The Impact Of Charlie Chaplin's Impact On Film

It was estimated that by the late teens of the 20th century, Zukor held 75% of the best talent in the filmmaking business. I was baffled by this statistic when I read it. For one studio to hold ¾’s of the best talent in the industry is nearly a monopoly. Another thing I found interesting was that Fox worked on 70 mm wide-screen techniques. This was thought provoking to me because this summer I saw the film Dunkirk, and my friends and I saw it with the 70 mm wide-screen edition. I had never seen a movie with this wide-screen 70 mm and it was definitely different from a regular screen. Another thing that caught my attention was the connection between film and politics. I was interested to learn that MGM used a film to bring down Upton Sinclair as he was running for office. I was also shocked to read that Charlie Chaplin was not let into the United States because of his progressive political views. I was baffled that a man that was once called the “king of comedy” in the United States was denied entry because of his political

Today, Film and Television are among the most internationally supported commodities. Financially, their contributions are enormous: both industries are responsible for the circulation of billions of dollars each year. Since their respective explosions into the new media markets during the mid-twentieth century, film and television have produced consistently growing numbers of viewers and critics alike. Sparking debate over the nature of their viewing, film and television are now being questioned in social, political, and moral arenas for their potential impact on an audience. Critics claim that watching films or television is a passive activity in which the viewer becomes subconsciously

During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that,

This paper was prepared for Introduction to Film History, Module 1 Homework Assignment, taught by Professor Stephanie Sandifer.

It started out with GW Griffith. He was the director of many movies and short films. His early work in short films “were the first to combine all the new narrative devices, including cross-cutting, multiple camera positions, inter-titles, and close-ups.” (Matthew Hunt) GW Griffith is considered the first modern director. A household comedian name Charlie Chaplin was a very early actor in the history of cinema. Originally Charlie Kaplan was in London but around 1910 he immigrated to America. In America Charlie Chaplin starred in many silent movies. One of the movies he is most well-known for is “the tramp” this movie gained him worldwide popularity and became the world’s most recognizable actor. Soon GW Griffith noticed and began to work with Charlie Chaplin. After creating some more films “Chaplin founded the independent studio United Artists in 1919.” (Matthew Hunt) between 1908 in 1911 there was a very short period called the Brazilian cinema. During the short time some very popular productions were

Charlie Chaplin, or the “Little Tramp”, led a life many referred to as a Cinderella story. Chaplin was the son of a poor London family, who were entertainers. As a child, at an early age, he also performed, and made his stage debut in 1894. He began his career when he played a paperboy in the film Sherlock Holmes. He also worked as a mime in Vaudeville theatres in London, until he left for America. When Chaplin arrived in the States, he joined the Karno Pantomime Troupe, and toured with them for six years. This experience led him to branch out on his own, making his own films. One of these films was City Lights. Many say that this film and others, lead him to be one the most successful film stars of his time. “Chaplin dedicated himself to perfecting every scene during both the writing process and on set, sacrificing his personal life during production” (Eggert, 2006).

Orson Welles was born on the 6th of May in 1915 and died in 1985, on the 10th of October. He used to play magic, paint, and play the piano as a child, a later on he found himself directing, producing, writing and acting. Orson Welles performed in Romeo and Juliet, and started a radio career at the same time in 1934.

Charles Christopher Parker Jr. was born on August 29, 1920 in Kansas City, Kansas to Charles and Addie Parker. Charlie led a lonely childhood which resulted from his parents separation in 1927 when Charlie was just 7 years old. His father was never around much following the separation. Their house however was just a short walk from Kansas City's entertainment district which attracted Charlie while growing up. This was to be where Charlie would find his place in the world.

The debate over Casablanca and Citizen Kane has been a classic argument between film critics and historians alike, and this is because both of these pieces are timeless pictures that have managed to captivate audiences well after their era. On a broad spectrum analysis this is an apples and oranges debate as the two films both have great cinematographic value but for different reasons. However, the real question at hand is which film is the greatest? Which film transformed the future of American film making? It is these questions that I as many others have, will attempt to answer in the following essay as I explain why I believe Citizen Kane is the greatest film ever made.

Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the

When he turned fourteen, he got a break when he was asked to act in a legitimate stage show as “Billy” in “Sherlock Holmes”. Following that gig, at the age of eighteen, he started a career as a comedian in vaudeville (“Charles Chaplin” 100). In 1912 the troupe traveled to New York, where he was a featured player with the Fred Karno Repertoire Company. Mack Sennet, founder of Keystone Studios, saw him perform one night and decided to take him on at the Keystone Studio and offered Charlie a motion picture contract. Chaplin agreed to appear before the cameras at the termination of his vaudeville commitments in November of 1913 (“Biography of Charlie Chaplin”). He did not know it, but this would be the beginning of his legendary career.

In this essay I will be discussing five key points throughout Post Production history between the 1900s-1960s. Post Production is seen as a vital component in the cinematic industry as it essentially finalises the final products. Techniques that have been developed over the years are incredibly important, but they all have an origin. Although these techniques started out without overwhelming effect, they are now unbelievably crucial to how films are constructed. The five points I wish to discuss go as follows: The Great Train Robbery and Edwin Porter himself, D.W. Griffith and his overwhelming influence on editing, The Jazz Singer, the Kuleshov Effect and finally, 2001: A Space Odyssey. As well as discussing these key factors, this essay will take into consideration secondary material.

The introduction of sound films in the late 1920’s was a divisive issue among those involved and interested in the emerging motion picture industry. Even though it wasn’t the sudden breakthrough it is often perceived to be, the addition of sound and voice to mainstream cinema revolutionized movie making and led to conflicting viewpoints as to whether or not this innovation was a positive progression for film as an art and as an industry.

Every day millions of Americans go to theaters with their families to enjoy movies. Watching films has become one of the most popular activities to do. Although plenty of people know of Charlie Chaplin, most do not know any real information about him. Charlie Chaplin has been a major contributor to America’s advancement in the film industry from his innovative beginnings, and perseverance to improve and succeed, to his overall achievements in history.

In the presented essay I will compare the style of work of selected artists in the montage of the film. I will try to point out some general regularities and features of Soviet cinema. At the same time I will try to capture especially what is common in their systems and similar or conversely what differ. For my analysis, I will draw on the feature films of the Soviet avantgarde, namely these are the movies - The Battleship Potemkin (S. Eisenstein, 1925), Mother (V. Pudovkin, 1926) and The Man with a movie camera (D. Vertov, 1929).