The Music Of Music

Music is sound organized by humans; audible statement that mirrors a way of life or a way of thinking; a language spoken directly, without translation, between people who understand. In this class we studied liberal arts, and how it uses general intellectual development rather than opposed training, to develop a musical analysis of music such as “The Ballad of Gregorio Cortez”. To develop an analysis, we group the organization of music into five musical elements rhythm, melody, harmony, texture, and form, and we find some type of organization or order in these pieces like pulse and background instruments to help identify these elements.

We also discuss historical, theoretical, harmonic, and arranging features prior to look at the music

If you want to understand and learn a song there are many steps to do so. Just hearing a song is not good enough. It’s much more complex than that, although that is a step to learning a song. You have to understand the lyrics to the song, understand the composer, and personal information.

As the years moved forward, the 1970’s saw the arrival of another staple in the anime industry: music. Prior to this, anime contained a few simple songs much like the cartoons of the United States. These songs were often placed on a medley album and sold to children and teens. However, the seventies brought about the realization that by creating a large, varied score for a single series, many orchestral albums could be sold to a certain demographic. Often times series would include so many songs that they may only be heard once during its span.

capable of memorizing thousands, if not more, musical pieces in our life, including song elements such

When analyzing musical sound there are many factors to pay attention to during the performance. Important things to listen for are the pitch, scale, timbre, tone

Without the human intention, perception, and interpretation of sound, then the existence of music would be imaginary. Music includes talking words in a way that the person creates a sound that is made with the intention of being music (Deutsch, Diana 10-13, Justus & Timothy., 33-40). Besides, people can perceive silence and sound and put them together so as to call the outcome music. In Bakan’s fourth proposition, he identifies the approach as the Human Intention and Perception (HIP) approach (Resnicow, Joel E., 10-22). In other words, the proposition tries to suggest that music is inseparable from the makers; or more specifically the people who perceive and experience it. Bakan gives numerous examples to show that music is a product of human intention and perception. This paper conducts research and gives appropriate examples to show that music is only identified as music if the person is making it has the intention for their words to be music.

Gone are the days where artist, songwriters, performers, producers and records companies reap full successes of songs through stage performance and radio airplay. Since 1960, a technological evolution has created many changes in how music are made, played and performed. From the era where television and radio was popular with much of its viewers and listeners being the youth to development of the Internet and World Wide Web platforms, music suffered much development. Huge part of these changes was how music was delivered to the audience this time not on the radio or television but on the Internet websites where music

music using the elements of music to make comparisons, starting with Australian music, including music

Nowadays, the world of music has become one of the favorite ways to enjoy daily activities with people. Moreover, the technology provides an opportunity to people to learn how to produce music. However, here comes a serious problem with the convenience of the easy accessibility to get the music resources, it caused the problems of indiscriminate use and pirated copyright.

The idea of musical genres seems to play an important role in the realm of popular music. People tend to categorise different kinds of popular music through the various names and labelling which are presumably formed based on the different styles and characteristics that could be found in popular music. For instance, if someone is being asked about their favourite music, usually they will most likely to mention several musical genres instead of describing the stylistic features of the kind of music that they are fond of. Moreover, people often grouped themselves in terms of their musical preferences based on the existing musical genres. Nevertheless, apparently musical genres do not always represent the distinction of musical features and styles.

Producing such a diverse selection of musicians, Rubin is a listener before he is an engineer; refusing to work in an office setup he uses his historical L.A home to meet with musicians. Rubin believes that music isn’t made behind a work desk or over the phone; music must first be experienced before it is produced. It can therefore be assumed that Rubin’s successful career is due to underlining appreciation for the music he is producing. He doesn’t know much about music, but he knows what works and this pro-found style of engineering through listening rather than through use of techniques has built an almost instantly recognizable personal style that can be heard on each record he has worked on.

Name: Steven Adamson Specific purpose: To inform my audience of how music is produced. Central Idea: Music production is a complex process to result in the music that we listen to. This process has changed with technology, making it both easier and more difficult in different ways. I plan to tell you about the technology and programs used to produce music today and how the pieces are brought together to form a complete song.

Musical notes are a language that has evolved over thousands of years and the notation that we know today, there are more than 300 years. Music notation is a representation of sound by symbols of a simple notation for pitch, length and timing to more advanced features of expression, timbre, and even special effects. This book will show you the basics of reading music, some more advanced methods and how you can learn more about the subject.

Polyphonic HMI is preparing to launch Hit Song Science, which analyzes the mathematical characteristics of music compared to past music hits, making it possible to determine a song’s hit potential. Music characteristics can be analyzed by math such as melody, tempo, pitch, rhythm, etc. because hit songs have common mathematical properties. Polyphonic’s Hit Song Science could be valuable for three target markets: record labels, producers, and unsigned artists. There are benefits to marketing HSS to all