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The Speech Of Nothingness : The Literary Construction Of Black Subjectivity

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The Speech of Nothingness:
The Literary Construction of Black Subjectivity
“You are nothing from nowhere…“What can grow from nothing?”
-Homegoing by Yaa Gyasi
In this paper, I draw upon the works of scholars categorized within the emerging area of Afro-Pessimism in order to examine the difficulty, and some would argue impossibility, of articulating Black subjectivity. My area of focus will be primarily upon the first three chapters of the book, noting these as the areas within which the first act of transgression constituting the maafa occurred. In these chapters, we are presented with the first encounters of White British slave traders, the presence of which serves to function as the creation of what I argue is a new ontological …show more content…

In this scene, we begin to see the first move towards the creation of a language that positions Blackness as negation, the very antithesis of a model of Human constructed by a Eurocentric epistemology meant to ensure White Supremacy.
The relationship between White slave traders and the Black women they marry is an area of interest. The first area I would like to focus upon is the significance of names and naming when considering how Whiteness and Blackness relate, for as wa Thiong’o notes “the effect of a cultural bomb is to annihilate a people’s belief in their names”. In the early pages of the book Effia, in speaking of one of the wives that Abeeku takes, notes that “Millicent’s mother had been given a new name by her white husband”. The importance of names and naming are a recurring theme within Black history, whether in the vicious whips sustained by Kunta Kinte as he denies the name of his master, Muhammad Ali beating boxer Ernie Terrell while repeatedly yelling “What’s my name?”, or the signifier “X” to connotate the absence invoked through slavery that marked the surname of Nation of Islam members. Names are of immense importance for they call into existence that which is and which had not been prior to being named. The assertion of power evident in the White slave trader renaming Millicent’s mother speaks to the

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