The Negative Effects Of Isolation In The Metamorphosis By Franz Kafka

It appears that the people who care the most end up getting hurt by the ones they love. The more time, energy, love, and money that a person sometimes invests get thrown back in their face once something drastic happens. In turn, this causes feelings of worthlessness and isolation and can eventually lead to death. Franz Kafka understands this better than anyone else and can portray this in his novella, the Metamorphosis. In his novella, The Metamorphosis, the protagonist, Gregor Samsa is one who undergoes a physical and mental transformation due to the unrelenting pressures that his father placed upon him which eventually cause him to die. At the heart of the father-son relationship lies Gregor and his father whose relationship is explored

     Throughout the story there is a metamorphosis that is taking place in his home. He has traded places with the family and is now living the life they had previously embelished in. His father begins to work along with his sister and his mother must now work and do the cooking and cleaning. Gregor on the other hand does nothing but daydream, crawl, and nap through his days. One ironic statement from his sister “He must go, if this were Gregor he would have realized long ago human beings can’t live with such a creature, he’d have gone away one his own accord. This creature persecutes us, drives away our lodgers, obviously wants the whole apartment to himself, and would have us all sleep in the gutter.” How selfish of her, had he not taken care of them and he was not the only one working

The Metamorphosis by Franz Kafka is a reflection on how alienation and isolation begin and develop in a society by employing the characters in his novella as a representation of society as a whole. Using Gregor’s manager to demonstrate the initiation of isolation and alienation of a person, Gregor as the person being isolated and the inhabitants of the Samsa household as the other members of society, Kafka creates an effective model to represent the hierarchically structured effect of isolationism and alienation in society on a larger scale.

Kafka’s Metamorphosis suggests to his readers to take a glimpse inside a dysfunctional atmosphere triggered from a painful childhood, to see how influential each member of the family contributes to the dynamics, but also to learn how to make light of the situation with acceptance. Kafka is reflecting on his own relationship with his family in Metamorphosis. He sees himself in Gregor, or is he him.

In the Metamorphosis, Franz Kafka bring out the character of a hardworking man, Gregor, who faces an incident where he soon is driven into complications to remain his once isolated life. Gregor’s alienation causes no gain for help from anyone even after the tragedy of transforming into a roach. Isolation removes all social interactions affecting the character of the persona by which can no longer seek help or gain itself being. Isolation in life, results in the expulsion of humankind partying from all social interactions, preventing contact with the world.

People have a high amount of pressure on them in their daily lives with social, mental, and physical appearances. Kafka represents this pressure he has on himself through Gregor. This allows Kafka to vent many emotions and feelings through this novella Everyone is there own person but some take others opinions to heart to often and need to see things are not as bad as they seem. Throughout The Metamorphosis, by Franz Kafka, Kafka displays himself through Gregor, and shows his true feelings about people and society he lives in.

On the surface, “The Metamorphosis” by Franz Kafka is an evocative story of a man transformed into a “monstrous vermin”. It seems to focus on the dark transformation of the story’s protagonist, Gregor, but there is an equal and opposing transformation that happens within Gregor’s family. Although Gregor has physically changed at the beginning of the story, he remains relatively unchanged as the novella progresses. The family, on the other hand, is forced to drastically change how they support themselves. Although the change was unexpected, Gregor’s transformation into a vermin sets into motion a change in the Samsa family that leaves them better off in almost every facet of their lives. Thus, Kafka’s story is not one of descent into darkness, but one of a family’s ascent towards self-actualization. The metamorphosis the title speaks of does not take place in Gregor, but rather in the Samsa Family; consequently, Kafka’s “The Metamorphosis” is not a tale of darkness, disconnection and despair, but rather a story of hope, new beginnings and perseverance.

Alienation is the primary theme in Kafka's The Metamorphosis. Much of early twentieth-century literature makes as its basic premise that man is alienated from his fellow humans and forced to work in dehumanizing jobs in order to survive. There is no choice for most in this matter.

A picture on Gregor’s wall causes him to remember the days before he had to drop everything he enjoyed in order to take care of his family. The picture is a picture of him as a “lieutenant ……smiling and worry free….demand[ing] respect for his bearing and uniform” (Kafka 24). Through the use of imagery Franz Kafka illustrates a time where Gregor had a job that he actually enjoyed. Gregor was able to find happiness in the days where he was living for his own individual needs and not for the needs of his family.

Franz Kafka’s clear isolation of Gregor underlines the families’ separation from society. In The Metamorphosis, Kafka emphasizes Gregor’s seclusion from his family. However, Gregor’s separation is involuntary unlike the family who isolates themselves by the choices they make. Each family member has characteristics separating them from society. These characteristics become more unraveling than Gregor, displaying the true isolation contained in The Metamorphosis.

Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,

Worried about their son, his entire family urges next to the door and demands Gregor to unlock it. At that moment, his manager angrily storms to his house and demands an explanation for his delay. His mother tries to pleads his manager by complimenting Gregor’s devoted and hardworking attitude. She didn’t want her son to lose her occupation as she still perceived him as the successor of the family, and if anything were to happen, it would only disrupt the sustainability of her family. Finally, Gregor opens the door and witnesses the repulsive and scared faces of his family and manager. The horrified office manager backs away, his mother who was "already in tears...yelling" (12-13) passes out, and the father cries. Nevertheless, Gregor “[filled with] assurance and confidence” continued to see himself as his human self, and tries to protect this identity by delivering a long explanation. However, he doesn’t realize that no one saw him as Gregor, and regardless of how strongly he believed in his perception of himself, his family simply saw him as a disgusting creature. Courageously, the father shoves him back into the room and isolates the hideous Gregor into the room.

In “The Metamorphosis,” Kafka utilizes the idea of alienation in a few different contexts: there is the alienation Gregor is experiencing between himself and his identity/well-being, the alienation spawning between himself and his humanity, and the isolation between him and his family. In the text, Gregor has alienated himself from any semblance of a personal identity mostly due to the emphasis he has placed on his work. Gregor’s life revolves around work, as it takes precedence over all else. This is evidenced by the lack of a reaction he had towards the discovery of his transformation, instead focusing on how “strenuous” his career is and the repercussions of possibly missing work that day. The man has just turned into a big cockroach with no explanation as to why or how this has happened, and all he wonders about is what would happen if he told off his boss. This is a testament to how much he defines himself through his work,

Franz Kafka, in his novella “The Metamorphosis”, and Harry Mulisch, in his novel The Assault, uses dark, lonely diction and imagery to create the isolation within the protagonists. The setting symbolizes how the protagonist’s isolation continues to enlarge throughout the book. At the beginning of both the novels, the setting is more open and light, which is compared to the characters’ isolation that is less bordered and complex. As the settings grow smaller and the characters become lonelier, Anton and Gregor’s isolation become more pronounced. Gregor is gradually becoming isolated by his family causing his transformation to progress rapidly, while Anton’s family is growing, but his isolation is conflicted upon himself, causing the setting

Locking up his room in his own house suggests that he feels his home to be just as unhomely as a hotel. Norman Hollan states “Gregor’s repulsive appearance means he has to remain in his room, a prisoner, completely isolated.” This is true because he is not willing to leave his room because of what he is and so is basically a prisoner within his own home. Goldfarb also states “Gregor’s transformation is not an escape from his past loneliness but an intensification of it.” Gregor’s whole life has been basically devoted to paying off family debt, worrying about wasting an hour of his employer’s time and spending very little time developing his life.