The Conflict in The Eumenides of The Oresteia Essay examples

He maintains his focus on Greek myths not only because of the sheer number of myths around the world, making it impossible to interpret and clarify them all, but also because European men, who would have been familiar with the myths from Greece, write most of the classics we analyze. He explains that these myths are not only a part of them but also “so much a part of the fabric of our consciousness, of our unconscious really, that we scarcely notice” (Foster, 51). Which suggests that, we can recognize Greek myths even if we do not realize it. With this simple fact presented to us, we no longer wonder why allusions to Greek myths have been used since they emerged and are still employed today. Myths are often exercised as “overt subject matter for poems and paintings and operas and novels” but more often “writers have…borrowed from and emulated” these myths (Foster, 52, 53). Instead of explaining every detail about every character, place or moment authors rely on other stories, such as myths, to expand and develop their tale. The writer will subtly hint at myths and hope you recognize their allusions to these old legends. Since we established that, we know these myths, whether consciously or not, we can take these allusions and decipher any hidden meanings the author has for us, giving each story a new level.

In the trilogy Oresteia, the issues concerned are the transformation from vengeance to law, from chaos to peace, from dependence to independence, and from old to new. These four significant changes all take place throughout the play and are somewhat parallel to the transformations that were going on in Ancient Greece.

In homer's Odyssey the main character Odysseus is a person who only tries to help himself. Although he earns the trust of his men while in Troy, he loses it on his perilous journey home. Many times in the epic he manipulates others, commits foolish acts and is full of hubris. He tries to take shortcuts and as a result of this is men are killed and his boats destroyed. He plays with the lives of his men and he is punished for it. Odysseus is not a hero because, he is foolish, lacks faithfulness and is consumed by his Hubris and selfishness.

One of the major themes of Homer’s Odyssey is the importance of cunning over strength. This also happens to be the case with Odysseus and his long ten year journey home from fighting in Troy. Odysseus uses his intelligence over strength to ‘fight’ through tough times and bring himself home to Ithaca. Odysseus uses his intelligence when he has his men tie him down while passing the Sirens, so he himself will be able to hear their beautiful song, but not be entranced by their singing. He also uses cunning to escape from the Cyclops’ cave without being harmed. He then uses his cunning by storing away all of the armory, shields, and knives from the suitors so he is able to kill them easily.

1979. Choose a complex and important character in a novel or a play of recognized literary merit who might—on the basis of the character’s actions alone—be considered evil or immoral.  In a well-organized essay, explain both how and why the full presentation of the character in the work makes us react more sympathetically than we might otherwise think.  Avoid plot summary.

When consideration is given to the status of philosophy in Greece at the end of the fifth century

Euripides' Medea Medea is the tragic tale of a woman scorned. It was written in 431 B.C. by the Greek playwright, Euripides. Eruipides was the first Greek poet to suffer the fate of so many of the great modern writers: rejected by most of his contemporaries (he rarely won first prize and was the favorite target for the scurrilous humor of the comic poets), he was universally admired and revered by the Greeks of the centuries that followed his death('Norton Anthology';). Euripides showed his interest in psychology in his many understanding portraits of women ('World Book';). Euripides choice of women support characters such as the nurse and the chorus is imperative to the magnification of Medea's emotions.

lip’, ‘Old black ram’. At the start of the play when he is seen heroic

And jurors all in silence recognize this court / Which I ordain today in Perpetuity / That now and always justice may be well discerned" (571-574). This quote exemplifies the importance of justice in society. It displays how justice must always be recognized in a matter of life or death. Within the trial, Orestes says that it was Apollo's oracle that commanded him to kill his mother. Ultimately, justice prevails, for Orestes is acquitted. One can conclude that it would not be just to punish Orestes because he was advised by Apollo to kill his mother.

In Antigone and Lysistrata the tension between the polis and oikos is reflected in different ways. Antigone prioritizes oikos over polis, while Creon prioritizes polis over oikos. The men in Lysistrata favor fighting for the state over being at home while the women want their husbands with them instead of being at the war. We find ample evidence of different conflicts and similarities in both plays, but the male's prioritizing polis over oikos and the female's prioritizing oikos over polis causes the central tension in Antigone and Lysistrata.

Prompt: In a well-developed essay, consider whether hubris, fate or both are the use of Oedipus’ downfall. Use evidence from the text to support your support.

In the Oresteia there seems to be a continuing cycle of revenge. Someone is murdered and then a relative must kill the murderer, therefore becoming a murderer himself. A new chosen one is then selected to take revenge on that person who killed before him and the cycle goes on and on. The furies also play a part in this cycle of revenge. They seek out those who kill their blood relatives and haunt them and torture them for eternity. So basically they also take revenge for the ones that have been murdered. Revenge is a continuing theme throughout the play until Athena has a hand in making it come to an end.

The role of the gods/fate in human affairs is a central theme in most works of literature. In Greek literature, particularly, the will of the gods is commonly attributed to human experiences. In Oedipus the King, for instance, the oracle’s message that Oedipus will kill his father and marry his own mother suggests that he was a puppet in the hands of the gods, who manipulated the events that led to his fall. However, the character’s fate is not entirely attributable to the work of the gods. In the play, Oedipus meets his fate due to his determination to unravel the mysteries surrounding the king’s death, despite warnings by the prophet Tiresias and his wife/mother, and his quest to prove the oracles wrong in their declaration that he is

Hans Rockwell 8/26/17 Question 1 Question 1.) One of the responses people usually have about Oedipus is if he really deserved the fate that he ended up with. It’s not his fault that Jocasta and Laius tried to outsmart fate and dispose of him.

In Plato’s Euthyphro, Socrates and Euthyphro had a conversation about piety. During the conversation, Socrates raised a question which was a challenge to the Euthyphro’s definition of piety. Also, this question is a challenge to the theists’ view of divine command theory. I agree with the arbitrariness objection which succeeds giving a good reason to theists to reject the divine command theory. This objection indicates that the arbitrariness of God’s commands contradicts to the fundamental attribute of God, and God’s commands are unable to make an act morally good or bad.