edict issued by King Creon, died in dishonor, consequently making it illegal for anyone to bury his body. Through her actions to comply with her motivations, it is revealed that Antigone’s actions are also fueled by her strong beliefs that, first, the gods’ laws

Her blatant disrespect and sarcasm toward Creon shows how she really feels toward him. Antigone does not respect Creon as the king of Thebes. This gets further proved when Antigone says, “It wasn’t Zeus, not in the least, who made this proclamation–not to me” (Sophocles Antigone, 499-500). This is a very telling moment for the reader, Antigone is saying she did not listen to Creon’s decree not only because she does not respect him, but also she will only listen to the gods rules. This moment tells Creon that Antigone will never respect him as a ruler. Antigone is very stubborn, and when she is very passionate she will speak her mind, “And if my present actions strike you as foolish, let's just say I’ve been accused of folly by a fool” (Sophocles Antigone, 523-5). In these few lines she is talking to Creon about how she does not regret burying her brother. She tells Creon, the person who holds her fate in his hands, that he is a fool. Antigone’s hubris finally comes back to ruin her, “We took his orders, went and searched, and there in the deepest, dark recesses of the tomb we found her… hanged by the neck in a fine linen noose” (Sophocles Antigone, 1344-7). The ‘her’ the messenger is speaking of is Antigone. Antigone is so prideful and spiteful her last act on Earth was a smug reminder to Creon that if she was going to die it would be on her own terms, by her own hand. Antigone is one character that perfectly showcases how hubris can lead to ultimate demise.

In the play Antigone, written by Greek playwright Sophocles, loyalty to family seems to be a recurring theme. We first see it when Antigone defies King Creon's order to keep her brother, Polynices, unburied as a punishment for his betrayal of their country Thebes. We also see how Antigone's sister, Ismene, accepts partial blame for the burial (even though she refused to actually do it) in an affectionate, loyal act. Creon is also family (their father's brother), but he, however, betrays this family trust and loyalty when he sentences Antigone to death for disobeying his law. There are, however, repercussions for this death sentence, that prove that there are two central tragic heroes in this play. She is

Sophocles symbolizes family over authority by using Antigone and Creon to conflict each other's core beliefs, showing that Antigone is willing to die to honor the love for her family, while Creon is willing to kill to honor and enforce his own authority at any cost. As we see in the story, when Antigone's brothers die, she chooses to bury Polyneices even though she knows this will cost her her life. In the play when Antigone tells her sister what she’s going to do, ismene says, ”But think of the danger! Think what Creon will do! ANTIGONE: Creon is not enough to stand in my way” This shows Antigone represents family for the great lengths she will go to to honor her brother. By contrast, Sophocles paints Creon to symbolize authority through murder of his own bloodline. In the play he plans to kill Antigone for choosing her love for her brother over his rule, and so he plans out her execution although she is family to Creon. The Choragos asks Creon “Do you really intend to steal this girl from your son?,” which then he responds by saying “No; Death will do that for me.” Which shows the reader that Creon is unsympathetic to who Antigone is in relation to him. He disregards the importance of family to uphold his authoritative values. By the end of the play the author has shown us Creon has come to realize his ways have cost him his family, and he regrets his decisions.

Like Creon, Antigone also never falters in standing up for what she believes in. Although Creon fights for stubborn pride, Antigone is trying to promote what is right and shows her higher reverence for God’s law rather than for Creon’s laws. In the eyes of the townspeople, Chorus, Choragos, and Haimon, Antigone is sacrificing herself to give her brother Polyneices the rightful honors due to the dead. Many side with this brave, honorable girl because she would rather suffer persecution and even death rather than give into Creon’s illogical demands. In the play, the chorus says about her, “You have made your choice, Your death is the doing of your conscious hand”. Antigone knew of the consequences before she acted and in doing so she chose her fate. At the time, she pleaded her sister Ismene to help her bury Polyneices but was rejected. Despite being alone in trying to rebel and perhaps she may have been afraid, Antigone goes out of her way and puts her life on the line to bring her brother respect.

Antigone wants to be redeemed in the afterlife through her act of burying Polyneices. This is especially clear when she decides that she will bury him and die before she has even appealed to Creon. The only route she can see is one that results in her death. Not until she is directly confronted by her uncle does she attempt to dissuade him from dishonoring Polyneices. Even then, she seems to be simply defending her own actions rather than accusing him of being wrong, as she so adamantly has done with Ismene. He needs to implore her to “Speak!” (166, 442), and when she does, she is flippant and prideful. Antigone only engages in real dialogue with him when he forces her to. This could be interpreted as her simply understanding his position and accepting it, but I find that unlikely. She clearly fundamentally disagrees with him and his interpretation of the gods, but instead of trying to persuade him to recant his decree and bury her brother, she capitalizes on the position she’s in and thrusts herself into martyrdom. Even by the gods’ standards, this does not seem to be justice or “rightness”. Her surface level loyalty to her family may initially appeal, but I find it insincere and not right when I explore it more closely.

For instance, Antigone had many chances to obey the law or her own familial bonds. Antigone chooses to obey family, and bury Polynices even though burying breaks Creon's law. Antigone pleads to Ismene to help, when she says no, Antigone responds, “But as for me/ I will bury the brother I love” (Prologue. 192). Antigone is willing to break Creon's authority as a family means much more to her, this presents her as selfless. Along with breaking the law, Antigone also risks execution for that crime. Once Antigone learns of her punishment after Creon discovers her, she decides if burying her brother was worth it. After Creon warns Antigone again she says, “This death of mine/ is of no importance; but if I had left my brother/ lying in death unburied, I should have suffered. / Now I do not” (Scene II. 208). Antigone shows the courage that even death won't scare her from her goals. Antigone chooses family, even in the face of the capital punishment. Sophocles show Antigone as a lion-hearted being by denouncing Creon’s will and burying her brother. Through Antigone’s actions, Sophocles show how he favors family over authority.

Family is very important and is shown through the many ways in society. That family will often be more important than the authority or law. The tragic Greek play, Antigone written by Sophocles. Within Antigone, Sophocles presents many situations where characters are forced to face their feelings of law or family. Throughout Antigone, Sophocles proves his strong devotion to family, even more. Sophocles presents these through the actions of Antigone, Creon, and Haemon with the choices that they make throughout the play. For instance, Antigone had many chances to obey the law or her own familial bonds. Antigone chooses to obey family, and bury Polynices even though burying breaks Creon's law. Antigone pleads with her sister to help, but when she says no, Antigone responds, “But as for me/ I will bury the brother I love” (Prologue. 192). Antigone was willing to break Creon's authority as a family means much more to her, this presents her as selfless. Along with breaking the law, Antigone also risks execution for that crime. When Antigone learns of her punishment, after Creon discovers, Antigone decides if entombing her brother was worth it. Following Creon's warning, she says, “This death of mine/ is of no importance; but if I had left my brother/ lying in death unburied, I should have suffered. / Now I do not” (Scene II. 208). Antigone shows the courage that even death won't scare her from her goals. Antigone chooses family, when in the face of the capital punishment.

Her core value of commitment of her loyalty to family is an important value for her to have. She believes that family comes first. “But I will bury him, and if I must die, I say that crime is holy.” “But as for me I will bury the brother I love.” “But I will bury him, and if I must die, I say that crime is holy.” This proves that Antigone is loyal to her family because, no matter the consequence she is determined to bury her brother. This is because to her, her brother deserves to be honored. Antigone puts her family before the law. “But as for me I will bury the brother I love.” This proves that Antigone has a

Antigone has a possible flaw in that she is too stubborn and persistent to obey Creon’s order; “I know my duty, where true duty lies” (Antigone, 128). Her punishment then encourages feelings of pity from the audience because her deed was honorable and respectful towards her brother Polynices. The chorus supports this view by bidding her a respectful farewell when she is taken away, “But glory and praise go with you lady” (Antigone, 148). Antigone is also very proud, and this may have contributed to her death. Even when she is caught she remains strong and defends herself by claiming that the chorus thinks that her act was honorable, “All these would say that what I did was honorable” (Antigone, 139). This causes Creon to remain angry with Antigone, “you are wrong, none of my subjects think as you do” (Antigone, 140). If she had been more patient and less defensive, Creon may not have been as harsh in the punishment he set for her.

Not only is Antigone courageous and highly motivated by her morals by standing up for her political and religious beliefs, she also protects her personal ones when she buries her brother. Antigone places family above her own life, and she refuses to let a man stand in her way of maintaining her ideals. She buries Polynices out of her own loyalty to her brother even after her sister, Ismene, refuses. Antigone is cruel to her for not taking part in illegally burying their brother. Instead of being caring and considerate, she becomes irate and at the end of their conversation says, "Go away Ismene: I shall be hating you soon, and the dead will too, for your hateful words," Antigone's flaw was her headstrong behavior and her stubbornness, which ultimately brought about her downfall and the downfall of those around her. Her persistence of course, is what forces Antigone to rashly take matters in to her own hands. Creon then decides to take Antigone's life "Away with her at once, and close her up in her rock-vaulted tomb. Leave her and let her die". To everyone's surprise Antigone does not run from her death sentence suggesting a great trait of braveness, which the chorus recognizes before her exodus from life. The notion that a person has no say in the affairs of their loved ones and the fact that those laws were defied deserves