The Final Book Of The Divine Comedy By Dante Alighieri

Imagine a place where tyrants stand up to their ears in boiling blood, the gluttonous experience monsoons of human filth, and those who commit sins of the flesh are blown about like pieces of paper in a never-ending wind storm. Welcome to Dante 's Inferno, his perspective on the appropriate punishments for those who are destined to hell for all eternity. Dante attempts to make the punishments fit the crimes, but because it is Dante dealing out the tortures and not God, the punishments will never be perfect because by nature, man is an imperfect creature. Only God is capable of being above reproach and of metering out a just punishment. While Dante 's treatment towards the tyrants is fitting, his views on the

Dante Alighieri wrote the Divine Comedy from 1308-1320. The story narrates Dante’s pilgrimage through hell, purgatory, and heaven while guided by Virgil and Beatrice. Throughout this journey Dante conforms himself to virtue, properly orders his passions, and conforms his conscience, “Dante 's psychopoiesis operates through the mimetic deformation, reformation, and transformation of conscience” (Macready, 2). This essay will examine what a true conscience is according to the Catechism of the Catholic Church and explore the nature of the conscience in Dante’s Divina Commedia. Additionally, this essay will examine the errors of Dante’s conscience regarding divine justice, love, and courage; and who contributes to this formation.

In the poem, The Divine Comedy, Dante (the author) demonstrates the basic stages of the Monomyth while making his way through Hell, Purgatory, and Paradise. His writing mirrors each stage which includes the departure or separation, The initiation or challenge, and the return. In stage one, the hero finds himself in an unusual world of adventure (not the “real world”). His journey involves assistance from many which helps him cross the threshold into the imaginative world. Stage two continues with the hero successfully meeting and defeating several challenges and roadblocks in his way. The last Monomyth stage contributes to the hero completing his journey successfully and finding his way back to the mundane world. This paper will demonstrate and define Dante’s journey to adventure, crisis, and victory using the three stages of the Monomyth in the poem.

Dante Alighieri was an italian poet and philosopher who is known worldwide for his masterpiece, The Divine Comedy, which details Dante's journey through purgatory, hell, and paradise or heaven. The Comedy represents the christian idea of fate, and the soul's journey towards god, and is widely considered the greatest piece of literature ever composed in the italian language. He wrote several other great works, including Convivio (The Banquet), La Vita Nuova (The New Life), and De Vulgari Eloquentia (on the eloquence of vernacular). He is widely considered the father of the italian language, and many have likened Dante’s literary achievements to those of Shakespeare.

In Dante’s Inferno and his levels of hell there are many things that we have in common as a person today’s society. This essay will discuss the issues in Dante’s Inferno and The Divine Comedy that are still true to this day as they were back when Dante wrote this comedy. Some views Dante considers are not the same to everyone, but some views are still apparent in today’s society. With these views being common it can be said that Dante’s views are common for people in today’s society. Many people do not understand the journey that Dante describes in this comedy. Finally, many of the sins considered by people today, were sins worthy of hell in Dante’s time.

Throughout the epic poem Inferno, Dante the Pilgrim travels in the different circles of Hell told by Dante the Poet. The story examines what a righteous life is by showing us examples of sinful lives. Dante is accompanied by his guide Virgil, who takes him on a journey to examine sin and the effects it has in has in the afterlife to different sinners. Through the stories of Francesca and Paolo, Brunetto Latini, Ulysses and Guido da Montefeltro, we are able to understand that people are self-interested in the way they act and present themselves to others and that those in Hell are there because they have sinned and failed to repent their sins and moral failings.

In Dante’s Inferno, one chapter of three in Dante Alighieri’s Divine Comedy, the main protagonist of the poem, Dante frequently uses romance and love as one of the main themes to express his message and vision of Hell he portraits in the story. Dante’s Inferno is an epic poem about a recounting of Dante and his incredible journey through Hell and its many levels while he is being guided by Virgil. In the story, Hell is shown to have nine levels of suffering depending on what kinds of sin you committed during your life and each circle serves as different forms of punishment. During his journey, Dante starts to understand the soul, God, and Lucifer, as he describes the nine circles of hell being anger, gluttony, treasury, fraud, violence, heresy, lust, greed as he explores the circles and meets various people on the way.

Domenico di Michelino (1417-1491), an Italian painter and medieval poet was known best for his epic poem, The Divine Comedy, which includes sections representing the three tiers of the Christian afterlife: Purgatory (Purgatorio), Hell (Inferno), and Paradise (Paradiso). This poem was a great work of medieval literature and was considered the greatest work of literature composed in Italian. The Divine Comedy was a Christian vision of mankind’s eternal fate. When The Divine Comedy was written, Dante made a cathedral painting that represents his poem called Dante and His Poem. In the painting, the Dante shows the 3 tiers related to the Christian afterlife. Dante was standing in a red robed colossus, revealing his poem to the city of Florence. The painting was full of great meaning, inspiring so many artists from Rodin to Robert Rauschenberg.

Alighieri, Dante. "The Divine Comedy, Inferno." Rpt. in The Norton Anthology of World Masterpieces. Ed. Mack Maynard. New York: W W Norton & Company, 1995. 1703-1829.

Beowulf, written by an anonymous author, and Inferno, written by Dante Alighieri, are very different from each other, but are both affected by translation in the same way. This can be demonstrated by looking at different interpretations of each story. Mark Musa and John Ciardi’s translations of Canto I of Inferno show not only the obvious differences in word choice, but also different takes on what certain parts of the text mean, and the same thing happens with Seamus Heaney and Burton Raffel’s translations of Beowulf, such as in the scene where Beowulf and Grendel fight.

The beginning lines of The Divine Comedy by Dante Alighieri indicate a pragmatic journey through the dark woods. It is soon evident that The Divine Comedy is in terms of an allegory. Midway through his life, Dante finds himself lost and in darkness. He is confused and unaware of how he has ended up in these dark woods. Dante soon comes across Italian poet Virgil, who will guide him through the Nine Circles of Hell. Dante Alighieri’s The Divine Comedy: Inferno portrays Dante’s life and adventure through Hell which allegorically represents a much broader subject: man’s journey through life to salvation.

     Great works of literature have been written throughout history. However, The Divine Comedy and Paradise Lost have the inept ability to stir the soul and cause a person to examine and re-examine their life. The brilliant descriptions, use of imagery, metaphor and simile give a person a vivid picture of the creation of man and the possibilities for life in the hereafter. This is done, as a person is able to see, full circle, from the beginning of time to the end of time, the consequences of turning away from God. The ability to see a life full circle is apparent through the examination of both of these poems. Although written many years ago, the morals and principles that

Dante's `Divine Comedy', the account of his journey through hell, purgatory and heaven is one of the worlds great poems, and a prime example of a most splendidly realized integration of life with art. More than being merely great poetry, or a chronicle of contemporary events, which it also is, the `Comedy' is a study of human nature by a man quite experienced with it. The main argument I will make in this essay is that Dante's `Comedy' is chiefly a work of historical significance because in it lies the essence of human life across all boundaries of time and place. I feel that such a reading is justified, nay invited, by Dante himself when he says;

The Divine Comedy is considered the greatest work of Dante. The author worked on it for many years and inserted all his internal and external experience in it. He called this poem a comedy meaning its middle style and a happy ending. The Divine Comedy is written in the genre of vision which was highly popular in medieval literature. In this genre, authors described people walking through torments. Dante modified greatly this genre, adding the whole universe to the abyss of Hell. Moreover, he goes personally through all the circles of the otherworldly place where he to his surprise comprehends such entities as truth, love, and beauty. The Divine Comedy is infused with the theme of love, which is especially noticeable when Dante enters Heaven and meets his beloved.

Dante Alighieri’s life of lost love and exile from his home reveals an understanding of Dante’s philosophical epic, The Divine Comedy. The impact from famous classical writers and philosophers effect Dante’s use of interchanging language and style while his undying love for Beatrice remains a constant character in his works.