The Nivea ' Stress Protect ' Antiperspirant Deodorant Advertisement

Jean Kilbourne’s film, Killing Us Softly 4, depicts the way the females are shown in advertisements. She discusses how advertisement sell concepts of normalcy and what it means to be a “male” and a “female.” One of her main arguments focuses on how women aspire to achieve the physical perfection that is portrayed in advertisements but this perfection is actually artificially created through Photoshop and other editing tools. Women in advertisements are often objectified as weak, skinny, and beautiful while men are often portrayed as bigger and stronger. Advertisements utilize the setting, the position of the people in the advertisements, and the products to appeal to the unconscious aspect

The space I chose to observe and write about for this essay is ULTA Beauty in the Greenwood Mall. In this analysis, I will be focusing on the impact of advertisements and products within class, gender, and beauty through the study of semiotics, connotation, and denotation. ULTA sells haircare products, skin care products, perfumes and cologne, high end makeup brands, and drug store makeup brands as well.

Today’s world is dominated by the great influence of advertising media, which often depicts the objectification of women. The film Killing Us Softly 3, discusses how influential the negative portrayal and misrepresentation of women is throughout advertising media. The Versace advertisement I have chosen to analyze displays a slim, scantily clothed woman of color guarded by a shirtless, muscular man. Based on concepts from the film and the course’s text, it is clear that this advertisement sets a particular feminine beauty standard and, nonetheless, illustrates women as solely being sexual objects of men, having little to no power. This fashion ad influences the way women view their physical appearance, along with their position and function in society.

Sexualizaton and objectification in the advertisements we see and the media we watch has become a very strong issue in our society. With the idea that “sex sells”, consumers don’t even realize that they’re not viewing the advertisements for what they are, but for the women (or men) that are being portrayed in a very erotic way, posed with whatever product they were hired to sell. Many articles have been written so far to challenge and assess this problem, but one written by Jean Kilbourne (1999), “”Two Ways a Woman Can Get Hurt”: Advertising and Violence” holds an extensive amount of authority. Using her personal experience with the subject, as well as studies she has conducted herself on the topic of sexualization, she talks about how the amount of sexualization in advertising affects how society views the culture and products consumers buy. She also notes that because of the quantity and prevalence of these ads, the rate of all forms of sexual assault, specifically rape (mostly towards women of all age), increase, as well as other forms of assault. It is important to examine Kilbourne’s use of rhetorical devices, such as ethos, pathos, and logos, and how effective these devices make her article. This way, it can be examined for its validity and her understanding of her own research. Kilbourne’s article is very effective through her uses of pathos and ethos, but at the same time, it loses its effectiveness through her absence of a counter-argument, as well as a lack

Advertising is the marketing of an idea in ways that encourages and persuades audiences to take some sort of action. In most cases, the action would be to buy a product or service while other are simply to raise awareness. Whatever the case may be, money is poured into advertising every day. Marketing agencies try various ways to convince people to buy their products using different persuasion techniques. After first examining an advertisement, one could analyze how each detail in the ad was specifically designed to affect its audience in a way that convinces them that they need what is being advertised. One would also be able to notice the values and important aspects of a culture through its advertisements. For

Some critics might say that advertisements are not purely manipulative or persuasive. They might argue that advertisements can positively contribute to society while trying to sell a product. This is debatable because modern day advertisements have reached a peak of meaninglessness and emptiness. They do not necessarily contain any thoughtful portrayal of society or its culture. Rather, they are packed with many false ideals distant from reality.

Today’s quick-moving world of technology has media texts such as advertisements to make sure that people understand with just a glance. Having adverts on magazines, social media and billboards allow them to use tools such as semiology, genre and narrative because it makes their messages clear instantly. These signs allow us to carry meaning through advertisements, connotations and the signification process. These tools let brands, mainly celebrities, and the option to produce and create a myth of the product such as “Be daring. Be an inspiration” to sell it to the world. We are in a time where advertisers use ‘simplicity’ in their adverts; there are no more paragraphs. It is mainly down to the person and the few words shown in that advert.

Since the viewer tries to resist the advertisements, this commercial is quick and effective, and thus uses codes of gender display because they are familiar to us all (Jhally, 2009). Evidently, the commercial aims at depicting men as metrosexual or rather intruded by the everyday activities to reinforce the features of masculinity: active, aware of the world and in charge of their surroundings. This point echoes Sean Nixon’s genealogy of the development (1996) of how the representational practice of masculinity is derived from fashion (metrosexual imagery) and advertising (masculine features) (Gill, forthcoming, para 8). Additionally, this is furthered by Gill’s reflection on Foucault’s ideas on all identities are socially constructed and non-essential (forthcoming, para 8). On that condition, the men must engage with the dominant masculine identities that are portrayed by the

Throughout Jean Kilbourne’s film, Killing Us Softly 4, she states that advertisement is frequently used to communicate with potential consumers and persuade them to buy certain products. While advertising’s main purpose is to sell products, modern advertising does more than just sell a company’s merchandise. Advertisers create the values, images, and concepts of love and sexuality that every member of society is pressured to meet; they tell consumers who they are and who they should be. Modern advertising tends to portray the two genders, male and female, in completely different ways. Men are described as powerful beings who are believed to be insensitive and brutal; they are posed and photographed in positions that create a perception of strength and dignity. On the contrary, women are viewed as the weaker sex and taught to believe that their outward appearance determines their value in society. In a Cosmopolitan magazine, a Miss Dior perfume advertisement uses a beautiful naked woman, with long, brown hair and brown eyes, barely covered by a blanket to sell their product. While the perfume being sold should be the focus of the ad, the woman occupies most of the image lying on a bed in a provocative position. She appears to be around twenty-two years old, which appeals to the belief that sexuality only belongs to the young and attractive. In today’s society, women are viewed as vulnerable, objects used to please men, and flawless.

Last month, household goods company Unilever said it would “unstereotype” its adverts after research suggested that 2% of ads showed intelligent women” (Davies and Obordo 15). Advertisements that continue to show a lack of s“educated” women have the potential of instilling predetermined values within the minds of those in a society and raising younger generations to believe they cannot result to move. Along with supposedly “rectifying” a woman’s place in society, advertisements develop a sublime message which shows women as the inferior gender. In the 1980s, the Women’s Monitoring Networks started a project called ‘sexism in the media’. Over the course of a few days, they asked women in the UK to send in clippings of sexist advertisements. Of all the six they received, each one of them included themes of patriarchy (Blloshi 7). Blloshi further explains the themes of patriarchy that were included. For example, “…Courtney and Lockeretz (1971, p. 94) coded and grouped 729 advertisemts into the following stereotypes of women: ...“Women are dependent and need men’s protection”...(Blloshi 6-7). In this case, women are shown amount to nothing. This has a negative impact on a whole gender as well as individual woman themselves. Psychological damage is a possibility as well being caught in an abusive

In today's world, advertisements have become a huge part of our everyday lives. Advertisements are considered persuasive, powerful, and manipulative tools that many businesses use to persuade consumers into buying or using their products or services. So, it's no surprise that no matter where we look, we see them everywhere; newspaper, magazines, billboards, buses, online, television, and etc. It seems as though the whole world is drowned in them. Similar to how writers explain their purpose through rhetoric, advertisers use the same effective techniques to persuade their consumers.

In the Tom Ford ad, a woman is seen laying down on her side, half naked and slim, looking at her face full of makeup through a mirror. Marketers use the concept of gender, mainly women to display sexuality, providing a resource that can be used to receive attention. The audiences’ attention is caught right away in this ad as they see a “sexy” woman being the main focus. Advertising shapes a society’s culture, and reflects its values. Furthermore, advertising is a part of “a discourse through and about objects” as it does not mention anything about the product but how it is connected to major domains in our lives (Jhally 328). The makeup product of Tom Ford is not mentioned in the ad whatsoever, but the mirror is used as an indication of beauty viewed through society’s expectations. It promotes images of what the audience assumes to be “the good life” as it tries guiding us to become “happy” through the purchase of products. If a woman were to buy any makeup by Tom Ford, she will automatically be happy as the makeup will give her glow in life because she will be able to do anything with her new and enhanced beauty. The concept of advertising consists of wrapping up your emotions and selling them back to you (329) by giving fake happiness and satisfaction that loops an individual to chase goods in order to fill the void of

Advertising is a form of communication used to encourage or persuade an audience to continue or take some new action. But when advertisers produce an ad, they have many different variables that come into play if they want to successfully persuade consumers. The first most important step they have to figure out is, what type of audience they are trying to target. They then create images and intend to appeal specifically to the values, hopes, and desires of that particular audience. This is why someone would rather pick the well-known Malboro cowboy ads over the new female cigarettes of Virginia Slims. Each of these ads targets a specific audience;

In this analysis, the author examines the staging of male and female subjects in visual discourse by deconstructing advertisements that involve gendered subjects, examine gender on an institutional level, and look at gender as a performance. Advertisements are the most conventional ways to portray commercial realism, something that could be real because they don’t look peculiar or weird- they look normal. The big question asked by Erving Goffman, author of the book, “Gender Advertisements” is why do these advertisements not look strange to us when in fact they really are (Jhally)?

Advertising is a persuasive communication attempt to change or reinforce one’s prior attitude that is predictable of future behavior. We are not born with the attitudes for which we hold toward various things in our environment. Instead, we learn our feelings of favorability or unfavorability through information about the object through advertising or direct experience with the object, or some combination of the two. Furthermore, the main aim of advertising is to ‘persuade’ to consumer in order to generate new markets for production.