The Soul Of A Deceased Child By Toni Morrison

The past comes back to haunt accurately in Beloved. Written by Toni Morrison, a prominent African-American author and Noble Prize winner for literature, the novel Beloved focuses on Sethe, a former slave who killed her daughter, Beloved, before the story begins. Beloved returns symbolically in the psychological issues of each character and literally in human form. The novel is inspired by the true story of Margaret Garner, a slave in the 1850s, who committed infanticide by killing her child. Barbara Schapiro, the author of “The Bonds of Love and the Boundaries of Self in Toni Morrison’s Beloved”, Andrew Levy, the author of “Telling Beloved”, and Karla F.C. Holloway, the author of “Beloved: A Spiritual”, present ideas of the loss of psychological freedom, the story being “unspeakable”, Beloved being the past, and the narrative structures of the story rewriting history.

While Morrison depicts myriad abuses of slavery like brutal beatings and lynching, the depictions of and allusions to rape are of primary importance; each in some way helps explain the infanticide that marks the beginnings of Sethe’s story as a free woman. Sethe kills her child so that no white man will ever “dirty” her, so that no young man with “mossy teeth” will ever hold the child down and suck her breast (Pamela E. Barnett 193)

Even after she acknowledges Beloved's identity, Sethe shows herself to be still enslaved by the past, because she quickly succumbs to Beloved's demands and allows herself to be consumed by Beloved. Only when Sethe learns to confront the past head-on, to assert herself in its presence, can she extricate herself from its oppressive power and begin

This literary analysis will define the feminist challenge to the patriarchal motherhood as defined in the mothering methods of Sethe in Beloved by Toni Morrison. Sethe's mothering instincts are found in the way she kills her child in order to prevent a life of slavery and suffering on the slave plantation. This form of “good mothering” defines the horrific sacrifice that Sethe was willing to make, so that her daughter did not grow up to live as a salve. More so, the patriarchal system of marriage and reproductive roles on the patriarchal plantation define the slave system as a boon to Sethe's mothering skills. Sethe is forced to marry one of five male slaves, which defines the sexual abuse that women had to endure on the plantation, This is an important reason why Sethe did not want her daughter enduring the same form of enforced reproductive policies of the slave system. In essence, an analysis of the feminist challenge to patriarchal motherhood will be defined in Sethe’s methods of “good mothering” in Beloved by Toni Morrison.

Sethe expresses content knowing that the murder prevented their capture by schoolteacher. Sethe is resolute in her belief that her act of mercy killing worked. As she tells Paul D, it kept them all away from schoolteacher and away from Sweet Home. When Paul D protests, Sethe explains: "It ain't my job to know what's worse. It's my job to know what is and to keep them away from what I know is terrible. I did that" (Beloved p.202)

Sethe understands that her history, filled with the pain of slavery, grief over losing her children, and guilt over Beloved's death, and tries to hide from all the anguish. However, she admits that the past seems to "always be there waiting," thereby emphasizing the idea that past horrors of life continue to haunt forever. It appears as though the power of her experience in slavery influences her so greatly that the memory triggers great pain, causing the horrifying incidents to "happen again." Even though Sethe understands that she cannot ever fully escape her history as it will come back to trouble her, she still tries to avoid them and thus attempts to shield her daughter from the horrors of history: "As for Denver, the job Sethe had of keeping her from the past that was still waiting for her was all that mattered" (45). It seems as though Sethe tries to deny the fact that history does not simply disappear. She still tries to protect Denver "from the past" even though history "waits," prepared to cause trouble and inflict the pain Sethe tries to repress. It appears as though Sethe continuously tries to fight against her memories and ignore her past in part one. For example, after she wakes, she begins "Working dough. Working, working dough. Nothing better than that to start the day's

Sethe lives in the shadow of her act of infanticide throughout the entire length of the book. This is because its legacy pervades itself throughout the entire novel, showing events leading up, and ways the future has been affected. The novel begins as such: “124 was spiteful. Full of a baby’s venom. (Page 1)” This baby refers to Beloved, who became a ghostly presence in Sethe’s house and continuously terrorizes the house

Through character development, the story also portrays the theme of escaping the past. Sethe’s actions are influenced heavily by her dead child, Beloved. When the “human” form of Beloved arrives while sleeping

Sethe begins to nurture her children, only for her children to have a growing fear that Sethe would kill them one day, enacting her children to distance themselves. Due to Sethe mother’s abandonment, Sethe in fact has never been a “daughter” and the love she displays, Paul D. describes as “too thick” (193) causes resentment from her children. As Sethe undergoes mental and physical abuse from Beloved, causing her strong personality to wither away and becoming fully dependent on Beloved, Sethe gives herself to Beloved, “[a]nything she wanted she got” (283). This is a story not to be passed on for Sethe, she allowed herself to be swallowed up by her own inability to move past her dreadful memories at Sweet Home. The past, “Beloved” began to slowly creep on her, draining away the strong woman she once was. Sethe always tried to nurture her child, the way her mother never nurtured her. However, in the end when she becomes dependent on Beloved, she becomes old and weak. Yet, her positive development occurs when Paul D tells her that she, herself is the most important thing and finally then Sethe moves on.

 When Sethe finally arrives at 124 Bluestone Road, she is greeted with her loving mother-in-law, Jenny Whitlow, known to her as Baby Suggs.  A second healing takes place when Baby Suggs tends to her mutilated body.  “She led Sethe to the keeping room and bathed her in sections, starting with her face…Sethe dozed and woke to the washing of her hands and arms…When Sethe’s legs were done, Baby looked at her feet and wiped them lightly.  She cleaned between Sethe’s legs…”(Morrison, 93).  The methodical washing of Sethe’s body emphasizes the sympathy and love that fills Baby Suggs’ heart.  Putting her trust in Baby Suggs for the relief of physical and emotional torment, is the only way Sethe is able to relieve herself of her haunted past and suffering body.  Baby Suggs knows as well as Sethe, the haunting miseries of black men and women who have been brought low by slavery, yet she urges her daughter-in-law to keep going and be strong.

 Sethe learned the value of motherhood from an early age.  Not wanting the children of the white men that raped her, Sethe?s mother, Ma?am (as she is called in the book), threw all the unwanted children away.  But, Sethe?s father was a black man whom Ma?am loved, and so she kept Sethe.  Recalling the story, Sethe thinks back on what Nan (the woman who knew Sethe?s mother and raised Sethe, herself) said, ?She threw them all away but you.  The one from the crew she threw away on the island.  The others from more whites she also threw away.  Without names, she threw them.  You she gave the name of the black man? (Morrison, 62).  Thus having an identity because of her mother, ?Sethe learns Ma?am?s history and grounds her personality in motherly-love? (Kubitcheck 123).  Kubitcheck also says, ?mother-love offers the strongest defense against slavery.  When Nan tells Sethe that her Ma?am chose to conceive and bear her, Sethe acquires the base on which to build feelings of self-worth? (135).  She could also identify with her mother by the mark branded below Ma?am?s

Every person was shaped by something, no baby exits the womb formed with all their fears, joys, and desires. Humans develop their sense of self and reaction to events through their experiences, starting in their youth. In Toni Morrison’s novel “Beloved” the early events in the life of the protagonist Sethe, have a profound impact on her future. This is a common element in all of Morrison’s work, she gives voice to those usually seen as outcasts who in reality lived an adverse childhood. What Sethe lived through in her early years of development leave her feeling guilty, yearnful, and fearful leading her to spend the rest of her life dealing with the repercussions of her past, in turn creating drama in her own life as well as her loved ones.

She is raped while she is pregnant and her “milk” is stolen from her during the rape. (Morrison 20) Sethe is also whipped. The markings left behind from the whipping are later described as “revolting clumps of scars.” (25) Sethe experiences these hardships because of the institution of slavery.

Beloved (1987) is a sensitive novel written by Toni Morrison a renowned Afro-American author. It deals with the forgotten era of slavery and the pathos of black slaves. The novel tells a wrenching story of a black female slave, Sethe, who kills her own daughter to protect her from the horrors of slavery. Morrison has excelled in creating her female characters. Her novels show a deep sense of bonding between the female characters. In Beloved the female bonding and the multiple layer of meaning in their relationship makes the story emotionally appealing and according to Barbara Schapira in Contemporary Literature it is the story that, “penetrates perhaps more deeply than any historical or psychological study could, the unconscious emotional and psychic consequences of slavery.”(194). The story touches the social, psychological, philosophical and supernatural elements of human life.

As a result of this, the people she needs forgiveness from aren’t her neighbors or the general public, but are rather Howard, Bulgar, and most importantly, Beloved herself. Despite sinning against society and everything motherhood should stand for, the most atrocious sin she committed was against her own children, which is why their forgiveness is the only one that truly matters. Furthermore, while certainly not being noble or courageous, Sethe’s actions are indeed maternalistic—she chose to kill her children because it was the only way she felt she could protect them from the schoolteacher. In her argument with Paul D, Sethe contends that, as a mother, “It’s my job to know what is and to keep them away from what I know is terrible” (Morrison 194), and she did just that. Sethe knew exactly what was in store for her children if they were to fall into the clutches of the schoolteacher, so, as their mother, she protected them from it because it was her duty as their mother to do so. However, in addition to being maternalistic, it can also be argued that Sethe’s actions were instinctual and were not as planned out as they should have been, therefore coming across as rather animalistic and barbaric. As