The Italian People, Culture and Cities in Movies, Questions and Answers

The movie discusses the long term impacts of tourism on cultures, economies, and on the environment. It uses dramatic examples from several beach parties such as Thailand’s Koh Pha Ngan Island. With large amounts of litter lining the shore, the film suggests that the financial benefits of tourism will not work without a proper development plan. The story starts and ends in Bolivia focusing on the impact of the autobiographical book “Lost in the Jungle”. In 1981, Ghinsberg gets lost in the Bolivian jungles. He miraculously survives despite near death experiences. His tale of survival has lured many other adventure travelers to Bolivia, creating pressure to the country’s tourism industry. From the jungles of Bolivia, to the deserts of Timbuktu, Mali, we see breathtaking views of how tourism has affected society. The film follows the well-worn gringo trail travel route in Latin America and beyond, revealing a complex web of relationships between that cultures which collide yet require one another. Finally, the movie reveals certain sustainable alternatives to tourism.

The progression of technology and its presence in society has strongly molded the way people live their lives today, and the way they will continue to live their lives years from now. But with this advancement of science and increased order, there is a consequence that seems to be a heavy price to pay: the loss of human emotion and freewill, and the submission to organization and commands. The tourist industry is one such manufactured machine, so to speak, that influences people's views in certain aspects. One of these aspects, culture, is a main focus of post-modernist writer Bryan Turner, who believes that "tourism invents and demands empathy...makes cultures

1. The thesis of this essay in the author's words is "Travel is how we put a voice to the Other and step a little beyond our second hand images of the alien." In other words, the author is trying to tell us that travelling is necessary in order for us to not hold prejudices and experience the lifestyle of other cultures.

The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American

In my essay I will first talk about crime and what it means, I will

Our analysis is on the film The Italian Job. While we view the movie and determine the various norms, behaviors, roles and interaction between group members, as well as individuals the examination within the realm of film can present many of the same components. Thus, our group selected this movie to analyze based on its formation of a cohesive problem-solving group full of unforgettable characters. The Italian Job portray many different theories and aspects of small group communication.

This essay will discuss both the Cinema of Attractions and Narrative Cinema and their origins in order to better understand the differences found between them in regards to the criteria to follow. This essay will highlight the role that the spectator plays, and the temporality that both the Cinema of Attractions and Narrative Cinema exhibit.

In this essay I will look at the emergence of Italian neo-realist cinema and how Italian Neo-realism has been defined and classified in the film industry as well as how its distinct cinematic characteristics could only have been conceived in Italy and how these characteristics set the neo-realist style apart from other realist movements and from Hollywood.

The description gives a sense of tranquility, and the realization that the travelers can travel to a distance place where human kind has not disturbed the area. The physical journey made by the young couple can become a life changing experience through their having to cope with new

Daily, hundreds of thousands of people are traveling, whether it’s by plane, car, bus, boat, or foot, people are traveling to new locations and being immersed in different cultures. Many fail to realize how ignorant of a tourist they are. Kincaid explains that tourists are morally “ugly” and use other, less fortunate people, for their own amusement. She tries to enlighten those who are privileged to be more considerate when they are visiting new places. Published author Jamaica Kincaid wrote “The Ugly Tourist,” originally written in her book, A Small Place, where she tries to convince readers that tourists are, “a piece of rubbish” (207). Kincaid’s attempt to convey to the audience that tourists are ignorant and morally “ugly” is partially successful, due to her satisfactory emotional appeal, yet inability to produce a less angry tone, along with minimal logical appeal.

There are the tourists—those who seek temporary relaxation, or famous sights. There are the travelers—those who wander, without aim, for the love of moving. There are the explorers—those seeking adventure, the thrill of unearthing things rarely seen.

The 2008 movie “Gran Torino” starring Clint Eastwood is filled with an abundance of cultural diversity, which is met with much resistance, stereotype, and prejudice by the movies’ main character, Walt Kowalski. Walt’s world is changing; his Detroit neighborhood is decaying, his relationship with his sons is distant, and his Korean War memories continue to destroy his ability to fully enjoy life. Through an unlikely bond with the Hmong children next door, Walt finally receives redemption by coming face-to-face with the same destructive prejudices consuming neighborhood teenage gang members

The majority of the crime comes because of an increase in tourists which attract for the opportunity to have more crime against the tourists. (Hjelmeland 1)

Poland is generally safer than most European countries, east or west. And Krakow is safer than other major cities in Poland. Certainly, even without asking for it one may get into trouble when in the wrong place in the wrong time and, above all, with the wrong people. Yet mere common sense plus just elementary precautions should suffice to keep a visitor perfectly safe in Krakow. Unfortunately, petty crime seems quite common in the city. Whereas mugging remains sporadic, pilfering is rampant. Although foreign visitors most often fall victim to pickpockets, it is the less prevalent and declining car theft that appears the worst plague in Poland, Krakow being no exception.

Many people say that old people fear change as they have grown so accustomed to their old ways, however, in Clint Eastwood’s meaningful and captivating drama Gran Torino, it is exemplified that anyone is capable of change. Gran Torino shares a story about tolerance and cultural differences, but also one about hope, self-sacrifice, and unlikely relationships. In the film, an abundance of cultural diversity is met with much resistance, stereotype, and prejudice by the movies’ main character, Walt Kowalski. Walt’s world is changing; his wife has died, his Detroit neighbourhood is deteriorating, his relationship with his two sons is distant, and his Korean War memories continue to affect his ability to fully enjoy life. Through an unlikely bond with the Hmong family next door, Walt finally receives redemption by coming face-to-face with the same destructive prejudices consuming neighbourhood teenage gang members that have consumed him. Through the devices of characterisation, symbolism, and dialogue the viewers will witness Walt emerge as a more compassionate individual who becomes more accepting of other cultures and ethnic backgrounds around him.