The Matrix Film

by a camera and give the impression that there is a lot of action in

The music throughout the film plays a big role in the way it is perceived and the overall tone and message. The directors and producers used background noise and music very wisely in order to convey the emotions of a scene. In the movie, it reaches a certain point where it almost looks as though things are looking up for education. It is when the documentary starts describing the “new acting chancellor of the district of columbia schools”, during this scene the makers want you to really pay attention and become almost shocked by this turn of events. However, they do not only grab your attention by the words and clips shown, but also by the loud, upbeat music that is suddenly played while she is being announced. Also, later in the movie they use this same

This is accomplished with different camera angles as well as the movement of the camera. For example, in many scenes as the camera follows the action it is shaky rather than sturdy, as if you as a viewer are walking around and seeing the action through your own eyes. One may also notice that an escalated level of action or conversation on the screen is mirrored by the pace of the film from frame to frame. In essence, a heated argument would involve a quick paced transition of shots, going from a close-up of one character to another at a rapid pace in tune with the argument.

The directors chosen camera technique, a simple two composition that progresses the scene a steady pace, forces the audience to feel a part of the awkward exchange; obviously, a quality of film that could not be as profoundly achieved through the narrative in the novel.

In Citizen Kane, Orson Welles blends camera movement with the drama of the scenes. A good example is the introduction to El Rancho. This is where Kane’s second wife sings. The camera begins on a sign outside the restaurant and from there is moved with a crane towards the roof of the building. From there it is moved through another sign and approaches the skylight. When it reaches the skylight, the camera goes through the skylight and we are presented with a high-angle shot of the El Rancho. The shot establishes space and sets up the scene, but it does this in a plain and noticeable way.

The camera is moving many times as the three people who seem to be the focus of the scene are moving. However, the real point of the shot lies with the boy in the background which is never not in the shot.

The director mainly used eye level shots, to leave it up to the audience to judge the two main characters of the movie, although certain power struggles in the film are shown from high angles to illustrate someone dominating a conversation or argument. Figgis also uses some point of view shots to show the imbalance during Ben’s drunken periods where the camera is placed at an oblique angle to show tension and approaching movements. The images in the film are in high contrast with streaks of blackness and harsh shafts of light to underline the dramatic events that occur.

He is able to use these parts to manipulate the audience’s emotions. The music playing from the car is an on-screen sound. As the man gets attacked, the volume increases. The sound helps intensify the scene that has been created by the film’s visual elements. The audience then subconsciously forms ideas, opinions, and feelings about what they are seeing. The viewers develop scared feelings as the scene intensifies to the happy upbeat tune. The increasing volume of the cheery song reflects the violence and the sinisterness of the scene. The song stops with the slamming of the car’s driver-side door as the man is abducted. There is a moment of silence and then a new song abruptly entered the silent scene. The music is non-diegetic and is an offscreen sound. The song is screechy, high pitched, and jagged sounding at first, continuing the anxious and scared mood. The song shifts into a sort of soulful hymn. The tone shifts along with the song. The audience begins to feel relieved and relaxes to the peaceful song.

Wells also like to use deep focus, where both foreground and background can be kept in focus simultaneously. This cinematic technique gives the audience a choice of where to look at rather than them being guided to see what the director wants you to focus on. One of the many scenes that used deep focus was when the mother is signing off her son Kane. In this particular scene all three planes are in focus- the mother at the front, father at the door, and young Kane

Millions of people flock to the movie theater year after year on a quest to be entertained. Even a mediocre movie has the ability to take the audience to another place, escaping the realities of their own life, if only for a mere two hours. Some movies are simply pure entertainment. And then, there are those movies that provoke conversation long after the film has been viewed. Dystopian themes are not new, and have historically provided a template to gage the course of human existence. The Matrix portrays a society where humans exist without freedom. The film is not only entertaining, but also thought provoking. It paints a world with two different dimensions, one with the mind numbing

The camera moved in a slow pace while in circulation motion. This is a general term for all the manipulations of the film strip by the camera in the movie. This happened when Neo dodged the bullets by bending backwards before smith shoot him in the side of the leg. The blue colour represent “the real world” of Zion and also symbolise the body. The yellow colour appear in the matrix world and represent the spirit and even Heaven. The green colour that appear which is the colour of the matrix and it also indicate the mind. In this new axis-switched medium close-up, we see more of Neo's face and less of Trinity's face. We see that in terms of profile and as well as the darkness. Neo was now more on-axis with the camera and is lit brighter. The display features of special frame that allows the skirt of the coat to flare a little just as it does on screen. In these film, they used mise-en-scene dominantly to build mystery within the pill scene. Regular cinematography, editing, and dramatic sound effects were also used, to captivate the audience and build tension. Morpheus is gave Neo an opportunity to view reality from another perspective, and forget the world he once knew. The act began with a close-up, an important shot used to create confusion as the viewers is unaware of the setting. The act itself contains leading of close-ups and reverse

The Matrix is a film about the enslavement of humankind by artificial intelligence, sentient beings, with mechanical bodies, created by people to service humanity, and the discovery of a person, Neo, that possesses abilities that can defeat the Artificial Intelligence and manumit humanity. The majority of human beings have their consciousness/minds trapped within the Matrix, a computer simulated world in which their minds are born, live in, and die, while their bodies are connected to it via cerebral connection but, remain in a dormant slumber and are never used. While they are connected to the matrix, their bioelectricity is harvested, powering the artificial intelligence. Neo, with the help of Morpheus (the leader in the resistance

In the Truman show, the theme of audience manipulation is greatly portrayed through the different camera shots used. The director uses many different camera shots to emphasize specific actions throughout the film. Eye-level shots, close-up shots, and high-angle shots are

It has wood-wind flutes that evoke a jungle or forest setting. It has the military snare drums and the big band cinematic trumpets. Later on, it starts plucking a violin. It’s a pizzicato, Italian for plucked, and it’s a sound that’s been used to accentuate mischief and sneaking for decades. This is what you hear in cartoons when someone’s tiptoeing through the kitchen and doesn’t want anyone to hear. But earlier in the song when everything’s winding up, there’s a guitar that’s being plucked to the same tune as the mission impossible theme from the 60s, further selling the idea that your playing a spy thriller game. But that’s not all, this track even describes the timing and pacing of the gameplay. How does it do that? Well its synced to the enemies pacing. The fact that this music is such an overlooked detail of this game is a testament to how it does everything right. You just can’t listen to this music without wanting to sneak about and cause all sorts of

Secondly, the variety of camera angles makes it feel like he’s being. They also change very suddenly which creates tension because you don’t know where he is being watched from because the camera