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The Reflection Of Martin Luther's Theory Of Music

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Unsurprisingly given what discussed so far, Luther had an extremely high view of music and of what this could accomplish - where this was true in particular with reference to the sphere of worship and of church services . In this sense, he was of the opinion that by praising God in music, the latter acted as a bridge allowing for the possibility of relishing God's absolute and perfect wisdom, by seeing its reflection in his work of music itself. Accordingly - always in the Preface to the Symphoniae Iucundae - Luther presented music as something able to connect the whole of creation with its creation. In Loewe's words, the Preface «follows an arc that takes as its origin the very beginning of creation and descends from God to those who have been given a voice, in order to return to heaven through composed music: Luther explained that the praises sung by his readers had the potential to take the singers straight back to heaven, and the ultimate origin and goal of music». Hence, by becoming consciously musical – that is, by actively producing music as opposed to just sounding – we come to reflective express and formulate one the basic aspects of creation . In this way, composed music amplifies and shapes natural music and – another belief which Luther shared with Herbenus – this way conjoins the musica humana and musica caelestis. Then, by being musical by producing music meant to be performed in church we turn creation – as it were, in the aspect of its musicality – back to

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