The Ecstasy of Sculpture: A Comparison of Sculpture in Italian Baroque Art
Focus Question: To what extent was the Italian Baroque art, specifically Bernini, a support for the Catholic-Counter Reformation compared to The Neoclassical era, not even a century later? A comparison of Bernini’s “The Throne of Saint Peter” and “Ecstasy of Saint Teresa”; and Antonio Canova’s “Amor and Psyche”.
Michael Thiessen
IBN: 000874-0212
Friday, March 20, 2015
Word Count: 2000
IB Art History─Period 5
Jamie Roberts-Jones
Table of Context:
Introduction………………………………………………………………………….3
Gian Lorenzo Bernini………………………………………………………………..3
Ecstasy of Saint Teresa……………………………………………………………....4
Saint Longinus……………………………………………………………………….6
Antonio Canova……………………………………………………………………...7
Amor and Psyche…………………………………………………………………….7
The centuries of the late 1500’s and the early 1600’s were a time of reformation. Many artists were commissioned for art for the Catholic Church to support of the Catholic Counter Reformation, like Gian Lorenzo Bernini. However, many artists went against the. Along with art in support for the Catholic Counter-Reformation, there were also artists that produced art that went against the academy and introduced new radical ideas to art, like Antonio Canova. Although some art historians may think otherwise Italian baroque art was a complete support for the Catholic Counter-Reformation. Comparatively, Neoclassicism is a direct opposition to The Catholic Counter-Reformation.
Florence is home to many wonderful painters and artists during the renaissance. The one who did the ceiling of the cathedral that is shown is Giorgio Vasari. he was a renaissance painter, architect, and author. This artifact shows how extravagant they had gotten with their art, using perspective, shading and the influences of humanism to paint. This shows the true art of this time period.
This paper will compare the themes found in the paintings "Madonna and Child with St. John the Baptist and an Angel" by Domenico di Bartolomeo Ubaldini (Puligo) and "Madonna Enthroned" by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare
Art is able to transport its viewer through time and connect us as a community. Audiences are able to infer the content and context of the artwork. Art displayed through different mediums and about different topics can share many similarities and draw connections between one another. Exodus, created by Shelby Lechman (2015), uses oil paint on canvas to depict a young boy and father in a train car, leaving their home in Hungary during the time of the Hungarian Revolution (fig.1). Back into the Earth: Creation and the Interpretation of Meaning, created by Tamara Himmelspach (2015) is a series of 11 prints and a physical dress displaying the designer in a jingle dress representing the traditions of the Ojibwa culture
This essay will compare and contrast the work of two sculptors who use the human form as a basis of their artwork. The first sculpture “Apollo and Daphne” by Gian Lorenzo Bernini was created in 1622 and portrays a Romanian story. Where as “Two Women” by Ron Mueck is a hyper realistic sculpture made by an Australian contemporary artist.
The Reformation was a religious movement that divided the church between the Catholics and Protestants. The Counter-Reformation was a reaction movement that followed this originally crusade, and was lead by the Catholics as a response to the wide spread of Protestantism. The purpose of the Counter-Reformation was to spawn internal reforms. This movement was focused on the renewal of the church in the form of the use of images, focus on the church as the house of God, and the veneration of the Virgin Mary and Saints. The Counter-Reformation was responsible for the start of major change in the Catholic Church and with regard to the role of art; the importance of art was heightened and the movement sought out to restore Catholicism and make is more attractive, thus emerged the Baroque style.
During this assignment I will talk about three types of Work of Art from three different artists from the Baroque period through the postmodern era. 1). Michelangelo Merisi da Caravaggio; 2) Rembrandt van Rijn; and 3) Peter Paul Rubens, these three artists were known for their religious theme in their art work. The naturalism that was visibly demonstrated in each of the artist work with high contrast of lighting that noticeably appeared in these paintings. Each artist was well known and respected for their work.
Bright colors jumping at you asking for attention, images so real viewers can not tell the difference. These are the thoughts that came to my head as I gazed at two works of art by two Mexican artists at MoLAA museum of art . I visited two museums, Bowers Museum of cultural Art in the heart of Southern California and the Museum of Latin American Art in Long Beach for my report unfortunately I only liked the works in MoLAA and will talk about it through out my paper. I will talk about two Mexican artists Rafael Cauduro and David Alfaro Siqueros that caught my eye, and made me want to learn more of them and their approach to art. Siqueiros caught my eye and interest because according to his biography “no
This paper will compare the themes found in the paintings “Madonna and Child with St. John the Baptist and an Angel” by Domenico di Bartolomeo Ubaldini (Puligo) and “Madonna Enthroned” by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare
Renaissance art created standards and principles that every painting and artist had to utilize in order to even be considered good, let alone great. Characteristics such as the phenomenon of natural light, one-point and linear perspective, and highly idealized religious or mythological figures changed into the Baroque techniques of manipulating light to create emphasis, dramatizing the illustrated allegory, and unidealized realism. Additionally, “… the Baroque trend dominated and gave its name to the age… [but it was the presence of both styles] that give the Italian seventeenth century its richness and diversity.” (4) Italy, and Rome especially, is home to what can
•The creation of the baroque style—an art style full of emotion, flamboyancy, symbolism, vigor, and subtlety—largely as a product of the Catholic Church patronage of the arts
From the late fifteenth century to the genesis of the sixteenth, a new movement influenced art in Europe, expanding the bleak limits of past art and created some of the most memorable masterpieces in history. The creators of these artworks during these decades of the Renaissance include Leonardo da Vinci, Michelangelo Buonarroti, and Raphael Sanzio. Influenced and sometimes driven competitively by each other, these artists share differences and similarities in their life, art style and techniques, and interests.
“No painter can paint well without a thorough knowledge of geometry” (qtd. in Butterfield 27). The Italian Renaissance is famous for its art which includes unique style of painting and sculpting, however, the Renaissance made significant remark on the use of scientific techniques which also can be considered as the influence of classical ideas. Although, classical ideas were not advanced like in the Renaissance, it provided the foundation for the Renaissance to revive it again. The Italian Renaissance transformed the manner of viewing the arts. Before, most people in Italy were bounded by religious thoughts and beliefs. Renaissance helped people to shift their mind and behavior towards the secular ideas, instead of vague ideology like
The sublime is a feature present in many art works. It is an aesthetics category that, unlike other categories such as beauty or the picturesque, examines great and awe-inspiring phenomena. The sublime is an aesthetic notion that describes the emotions of awe that people experience when they encounter the immense, powerful, and even terrifying forces of the natural world. Like all aesthetic notions, the sublime produces various emotions with the persons viewing a piece of art. Moreover, many works of art that depict industrial landscapes or scenes rely upon the sublime to communicate to the viewer the sublime nature of modern industry. Indeed, artistic depictions of technology in industrial paintings reflection aesthetic concept of sublime by the scale and focal point in paintings.
To understand the characteristics of Baroque style is to truly understand artistic measures of the sixteenth to eighteenth centuries. Baroque, a single word describing an entire period of art, can be broken down into more than one actual form of art. The new European age birthed this developing style of architecture, coming from ideas on religion and politics. Set apart in three different countries, visitors of St. Peter’s Basilica, Versailles, and Hampton Court Palace, engulf themselves in historic Baroque styles and beauty. The international style “was reinterpreted in different regions so that three distinct manifestations of the style emerged” (Matthews 392). The florid, classical, and restrained baroque design of the three different buildings gives us a historic lesson on the reasoning behind its purpose.
This essay looks at the time in history beginning in the 1400’s to the mid-1700’s which we identify in art history as The Renaissance, Baroque, and Rococo periods. Focusing on the influence new scientific knowledge had in the art produced during this time with specific examples from each period and artists of the time.