“Stories about architecture are stories about people,” said David Macaulay, author of Cathedral (4). The intention of cathedrals was to draw people, and in turn inspire those who came to pray, learn, and worship (Macaulay, Cathedral 4). Cathedrals remain inspirational in their enormous scale and overpowering beauty, and that these places of worship are still standing after many centuries show a level of determination and integrity in those that built the edifices (Macaulay, Cathedral 4). Architect Vitruvius wrote, “All the buildings have two components: The building itself and an idea that its architecture tried to express” (McNamara 6). People build churches because they believed in something (McNamara 6). In David Macaulay’s book, Built to Last, he says the mindset behind building cathedrals was that of honor and dedication. Macaulay’s research noted that, “The new cathedral would be built to the glory of God, and it mattered little that it might take more than one hundred years to construct it” (Macaulay, Built to Last 98). However, there is more to cathedrals than just building something grand and beautiful to honor God. Churches and cathedrals were built to be packed with meaning (Taylor 1), and were used to illustrate key points of Christian teaching through the use of imagery (Taylor 5). Cathedrals were a place to immerse individuals in worship. Religious parents encourage their children to pray, take them to church and to religious events (Newberg and
Saint Patrick's Cathedral, one of New York's greatest cathedrals, is located in Manhattan at 14 E. 51st St. The main reason the cathedral was built was to affirm the ascendance of religious freedom and tolerance. Thousands of poor immigrants and one hundred three prominent citizens helped pay contributions toward the church. The prominent citizens paid approximately one thousand dollars each.This cathedral supports the idea that not one single generation builds a cathedral, but rather the past, present, and future generations do.
Sometimes we have to look beyond what we see on the outside to understand something more deeply. In the short story Cathedral By Raymond Carver, the narrator has an attitude of being selfish, and jealous through the story. The narrator’s wife invites a blind man, Robert, to come stay in their house for a short time while the man visits family members of his own wife who recently passed. The narrator is not enthusiastic because blind people make the narrator uncomfortable, mainly because the narrator has no real experience with the blind. In addition, to his uneasiness with the blind the narrator is uncomfortable with the relationship his wife and the blind man have. The wife and Robert, the blind man, have maintained a close
Using the French cathedral of Notre Dame and the English cathedral of Salisbury, you can see the differences in architecture.
As legend has it, the builders of St. Basil’s Cathedral were blinded by the command of Ivan the Terrible, so they could never create a building greater. There is still the question if St. Basil’s is actually the most beautiful cathedral made in its time. Comparing it to the beautiful Pisa Cathedral and Assumption Cathedral, which were made around the same time, one could find it hard to decide which is the most artistic. Looking at the materials, art, and icons of cathedrals are ways to gauge how beautiful the building is. St. Basil’s Cathedral was the most beautiful cathedral made in its time.
The story of Cathedral, by Raymond Carver, shows that you do not have to see someone or something in order to appreciate them for who or what they are. It is about a husband, the narrator, and his wife who live in a house. The wife, whose name they do not mention, has a very close friend who is blind. His name is Robert. Robert's wife dies, and comes to their house to spend a couple of days with the narrator and his wife. The narrator, whose name they do not mention as well, is always on edge because he does not really know Robert very well and he does not like blind people, but he is being friendly for his wife's sake. The story comes to an end when Robert and the narrator draw a cathedral together using the narrator's hand and helped by
Critics argue that such funds, which are often used for the purpose of constructing or decorating extravagant cathedrals, ought to be used solely for the benefit of the poor and needy. In contrast, Fr. Havens expressed that all things which are good and beautiful glorify God and He has given us talents of creativity and craftsmanship that we may glorify Him. In other words, places of worship are constructed and beautified so ornately, not necessarily to be lavish or to abuse donations, but because giving and doing one’s best represents strong devotion to God and willingness to remember Him always. Our best and most beautiful creations can emphasize God’s eternal capacity to create, to organize and create life and meaning where there was only unorganized matter
As I exited the metro bus and stepped into the cold, wet, and way-too-early Saturday morning air, my mind pounded with the self-scolding, “Why am I awake. Why am I awake?”. The second I looked up at the grey-blue sky, however, all dread evaporated. Instead, the gorgeous sight ahead filled me with an incredulous awe. The Washington National Cathedral stood towering in cream-colored splendor, its richly detailed Gothic architecture almost too picturesque to fathom. Intricate spires stood proudly against the low-hanging clouds, as if taunting them to rain. Stunned, I began to follow my friends along a blue stone path surrounded by vivid greenery. As I walked, the chill air invigorated my lungs with each breath, filling me with a sort of peaceful energy. The path led to a smaller, yet still grandiose building which we entered through two large glass doors.
"Cathedral" is a short story ultimately about enlightment, finding something more meaningful and deeper with in one self. Although from an observing point of view nothing more in the story happens then a blind man assisting the narrator in drawing a cathedral. Although as known, the narrator's experience radically differs from what is actually "observed". He is enlightened and opened up to a new world of vision and imagination. This brief experience will have a life long effect on him. The reason for this strong and positive effect is not so much the relationship made between the blind man and the narrator or even the actual events leading up to this experience, but rather it is mostly due to what was drawn by the narrator.
in detailed carvings. The new cathedral was built to stabilize the older cathedral. There is an
The narrator in “The Cathedral” begins the story with the issue of hesitation in seeing the light. The light in this story just like the light in Plato’s “Myth of the Cave” represents reality. The narrator expresses the fear of expressing reality when he said “ I wasn’t
The story “Cathedral” demonstrates that lack of sight does not necessarily prevent one from perceiving things as they are, or live their life to the fullest. In the story, a middle-age blind man, who is a friend to the narrator’s wife, and used to be her boss at one point, visits the narrator and his wife. The narrator has never interacted with blind people before, and all he knew about blind people was what he had seen on television. Blind people are stereotypically portrayed on television as slow moving, dull people, who never laugh. Based on this perception, the narrator was reluctant to meet the blind man and doubted whether they were going to connect. This is evident when the narrator states, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me” (Carver 1).
It is human nature to shy away from social situations that make us uncomfortable. Also, as a people with great pride, we often find it difficult to admit when we have been iniquitous, or to allow ourselves to be open to humbling experiences. Sometimes though, it is not entirely due to intolerance that we allow ourselves to make ill-informed judgments. Raymond Carver was a writer with some insight concerning these very ideas. In his short story, “Cathedral,” Carver uses a nameless narrator and his interactions with a blind man to illustrate how a lack of experience can lead to ignorance and thus prejudice. Through the development of this character,
Corresponding to how the Salisbury Cathedral is the epitome of English Gothic Architecture, the Amiens Cathedral is the essence of French Gothic Architecture, the difference however is that with the Amiens Cathedral it is rather uniform in its appearance compared to the contrast of conflicting architectural styles of the Salisbury Cathedral. Amiens Cathedral serves as a testament to the beauty and grace of the French Gothic movement in the 13th century. This stunning cathedral stands in the once thriving and bustling town of Amiens, France, located roughly 140 kilometers north of Paris. The Amiens Cathedral was commissioned by Bishop Evrard de Fouilloy to replace a smaller church dedicated to St. Mary and St. Firmin that had burned down in 1218. The destruction that the fire had wreaked over the city was so disastrous that nothing remained from any of the former churches. Construction of the nave began in 1220 and finished in 1288, a period of sixty eight years. The master of the work was named Robert de Luzarches. Master Thomas de Cormont came after him and eventually his son, Regnault, succeeded him. There were several additions made at the times, and repairs and restorations have been carried out from time to time; but Amiens and its main features stands accurately to that of a thirteenth-century French cathedral. In 1258, another fire broke out that threatened to undo the work that the architectures spent so many years working on. Luckily the building survived, but not
The Cathedral of Notre-Dame in Reims, northeast of Paris near Champagne was the coronation church of the kings of France and was an educational and cultural center. Also built of limestone, the architecture of the Reims Cathedral features Gothic style. It symbolizes an Early Gothic, Radiant Gothic and Flamboyant Gothic. The Reims Cathedral depicts a classic harmonic facade containing four levels. Its interior is defined by its towering heights and narrow proportions, and elaborate sculptural works. Because of the high quality of workmanship and materials used, Reims Cathedral features some of the most beautiful gothic art in existence. Five different cathedrals have been on the site on which Reims cathedral now sits since 401 CE. The current cathedral was built in 1211, after the previous cathedral had burned down. The new building was almost entirely finished by the end of the thirteenth century. 88 gargoyles were counted on the Reims Cathedral and are mainly used to drain off rainwater and are exceptional pieces of work, but do show the slight difference between Gothic and Romanesque styles. The stained glass windows are a beautiful part of Reims despite being damaged or ruined several times in the 18th century; the cathedral still has many 13th century stained glass windows, in the upper parts of the nave, choir and transept. On the opposite side of the great western portal, the Great Rose Window, dating from the end of the 13th century, represents “the Crowning
building if there were no priests inside to serve God. This should be impressed... on those