The Perfection Of The Knight In The General Prologue Of

Chaucer satirizes knights and chivalry in two different ways: in the prologue and in the Knight's Tale. The first way in the prologue is with the pilgrim Knight's character. Chaucer wanted to present a realistic knight, but he also wanted to give the Knight some very

In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.

The Knight and the Nun are two significant pilgrims in Geoffrey Chaucer’s famous poem The Canterbury Tales. The Knight is respected by many and his main job was to defeat enemies successfully. The Nun had a lower social position than the Knight and her overall job was to praise the Lord and serve others. While the Knight appears to be a more respected pilgrim in comparison to the Nun, Chaucer uses both of the characters to contribute to the overall theme of humankind’s tendency to strive to be accepted and respected by their peers.

Knights are one of the most mistaken figures of the medieval era due to fairytales and over exaggerated fiction novels. When medieval knights roamed the earth, it was known that they were only human and, like humans, had faults. These knights did not always live up to the standards designated by society. However, in The Canterbury Tales, the knight is revealed as a character that would now be considered a knight in shining armor, a perfect role model in how he acts and what he does. Modern day people see them as chivalrous figures instead of their actual role as mounted cavalry soldiers. As time passes, the idea of what a knight is changes from a simple cavalry soldier to a specific type of behavior.

In Geoffrey Chaucer’s poem, The Knight’s Tale, the author encapsulates chivalrous characteristics in his telling of a battle for love. In its fundamental form, chivalry idealizes a knight’s conduct, both on and off the battlefield (Gregory-Abbott). Chaucer employs this “heroic code [of] bravery, loyalty, and service to one's lord” to illustrate the idillic knight throughout the narrative (Rossignol). Chaucer’s poem, The Knight’s Tale, exhibits the ideals of chivalry in the form of two knights, desperately in love with the same woman, and a wise Duke who embodies the voice of reason. Each knight upholds honor through compassion, troths, and heroism on the battlefield, despite their afflictions with each other.

“The Knights Tale” is the first tale in Geoffrey Chaucers “The Canterbury Tales”. The story introduces various typical aspects of the knighthood such as chivalry, ethical dilemmas, and courtly love. Knights all have this characteristic which they call the code that they portray through out the tale. In Geoffrey Chaucers “The Knights Tale” is an effort on the knight’s part to preserve a virtuous code.

It is largely acknowledged by historians that, while it is difficult to be definitive in the meaning of chivalry-with Maurice Keen believing it to be a ‘word elusive of definition’- it came to denote the culture of a martial estate which ‘regarded war as its hereditary profession’. Thus, it could be considered that the violence of war had large implications on what people began to perceive to be chivalry. Additionally, the focus on violence- such as the participating in tournaments and jousts- further emphasises the close link between carrying out violent acts and the idea that a knight was being chivalrous.

The legends and tales of the knights of King Arthur’s Round Table have resounded for ages—vivid stories of courageous and gallant knights usurping evil while simultaneously maintaining an upstanding reputation. Through the Arthurian tales, one has the opportunity to experience heroic narratives of exemplary models of knights who clearly illustrate the chivalry and honorability one should aspire to possess. No more evidently is this theme displayed than in the 14th century epic poem Sir Gawain and the Green Knight—a narrative of Sir Gawain, nephew of the legendary King Arthur, and his heroic journey against a mysterious green knight. In this heroic journey, the inherent charisma Gawain possesses and is continually praised for affirms the

of the poor outfit of the Knight. Instead he attempts to point out that the

Chivalry was considered to be the code of behavior expected of a knight. It was the conduct, ideas, and ideals of the knightly class of the Middle Ages. It became standardized and referred to as chivalry, a term derived from the French word chevalier, meaning knight. The code urged the knight to be brave, courageous, honorable, true to his word, and loyal to his feudal overlord, and to defend his Church. A knight was truthful, honest, capable, educated, physically fit, noble, sincere, and subservient to the king. A serious violation of these vows could result in a knight being classed as an undignified knight, which was the ultimate insult because of all the hard work that was put into becoming a knight. It made it seem as if all of work

Geoffrey Chaucer’s romantic poem “The Knight’s Tale” chronicles the adventures of two ancient Greek knights and their quest to win the affection of Emily, a beautiful noblewoman. Bound to uphold the chivalric code of loyalty and honor of the time, Palamon and Arcite discover themselves at odds with their noble ideals as they battle one another in pursuit of love. Unable to reconcile the knight’s oath of honor with their obsessive and selfish desires, the actions of Chaucer’s main characters fail to uphold the basic principles of chivalry.

The narrator insists: "He was a verray, parfit, gentil knight," but some modern readers, ill at ease with idealized warriors, and doubtful about the value of the narrator's enthusiasms, have questioned this evaluation. His son, the Squire, is by contrast an elegant young man about court, with fashionable clothes and romantic skills of singing and dancing. Their Yeoman is a skilled servant in charge of the knight's land, his dress is described in detail, but not his character.

Chaucer shows facts about the Middle English through the people of the court system in society. In the “Prologue” Chaucer reveals the honorable qualities of the Knight during this time period. Through the speakers words “To ride abroad had

So we may dismiss him without ceremony, and imagine ourselves face to face with Chaucer; his is the all-pervading geniality and sly elvish humour of this sparkling tale” (Pearsall 39). Personally, I find this position to be almost as far-fetched as that of Broes. We have seen, quite consistently, throughout the various tales that Chaucer plays an intricate, even slightly devilish, game of hide and seek with the reader. No single character can be said to represent Chaucer, just as Chaucer never completely enters the psyche of his creations. In fact, the truth probably lies somewhere in the middle. Of course, it is curious that we know so little about the Nun’s Priest. However, perhaps we might conjecture that this vagueness is a deliberate strategy. In other words, because we know so little about the Nun’s Priest, our ability to enter into the realm of the tale is unclouded by our preconceptions, or misconceptions, of this pilgrim. Too often, we have a tendency to judge the tale based on our liking or disliking of the particular pilgrim whose portrait remains indelibly printed on our impressionable minds. By withholding the portrait, Chaucer affords us a chance to really read the tale. Indeed, if we are to speculate at all, then we might be tempted to identify with this anonymous “Sir John” who is seemingly mocked, albeit gently, even by Chaucer: “And right anon his tale hath he attamed,/And thus he seyde unto us everichon,/This sweete preest, this goodly

This story tells me that Chaucer holds the knight in high regard. As the creator of this character and his tale, he displays his fondness of the characteristics which he attributes to the knight. Chaucer uses many great adjectives to describe the knight in the general