The Labyrinth Of Solitude By Octavio Paz

As a little girl, I learned a lot about my Mexican heritage. I even joined my parents in their dance group and still involved in it today. Over the years it’s been so fun, and it helped me learn a lot about different Mexican counties. Who would've thought that I would learn so much just by dancing. I know it sounds crazy, but it’s the truth. Also being a little girl I learned about “Day Of The Dead” which in Spanish is called “dia de los muertos” which is a two day celebration. The day’s in which this takes place is September 1 and 2nd. September 1st we honor the children and September 2nd we honor the adults. When I was little I never fully understood why we celebrated people deaths. I always thought when someone dies we show our respects and grief about it, but throwing a whole

II. Summary of points: I hope that I have opened your eyes to the celebration of Dia de los Muertos by informing you about the history and why it is sometimes referred to as “a tradition that refuses to die”, how it is celebrated around the world, and the symbolism involved in the celebration.

To help me understand and analyze a different culture, I watched the film Selena. The film tells the life story of the famous singer Selena Quintanilla-Pérez. Not only does it just tell personal stories from her life, it also gives insight to the Mexican-American culture. Her whole life she lived in the United States, specifically in Texas, but was Hispanic and because of that both her and her family faced more struggles than white singers on the climb to her success. Even though the film is a story about a specific person, it brought understanding into the culture in which she lived. Keeping in mind that these ideas that I drew about the Mexican-American culture is very broad and do not apply to every single person in the culture, there

Foreigners have more trouble understanding Dia de Los Muertos than any of Mexico's other celebrations. At first glance, they see Day of the Dead decorations which are colored paper garlands, little skeletons performing daily tasks and sugar skulls inscribed with names, which remind them of Halloween. Other tourists discover that much like Memorial or Remembrance Day in the US, families here visit, clean and decorate graves of loved ones for the

Stavans, Ilan. The Riddle of Cantinflas: Essays on Hispanic Popular Culture. Albuquerque: University of New Mexico Press, 2012.

Mexico and Latin America celebrate “El Día de la Raza.” They celebrate this day in remembrance of Christopher Columbus’ arrival in the Americas. This day and month celebrates many nationalities of people having a common beginning, tradition, or language in the history of Mexico, Central America, and South America. Besides this throughout the month hispanics and latinos celebrate Hispanic Heritage through festivities, music, dancing, and food their Independence of their countries. Unlike us, we Americans celebrate our Independence day a little differently, like having cook outs, fire works, socializing, meeting up with friends and family, listening to music,and having fun. But overall it's the same idea like music, socializing, and eating

In Mexico, Dia de los Muertos is a celebration to honor the dead. This holiday was made for people struggle with losing loved ones, and celebrating it was found to be a good way to help them cope. Families can be seen in the cemetery bringing festive gifts to memorialize lost members.

One of the largest Hispanic-origin population in the United states are Mexicans (Gonzales-Barrera & Lopez, 2013). Mexican American’s are considered minorities in the United States. There are many reason why I am choosing to explore Mexican Americans for this paper. As a minority myself, I can relate to some of the struggles that Mexican American’s may face. However, there are some things that I will never relate to or know the personal aspect of the Mexican culture. Just like any other population, Mexican Americans have their own culture, values, and challenges.

Every culture has their own unique and distinguishing characteristics. One’s cultural identity defines who they are as an individual, group, and community. Their cultural identity may be reflected in numerous ways such as: language, communication styles, religion, beliefs, values, clothing, or other types of aesthetic markers. Cultural identity is formed by many of these traits but is not limited to these specifically. This essay will provide detailed information on Mexican Americans, and their ancestry and heritage. I will also explain about this cultures central beliefs and values, while incorporating information on Mexican Americans, cultural patterns, cultural identity, and their cultures communication characteristics and styles.

The story illustrates the overlapping influences of women’s status and roles in Mexican culture, and the social institutions of family, religion, economics, education, and politics. In addition, issues of physical and mental/emotional health, social deviance and crime, and social and personal identity are

Hispanic art, food, and entertainment all have a common theme; they are all fun, light-hearted, yet fulfilling and rich in cultural heritage. On one side, Mexican culture in particular loves to make fun of itself. There are many depictions in song and art of lazy Mexicans in large sombreros with thick mustaches eating burritos. On the other hand artists like Diego Rivera paint large murals depicting rich historical events like the revolution, in bold colors on controversial topics (This Old, n.d.).

3) Impact: Dia de los Muertos is an important part of culture the Mexican and latin

When Octavio Paz first visited the largest Mexican population center outside of Mexico’s international borders, Los Angles, he said the city had a "vague atmosphere" of Mexicanism in that manifested itself through "delight in decorations, carelessness and pomp, negligence, passion and reserve." But he felt that his "ragged but beautiful" ghost of Mexican identity rarely interacted with "the North American world based on precision and efficiency." Instead, this Mexicanism floated above the city, "never quite existing, never quite vanishing.1By the time Paz visited the exterior Mexico, a generation of Mexican revolution immigrants had their children in the United States and they had matured. These people had heard the corridos of the Revolutionary

Fyodor Dostoyevsky paints Underground man as someone who is tortured in his novel Notes From Underground. Despite everything that Underground man says he is lost and has no sense of his identity. When the character of Liza is introduced the reader gains some hope that the Underground man can find love. Although Underground man ultimately pushes Liza away, he really loved her through his own idea of love. Underground man shows this love for her through his first conversation with Liza, his trying to save Liza, and, ironically, through his cruelty towards Liza.

The play No Exit, by Jean-Paul Sartre, is about three people that die and go to hell. Joseph Garcin, a journalist executed by a firing squad for trying to desert during a war; Inez Serrano, a post-office clerk murdered by her lover which left a gas stove on while she slept; and Estelle Rigault, a woman who married an older rich man and died due to pneumonia. They all expected physical torture in hell. However, all they found was a plain room with some furniture that always had the light on, no windows, no beds, and nothing that would reflect or work as a mirror. The three of them were trapped inside the room. After discussing among themselves, they confessed their crimes and deduced that the torture was psychological. They also realized that they had been placed together so that each of them was to become the torturer of the other two. Each character began to ask things from the others to fulfill a need they all had, which only led them to more despair. Due to this, Garcin concluded that “hell is other people” (pag26). A. Petrusso argues in his article “No Exit” that the three main characters of the play have in common a display of cowardice. Certainly, all of them seem to be cowards at some moment and one character exhibits it more than the others. He also argues that certain actions and behaviors are merely the cowardice of the character when in fact, it rather seems more like fear. The examples and arguments used by Petrusso seem to simply catalog the main characters as