The Importance Of Women In The Baroque Era

Throughout history men have been leading the battles, conquering worlds, discovering new lands, but behind every good man is a good woman! So, as I read this week, I learned an enormous amount of information about the diversity of the different roles women play according to where they might live or what era they grew up in. I will address the rights that women had, how they are viewed in society, the comparison between these women and the ones from the New Testament, the evidence to support my claim.

“ The belief that women were inherently inferior in intelligence, strength, and character was so persuasive that for men like Knox, a woman ruler was almost a contradiction in terms” (“Documents for Chapters 5&6”). In the 16th century, women were looked upon as a gender that should stay in the house and work, not have power and rule over a country. Discussing the govern of Queens during the 16th century, such as Mary Tudor, Lady Jane Grey, Mary, Queen of Scots, and Elizabeth I, allowed prejudices to be lessened but never completely be erased. No matter how these four notable ladies came into power, the accomplishments they overcame, achieved and wrote about proved to be great and substantial in making history as it is written today.

In 17th century Euro-America Puritan society believed that men played a patriarchal role upon women, and that this role was instituted by God and nature. The seniority of men over women lay within both the household and the public sphere. The household, immediate family living in the same dwelling was subject to the male as head figure of the house. The public sphere also known as the social life within the Puritan community consisted of two echelons. These echelons consisted of formal and informal public. The formal public consisted of woman and indentured servants. Women were to stay within the informal public and stay in the shadows of the men. The government held large ties with the church in the 17th century. Though women were

As the millenniums pass and years go by, the world continues to evolve each day. Across the world, in every society, men and women have specific roles that they carry out. During ancient times, in most cultures, women were inferior to men. This is still true in many countries today. It has taken American women many centuries to have gained the rights and privileges they have today. Women have made many immense achievements, fought for their rights and stood up for what they believed in during the past century. It is very important to understand the role of women in history because they have played an imperative part of how each society functioned. In Classical Athens, women and men were citizens however men were superior to the women.

Between the 1300s and 1500s, Europe experienced a period of cultural rebirth known as the Renaissance, marking the transition from medieval times to modern times. The Renaissance brought new importance to individual expression, self-consciousness and worldly experience.

A critical point in European history was the Renaissance period, which took place between 1300-1700. The term Renaissance stands for ‘rebirth’, and in this context refers to the increased interest that was taken in learning from Greek and Roman classical writing. Recent exploration by historians into the Renaissance period has seen a fixation on the discussion of the role of gender during the Renaissance. A variety of historians, such as Joan Kelly and Merry E. Weisner, believe that women didn’t experience any form of a Renaissance during this period. It can be widely acknowledged that during this period society did experience a ‘rebirth’, especially in terms of the role of the men in Europe. Women, on the other hand, weren’t as fortunate.

Throughout the three literary periods: The Ancient World, The Middle Ages, and The Renaissance; women have been portrayed and treated in different ways. The Iliad by Homer is about the Trojan War fought by the Achaeans and Trojans which was over the capturing of the wife of King Menelaus, Helen of Troy, by Paris. In The Canterbury Tales by Chaucer, it is about a group of 29 people who are all on a pilgrimage to Canterbury to worship St. Thomas’s shrine; however, as Chaucer describes all these types of people not many of them are very religious and the stories they tell show the perspective and portrayal of women in this time. In Francis Petrarch’s poetry Rhymes, he describes his love and admiration for a woman who doesn’t love him back, yet Petrarch still confesses his love for her through his poetry. Through these stories and poems, The Iliad, The Canterbury Tales, and Rhymes, from the three time periods, the role of women is a progression of how they were looked at and their role in that time period, by men.

Document four shows the role of women to obey men, "-by meeting my father's demands and, at the same time, the needs of my husband.... I have no free time at all to spend on my books unless I work productively through the nights and sleep very little." Women didn't have the time to be educated, they were busy cleaning house and obeying men. Louis Labé's letter, document seven, showed that educated women were very scarce, for even her words could only be expressed in a private letter to a friend. It was written in the later years of the Renaissance when only very few, rich women had access to enough education to be able to write. Another assumed role during the Renaissance, the duty of bearing and raising children, is very evident in document two. The painting was done by Jan van Eyck, a Northern Renaissance artist, a large part of the art movement involved realism, or showing daily life. This particular painting depicts a pregnant woman resting her hand on her stomach, shows that child bearing was very typical in everyday life. Being a mother was a major role for women. In the painting she's also bowing her head, showing the role of women to be

By the definition, “Humanity,” that amounts to a tautology: humanity is that which makes humans human.” (Festa). The humanity of an individual is reflective of its personality. There are characters who are naturally benevolent; some learn through compassion and while others learn through misery. However, in general some are the opposite of benevolent. For instance, some individuals are indeed inconsiderate, arrogant, and most of

Artemisia Gentileschi was not the first to paint Judith Slaying Holofernes. Her father had painted Judith. Michelangelo, Botticelli and Caravaggio had painted Judith. Donatello had sculpted Judith. But she was the first to interpret the story of Judith, in a time when women had few rights, as an allegory for female dominance. In comparison with other contemporary versions, the composition, dramatic style, and emotions of the characters present a violently feminist view that may have stemmed from Gentileschi's own experiences.

 It seemed as if the court almost condoned his actions and felt little pity for Artemisia.  Her paintings, at this point in her life, become drastically different.  In about 1612, she paints the first of five works of Judith and Holoferness.  The gory scene shows Holoferness, an Assyrian general being beheaded by Judith, a Jewish widow.  The scene shows ample amount of blood, however, it does not feel like a room of murder.  The killing of Holoferness by Judith is done in order to protect her homeland and life.  Also, she prays to god in order to give her the strength to do the killing.  Therefore, she felt it was justifiable.  It is a rare message for the early 1600's in that it is the woman avenging a man.  The powerful scene  of   It seems that Artemisia paints these works in order to avenge her own suffering from Tossi as well as the justice system.  By depicting such a strong and powerful woman, Artemisia is, in a sense, creating a world which she believes in.  In this world, women can speak up and women are heard.  Women are just as capable of murder, leadership, and power as any man.  Artemisia paints four more scenes of Judith and Holoferness all varying slightly.  However, her overall theme and meaning of the work is consistent.  Simply put, Judith is a woman to be looked at and respected for being a strong willed woman who stands up for what she

I believe, as do others, Judith and the Maidservant with the head of Holofernes is perhaps homage to her rape and subsequent treatment during her adolescent years. Her painting`s inspiration also plays tribute to the biblical story of Judith, who sleeps with the King Holofernes and than decapitates the drunk King in his sleep. Both Judith and the maidservant are now dominate in the painting over the dead male, they are quiet, unobtrusive and tense. A single candle burns within the dark room creating stark contrast between light and dark. The artist`s great skill can be seen in the bright highlighted details of Judith's hand and in the folds of clothing of the two. Depth and dark core detail can also be seen in the dark and reflective shadow areas within the room. Judith's hand covers the candlelight as she peers at the outside world, perhaps in an attempt to help in

As many may think, women weren’t as important during the renaissance period. Some seem to believe that women had it easier than they do today. Some even believe that they had much more power and independence. If only that were true. Women who showed too much independence, sexual or otherwise, were punished and sometimes even killed (Wiesner 59). Women were made to be seen as saints and remained loyal to one man. During the renaissance period, women went through many hardships and many things were expected of her by her family, as well as her husband. You might ask, what was marriage, education, and employment like for women during the renaissance period?

A number of modern artists have focused on reflecting personal perception of the world through a contemporary Baroque style in art. The increasing popularity of Baroque nowadays is due to the complex processes that took place in society and the solutions the modern culture has to offer to resolve them. Truly, through the history, the emergence of Baroque elements has always reflected the complexity of human life, followed by technological progress and cultural exchange. Eventually, Baroque, the style characterized by extravagance and drama, has been defined as anti-classical, innovative and experimental, intended to touch directly the beholder, individual of diverse and pluralistic society.

In each of the paintings, the figures appear somewhat different to each other, with those in “Judith Slaying Holofernes” looking far more humanistic than that of “Judith with the Head of Holofernes”. In Mantegna’s painting, Judith and her servant, Abra, look statuesque in pose while Judith, as if in pity for her victim, turns her eyes away from the head of Holofernes that she holds above the bag her servant holds open Judith. In Renaissance art,