The Speech of Nothingness:
The Literary Construction of Black Subjectivity
“You are nothing from nowhere…“What can grow from nothing?”
-Homegoing by Yaa Gyasi
In this paper, I draw upon the works of scholars categorized within the emerging area of Afro-Pessimism in order to examine the difficulty, and some would argue impossibility, of articulating Black subjectivity. My area of focus will be primarily upon the first three chapters of the book, noting these as the areas within which the first act of transgression constituting the maafa occurred. In these chapters, we are presented with the first encounters of White British slave traders, the presence of which serves to function as the creation of what I argue is a new ontological
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In this scene, we begin to see the first move towards the creation of a language that positions Blackness as negation, the very antithesis of a model of Human constructed by a Eurocentric epistemology meant to ensure White Supremacy.
The relationship between White slave traders and the Black women they marry is an area of interest. The first area I would like to focus upon is the significance of names and naming when considering how Whiteness and Blackness relate, for as wa Thiong’o notes “the effect of a cultural bomb is to annihilate a people’s belief in their names”. In the early pages of the book Effia, in speaking of one of the wives that Abeeku takes, notes that “Millicent’s mother had been given a new name by her white husband”. The importance of names and naming are a recurring theme within Black history, whether in the vicious whips sustained by Kunta Kinte as he denies the name of his master, Muhammad Ali beating boxer Ernie Terrell while repeatedly yelling “What’s my name?”, or the signifier “X” to connotate the absence invoked through slavery that marked the surname of Nation of Islam members. Names are of immense importance for they call into existence that which is and which had not been prior to being named. The assertion of power evident in the White slave trader renaming Millicent’s mother speaks to the
Is being a black man in public space a crime in America ? In today's society that question is very prevalent and seems to cause a lot of discussion. Many people often start these kinds of discussions and still do not receive the change that they are looking for. In the essay “Black Men and Public Space,” Brent Staples talks about his personal experiences of him being a black man in the presence of the public. He uses his personal accounts to give off vivid imagery that appeals to the audience in multiple different ways. His accounts are explained in his writing with a plentiful array of words and a use of a humorous style. Brent Staples successfully uses the emotional appeal of pathos and ethos to achieve his main goal of showing how racism and discrimination still exists in today's society.
America is a nation “from many, one” as stated in our country’s original motto. We pride ourselves on the granted equal opportunity and freedom afforded to each citizen. But are these premises held true and adequately carried out? My answer is a resounding no! Our country’s intricate history provides us with the foundation that explains why and how discrimination has infiltrated and given the upper hand to the white race that has dominated the American society, while suppressing races of color. Dating back to the discovery of the new world we know as the contemporary United States, the African American race has been segregated and mistreated as exemplified through
Talking Black In America addresses how advanced, unique, and culturally important African American English is (Hutcheson and Cullinan, 2017).
Culture is such a broad and complex term that can be defined in numerous ways. It is said that in part is the integrated pattern of human knowledge, communication, belief, art, literature, and music one acquires upon learning and transmitting characteristics from previous generations. Culture is symbolic communication, and its symbols are learned and carefully perpetuated in a society through its institutions. In Black Culture and Black Consciousness by Lawrence W. Levine, he carefully attempts to uncover Afro-American culture during the antebellum and postbellum periods. More often than none, historians like to emphasize the things that get lost in the culture of Afro-Americans when they are taken from Africa and forced to live as enslaved people in North America. However, in Levine’s book, we discover that he carefully
The author hints that we shouldn’t associate contrary terms with people, contradictory to their race; rather, we need to disclose a positive label with the disgusting term known as black. (Hughes
We are affected in many ways based on race and social status. It is how we over come these challenges, that makes us who we are. The question is what is wrong with black? I read an essay by Langston Hughes in which he breaks down the use of the word black. This essay provides the idea of how the word black creates a negative impression of African Americans. I found this essay rather interesting and biased in some cases, but it is an essay I feel everyone should read. In this essay he uses explains what the word black really means and the negative connotation that is sometimes attached to it. He stated how(709-710)”white folks have done used that word to mean something bad so often until now when the N.A.A.C.P. asks for civil rights for
Even in modern society, the simplest of things can shift the delicate atmosphere. A black man entering a room, or any space, full of white people, can automatically transform the ambiance. This ‘ability’ may not be a desired effect, but in certain situations, it becomes inevitable. Through the use of different rhetorical devices, Brent Staples is able to demonstrate his realization of his “ability to alter public space in ugly ways” simply because of his race and stature in his essay, “Black Men and Public Space.” Staples uses the rhetorical techniques ethos, logos, and pathos in order to get on the “same side” as the reader while still presenting the essence of his argument. The author is able to sympathize with his “victims” and justify their feelings, appealing to ethos. He also analogies and details about his background, such as his doctorate in psychology, and the fact that he was a reporter to appeal to logos. Additionally, by using vivid imagery and creative diction, he engages the reader by use of pathos, evoking the emotions of the reader. With the use of rhetorical devices, Staples is able to effectively describe his experiences of being perceived as a criminal, solely based on his “unwieldy inheritance” (205), while, additionally, extending this concept to be true throughout society.
The Condemnation of Blackness by Kahlil Gibran Muhammad outlines the struggles and tribulations that African Americans had to face after the American Civil War. The book gives specific accounts as to why African Americans were deemed “The New Problem” and how that changed, highlighting discrimination of African Americans as the real problem. Muhammad also focuses of on the work done by social scientist, criminologist, libertarians, activist of both black and white races and how their work affected the African American people and their place in society as a whole. Muhammad also explains how the labeling of blacks as criminals has had an influence on our society today.
In today’s American society, being born black is often life threatening and comes with many struggles and fears. The author Brent Staples visibly demonstrates the presence of black men, in his article “Black Men and Public Spaces”. Staples illustrates to the readers how black men attempt to live their lives as normal as possible, but are unable to because of the fear society has of them. Brent Staples attests to the turbulent lives black men face in society, from their childhood to an adult age. Staples is able to demonstrate the various issues black men face in society with the use of logos, ethos, and pathos.
Fredrick Douglas wrote and presented his What the Black Man Wants speech during the post civil war time period to demonstrate his straightforward views on the fact that even though the black race had just acquired freedom, they remained without equality and civil rights which gave their current freedom no meaning. Throughout his entire speech, Douglas rules over his audience with his parallel and emotional diction choice along with his assertive tone shifting towards anger and the answering of his own questions multiple times to emphasize his seriousness.
2) Although in this day and age, racial segregation is not considered an 'official' problem, and there is no longer seperate lunch rooms and drinking fountains for black and white people. There is an seemingly increasing amount of outrage being expressed by the black community in America. The #BlackLivesMatter is a black empowerment movement, breaking down the walls of insitutaionalised racism and defying the heirachy that dictates white supremacy.
America is a culture that enjoys having some time away from the reality of political issues within society. Comedic entertainment has found ways to also inform its audience about important political statements that is used to “refer to any act or nonverbal form of communication that is intended to influence a decision to be made for or by a political party”( Wikipedia), or ideas through a comedic point of view. Comical news is what brings our attention with ease because listening to straight political debates can lead a person to not want to sit and become informed on latest political topics. The culture that society has developed into became accustomed to finding it better to have a laugh about serious news because through humor an audience
Ralph Ellison's Invisible Man was published at a time when America was racially divided. The novel presents the theme of the lack of black identity – a theme supported by the fact that the protagonist, Invisible Man, has no name. The reader knows the names of Dr. Bledsoe, Ras-the-Exhorter, Brother Jack and others - but the reader does not know the name of the main character. Ellison's leaves it to the reader to decide who he is and, on a larger scale, how white America perceives black America.
Benjamin Zephaniah uses repetition and irony in “White Comedy” to shine light on racial tensions in the world. He emphasizes the word black and the negative words associated with it. The word white is used in place of it to show how one word can change the meaning of other words next to it. This poem helps the reader understand that seeing the earth in black and white could harm someone’s outlook on different world problems. We see that if you substitute the word black for white, not including white lies, it reveals that black has been associated with dirtiness or evil, while white is associated with good and cleanliness.
Whites’ study of slavery and the experience of women show a marked contrast between the restricted femininity of white women and the sexual exploitation and perception of black women. White women were expected to be controlled and preserve their modesty and virtue, but black women were exposed and blamed for the sexual advances and exploits of their white masters. White sums of this contrast best: