The Classic of Filial Piety is a highly influencial piece of art from acient China that many use, along other acient Chinese arts, to portray how art in China was effected by the beliefs and events surrounding the artist. However, not many mention on how it was a major factor in influencing China to accept painters and paintings as arts that could be used for artists to express themselves, thus being both affected by the current events and being the event that affected other arts. The Classic of Filial Piety was painted by Li Gonglin and is different than modern art, mixing both pictures and text. The art was painted in the Northern Song Dynasty, which lasted from 960 to 1279. China was in the later half of the Dynasty, as the painting …show more content…
Paintings had little meaning compared to other arts such as sculpting and music. Artists turned to those arts to express themselves, and paintings rarely had meaning in them. China did not consider them very important compared to other civilizations. After Li painting was put in a more favorable light. They soon became reconized as a legitimate form of art. Painters soon took to painting to express themselves and observers began to appreciate meaning and symbolism in paintings. This helped different forms of storytelling to blossom and for painters to become more reconized. Li's painting influenced an art to become loved by the public, and many believe it's due to the meaning Li put into the painting.
The painting has deep meaning in it, and the lesson expressed is the focal point of the painting instead of background symbolism. Filial Piety means to respect one's parents and ancestors. The painting is based off a piece of Confucian classic written in approxiametly 400 BC. The exact author is unknown, but it's claimed to be a conversation between Confucius and Zengi. The book, like the painting, describes how to behave towards one's superiours. Filial Piety is the main focus of the painting. In the painting, several different scenes are showed. One scene shows Filial Piety relationships in a “levels of a contemporary society”(Maxwell, 40). It shows a son saying goodybe to his parents. Another
During the Han period, poetry had started to flourish. The most popular form of poetry was fu, it is a mixture of rhyme and prose. At the time, poems were thought to be a more creative form of writing. Music and dancing was also a very important part of the Han culture. Many of the instruments required the user to pluck string. Many of the dancing contained many upper body movement and had many meanings to convey. Many forms of art also came out at the time. Many of which being wall painting, and embossed silk. Although artists were not high up in the social structure, they still were close to the
There are also several doves at the bottom of the painting, presumably indicating purity and perhaps symbols of love as well. (Wall Text 2012)
Confucian scholars were expected to master the skills of poetry since it was the most respected form of Chinese literature. Chinese writers often focused on a broad topic such as life or the universe. Poetry never faded throughout these years, and new forms of popular literature began to emerge in the Ming dynasty. Stories began to be told by specific pieces of literature, and classical poetry continued to play a part in Chinese literature for many years.
The symbolism behind the parable ‘if the blind lead the blind, they both shall fall into the ditch’ is applied to the bickering faiths. The message could entail that the ‘blind’ have no understanding of the true faith, symbolized by the sightless entourage being led away from the church. It could be thought that Catholicism was held as the truth, and the religious freedom imminent due to the Edict of Torda would draw people away from that faith. This idea can be expanded to fit the whole mankind, and their focus on worldly matters drawing them away from Christ. The positioning of the figures leads the eye, who naturally starts on the left side, through the progression of figures to the one who has fallen. The church divides the painting in the middle, allowing conclusions to be made by the viewer, even without a significant prior knowledge. Morimura’s confiscation and adaptation of this idea changes the thesis for his work. The men are now literally blinded by worldly and consumeristic items, each representing a difference aspect of society. The wealthy are drowned in money and consumeristic desires, governmental strife and war is implied by the soldier, the increasing brutality and evolution of the modern art world by the artist figure, and the ignorant and naive youth of today, being led by their adult counterparts to ruin, is
The Han China and Classical Athens’ culture also had a huge different to how the arts were created. The arts of the Athenians were more focus on themselves, the human body. For example, on the front cover page, there is a drawing or statue of a Greek man, the Greek man is standing in a weird position with his arms pointing down, there are a few lines emphasizing his muscles, torso, biceps, etc. (Front Cover). While the art of the Han China were more focus on the landscapes and scenes surround them, along with the serenity and balance of the world drawn on to canvases in great details (document L). In most paintings, the five Chinese elements called Wu Xing will most likely be included in the paintings; the five elements are wood, fire, earth, metal, and water. Looking at Ch’iu Ying’s painting, you can clearly see the how Wu Xing is being presented in the painting, how the trees and mountains were presented in the background (document L). However, as you can see in the painting, there are only two men in the painting, this could mean that humans were inconsiderable in their arts (document L). As a conclusion, the two artistic styles were complete different from each other, the Han’s arts were more focus on nature in great details, while the Athenians’ art were more focus on the human body.
Painting was a way to record history of Chinese figures. There were not a lot of differences between the north and south china when it came to painting of religious and historic stories. The difference between the north and south in regards in paintings styles. Jing Hao and Guan Tong represented the northern schools and Dong Yuan and Juran represented the southern schools. The north did panoramic structures paintings and the south schools painted mountains and seas in southern china. The northern and southern china schools differed in other artistic fields. Both schools did have a close relationship in landscaping
In terms of subject matter, both works are visual depictions of the crucifixion of Jesus Christ. In each painting, Christ is the central figure, surrounded by two groups of figures. On the left, a group of women that includes the Virgin Mary mourns over the dead body of Christ, while on the right is a group of soldiers and other lamenters. Both works feature a rocky landscape on which the figures are positioned. Encircling Christ are several angels whose gestures of lamentation echo those of the figures below. Highlighting the severity of each scene is the blood that pours from Jesus' wounds. The blood from his feet drips onto human bones that are embedded in the rocky terrain below. The skull serves as a "memento mori," or a reminder of death, an idea that has been repeated in several other depictions of Christ's crucifixion.
Every artist has his or her own style of painting. Each painting tells some sort of story or has some type of personal meaning to the artist. One of the most important figures in modern art is Pablo Picasso. Not only was Pablo Picasso a genius in the field of abstract art, but he also experimented with sculpting and ceramics. Pablo Picasso has taken the world to many places with his unique style of work which is why I believe he is considered to be a genius of the 20th century.
context such as race and gender, and the history of the painting. In addition, I will be
The two main characters in the painting display elegant mannered poses and all the figures appear arranged in rather unnatural poses. There is a small scene at the foot of the Saint Catherine and Christ figures. This is thought to be the Christ child with the Virgin Mary and grandmother, Saint Anne. Below these two scenes are three smaller bordered scenes. The central one depicts two enemies reconciled by an archangel and the outer ones show Saints Michael and Margaret fighting demons. All these images show the triumph of good over evil, with the middle characters shedding their weapons and embracing. All these small pictures support that the painting was commissioned by Arigoi di Nero Arighetti to celebrate the end of a feud.
When I see the painting the shape is symmetric in the sense that there are the same amount of people on both sides of Jesus. The genre of this painting is Christian art.There are also four panels on both sides of the walls. In my opinion, the target audience that this painting was intended for are those who are believers of Christ. I feel this way because I think that this painting portrays the event that is talked about in the bible in the scripture Matthew 26, verse 21 where Jesus says “…"Truly I tell you, one of you will betray me.". He then continues in verse 23 saying, “The one who has dipped his hand into the bowl with me will betray me”. In the painting, you can clearly see the man two seats away from his right reaching for the bowl at the same time as Christ. This event lead to the Holy Eucharist, also known as communion or the Lord’s Supper where Christ takes the bread which was to symbolize his body and wine which was to symbolize his
While Qiu’s work depicts the prosperity of Suzhou in the middle era of the Ming dynasty, Zhang’s painting shows the daily life of people in Kaifeng during the Song dynasty. Qiu Ying’s buildings are more structured and grand, even the shops appear more spacious. The scenes in this painting represent an important page in Chinese history by combining the history and reality of a genre painting. So many landmark buildings in Suzhou are clearly recognizable which show the developed economy and traditions of the Ming dynasty and the artist’s own style. Qiu Ying uses the traditional blue-and-green style in this painting, leading to a beautiful picture which is filled with bright green mountains and clear blue
Religion in the Middle Ages takes on a character all of its own as it is lived out differently in the lives of medieval men and women spanning from ordinary laity to vehement devotees. Though it is difficult to identify what the average faith consists of in the Middle Ages, the life told of a radical devotee in The Book of Margery Kempe provides insight to the highly intense version of medieval paths of approaching Christ. Another medieval religious text, The Cloud of Unknowing, provides a record of approaching the same Christ. I will explore the consistencies and inconsistencies of both ways to approach Christ and religious fulfillment during the Middle Ages combined with the motivations to do so on the basis of both texts.
The painting was a commissioned work for the Medici Family of Florence, a powerful political and financial family which would later go on to become an influential royal house for centuries. Throughout the painting, there is evidence of movement and a prevailing sense you
The idea of this piece is to show the connection between mother and daughter being painted. It shows the time and the classic style of the