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Acmeism

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Whereas symbolism acts as a cryptic middleman between concepts and readers, imagery creates vivid scenes, allowing readers to experience the emotions and thoughts contained therein. Acmeism, a poetic style originating from early 20th Century Russia, eschews the obtuseness of the Symbolists for the clarity of imagery under the philosophy that the world itself has inherent beauty that poets simply evoke in works.(“A Brief Guide to Acmeism”) Unlike of the symbolists’ often abstract and plotless poems,(“A Brief Guide to the Symbolists”) acmeist poetry describes tangible scenes that inherently contain meaning. Influential Russian acmeist poet Anna Akhmatova, as the poet through whom “a nation of one hundred million cries out”,(Akhmatova, “Requiem”) uses this imagery as a means of powerful expression, both as a romantic and as a political poet. Through complementary and contrasting imagery used in varied contexts, Akhmatova enhances the effect of her poetic works in relation to their apparent purpose, demonstrating the power and versatility of this poetic style. Among the most prominent techniques employed by Akhmatova is straightforward imagery to conjure scenes directly reflecting the apparent emotions or thoughts of the speaker. Here, “imagery” is broadly construed, encompassing description of all senses. In “I Taught Myself to Live Simply”, for example, the poem shows the reader the experience of living without worry through painting a mental picture of a serene and peaceful

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