The Sweet Hereafter, directed by Atom Egoyan, is a film about the devastation caused by a bus crash in a small Canadian community that killed many of the town's children. Like many of Egoyan’s works, this film indicates his directorial style by using film techniques that place the audience in the characters shoes. Egoyan uses nonlinear timelines, motifs and music, along with his great use of camera work, mise en scene, and voice over, to present the plot in a way that engages the audience and leaves an impression long after the film has finished. A scene in the film that shows these techniques is the “Deposition Hearing Scene.” This scene is critical to the rest of the film because it helps the viewers understand Nicole’s character and how she feels towards her father. By having Nicole lie about the bus crash, Nicole is released from the abusive power of her father, Sam. In this scene, at first, Nicole seems vulnerable, but as the scene continues, the audience and character's views of her change.
During the deposition hearing, film techniques help in revealing that Nicole is lying about what happened during the bus crash. The camera pans slowly to show the interview. This makes the atmosphere seem tense and as there is also no background noise in this part of the scene, it seems like a very serious moment of the film. As the scene progresses the smooth panning camera-shots changes to quick, choppy cuts between Nicole, Sam, and Mitchell. This indicates to the audience that
Glory road is a film based on the 1966 Texas Miners, the first all-black NCAA Championship winning basketball team. When the coach, Don Haskins decided to recruit players based purely on ability, and not race. With the purpose of telling the story of the Texas Miners, their experiences and lives leading up to, and becoming the NCAA Champions. At the forefront of this movie are racial issues which we know were rife at the time throughout America. The relationship between sport and psychology is not abundantly clear in this film. I believe, however that, that is because the film was not made for that purpose, as a documentary or article may have. The film was made for the purpose of entertainment, and to tell the story of the Texas Miner -Which it effectively does. In saying that, being a sport psychology student and after critically watching and examining the film, I was also clearly able to see many psychological concepts and issues woven throughout the film, there relationship to sport, and the effects it had on the Texas Miners, and their Championship winning team.
Teamwork is an extraordinary characteristic for any organizations or groups to strive to its fullest potential. According to the Greenberg text “An organization is a structured social system consisting of groups and individuals working together to meet upon some agreed-upon objectives.” In the movie Miracle, the theme of teamwork is portrayed through the Men’s Hockey Team’s head coach Herb Brooks leadership in training recent college graduates to play hockey in one of the most challenging competition in the world, which were the 1980s Olympics.
The movie Before Night Falls directed by Julian Schnabel offers viewers a glimpse of how the homosexual community in Cuba was being mistreated under Fidel Castro’s regime. The true story is told in the eyes of Cuban poet Reinaldo Arenas. The film depicts Arenas life in Cuba and all of the awful experiences that he had to deal with as a homosexual. Eventually he was arrested for false accusations of being a molester, however, he was actually under arrest for being a homosexual. Between the 1930s and 1990s, the Communist Cuba was abusive to the LGBT community as shown in their actions of harassment towards homosexuals, imprisoning the homosexuals, or sending them to re-education camps.
The film Pleasantville directed by Gary Ross is about two modern teenagers, David and his sister Jennifer, somehow being transported into the television, ending up in Pleasantville, a 1950s black and white sitcom. The two are trapped as Bud and Mary Sue in a radically different dimension and make some huge changes to the bland lives of the citizens of Pleasantville, with the use of the director’s cinematic techniques. Ross cleverly uses cinematic techniques such as colour, mise-en-scene, camera shots, costumes, music and dialogue to effectively tell the story.
The Miracle Movie in 1980 Victory of U.S. Olympic Ice Hockey Team and the Soviet Union. This movie show that the coach make the team united and won the game.
The Australian cinema in the 1960’s failed to communicate with the audience due to their lack of promotional messages that weren’t disseminated. Media is formed by cultural, political, economic and social conditions. These influenced or even directed its characteristics and its intended meaning. After a devastating blow to the film industry in the 1960’s, filmmakers of Australia had stopped creating and making quality Australian films. However, the Australian New Wave brought a revival of the Australian film industry during the 70's, 80's and 90’s. It introduced Australian qualities into film, including larrikinism, mateship and a classless social hierarchy. The Castle and Gallipoli confirm, promote and explore features of Australian identity
What is National Cinema ? A Question proposed by Tom O’Reagan in Australian National Cinema (2005). The question leads to the sociological understanding that national cinema is constructed by both national and international film industries, the national film text and also by the various cultural, social and political contexts. National Cinema is a vehicle for social processes, emerging social identity and movements. A film may categorised as a ‘national cinema’ based on a number of factors: the language spoken in the film, the nationalities or dress of the characters, the country that supports the film financially, the setting, music or cultural elements present in the film.
The movie, “The Pursuit of Happyness” is a film based on a true story of Chris Gardner, where Will Smith shines a tale of rags-to-riches filled with love, family, and outcome of the American dream. Chris Gardner is an American businessman, investor, stockbroker, motivational speaker, author, and philanthropist. Based on this real-life story of Chris Gardner, Will Smith takes the role of Christopher Gardner, who was a salesman struggling to satisfy the needs of his wife, Thandie Newton, and their son, Jaden Christopher Syre Smith. With the financial problems, his wife gives up the struggles, abandoning him and their son. Things get worse as Gardner and his son are evicted from their residence leaving them with no option but to try surviving on the streets of San Francisco. They are forced to move from one place to another in the bid to get a shelter wherever they are lucky to get one. The movie demonstrates us how vigorously he is eager to chase his happiness in many burdensome ways. It exhibits how Chris Gardner becomes homeless in the beginning of the movie, but later he becomes a successful dream achiever after putting all his hard work.
I chose to do my paper on the movie Sweet Nothing in My Ear. The movie was about a child who was born hearing and ended up going deaf, so his parents had to deliberate on whether or not they wanted to get him a cochlear implant. The wife Laura (played by Marlee Matlin) is deaf and her husband Dan is hearing. The movie is centered around Laura and Dan’s struggle to decide if a cochlear implant is what’s best for their son Adam. It doesn’t help Laura make the decision when her parents are both deaf, and her father is basically prejudiced against the hearing culture.
Through our life experiences, we all have a different story or perception of an event that we envision to be the truth. The question is, how do we know what is the truth? In the novel by Russell Banks, "The Sweet Hereafter" tells a handful of stories from different points of view providing contrasting angles and meanings to the same event. As these stories interlock with each other and intertwine together the accounts of how each of these people cope with this tragedy, Banks helps readers explore the complexities of grief. In "Books of The Times; Small-Town Life After a Huge Calamity", Michiko Kakutani feels Banks draws on the school bus accident as a catalyst for enlightening the lives of the
The Comparisons and Contrasts of the films of The Thing and The Thing From another world
Paradise Now is a 2-hour film released in 2005, it depicts a perspective alternative in a highly controversial topic of suicide bombers or also known as a ‘martyr’. The movie takes place in Palestine during the Israeli occupation and illustrates the mundane life and frustration felt by the main characters Said and Khaled due to the oppression experienced during the conflict. A key feature that is also portrayed is the reasoning, and almost justification of an attack on that level. However, the perpatrators can be seen showing feelings of hesitance and even inquisitiveness in relation to the afterlife that they are promised and whether violent resistance is the last option. This paper, will discuss how “Paradise Now” provoked my views and
Synopsis: When the USSR hockey team took on the United States in the 1980 Olympics, more than just a gold medal was on the line. Probably one of the most political games in history, this particular game symbolized one of many “battles” of the Cold War. In the, movie Miracle, this story of the underdog is told over, with a strong focus on American coach Herb Brooks and his relationship with his team. The movie highlights the extremely hard work done by the team and the demanding Coach Brooks unrelenting passion to win no matter what. The crux of the movie lies within the game with the Soviet union and those stomach wrenching moments before the game even started, as players knew that at this point it was make it or break it.
Any movie can have a romantic plotline, consisting of a picturesque town, a lonely woman, and forbidden love, but only one can narrate societal hypocrisies and social stigmas while paying homage to a classic Hollywood melodrama directed by a German-expressionism-influenced director from the 1950s. Enter stage right, Far from Heaven. Directed by Todd Haynes, this film, set in the 1950s, tells the story of Cathy Whitaker, a suburban housewife who seems to have the perfect life—until it starts to fall apart, and she has to learn how to keep her husband’s homosexuality and her personal infatuation with her gardener, an African American man, from affecting her flawless image and place in society. This movie was heavily influenced by the midcentury melodrama All That Heaven Allows, directed by Douglas Sirk, as suggested by the somewhat similar plotlines, but their similarities are heavily apparent in the cinematography and mise-en-scène. What makes Far from Heaven unique from its predecessor, though, is how it uses modernized topics in its storyline in order to unveil the hypocrisy of society and the Whitakers’ dysfunctional relationship.
In Michael Gondry’s Eternal Sunshine of the Spotless Mind (2004), the connections between people and memories become the focal point of a very unique romance. Through the use of new technology, the possibility of erasing memories makes painful relationships disappear like they never happened. The tale of Joel and Clementine allows the audience to rethink and question the process they undergo as beneficial or destructive. Though the process might be helpful in eliminating the pain caused from another person, four key scenes show how the lessons learned through relationship experiences are important.