The Truth Behind Honor Honor is a concept that has a great deal to do with entitlement and based on the actions or qualities of a person. There are three main types of honor that society recognizes; family, men, and women and in The Heptameron, Marguerite de Navarre portrays each of the three types of honor throughout her stories. However, there are often a number of complications that follow honor that lie with classified and understandably honorable deeds or traits, and who is it that determines this. Another issue that one may find is that it is also complicated to be able to view one form of honor in the presence of another due to certain views clashing with one another. In addition to this, Marguerite de Navarre’s stories are …show more content…
In the past, it was even more so an issue than it is now, creating little freedom for women. Men held the power in this instance, and believed that they were more worthy of an integral status than women were. In The Heptameron, Marguerite de Navarre introduces the reader to the Duke of Medici, married to Madame Marguerite who had been too young to consummate the marriage. As a result, he had a great deal of love affairs with the women in town. Eventually this lead to him developing feelings for one of the virtuous women who had been the sister of the man the Duke considered his “other half”. The Duke then goes on to say “So be it then! […] Since you are not my friend, I know what I have to do!” (159) Occurring after his friend refused to send word to his sister of the Duke’s request, he responded in the typical manner that he was known for – ruthlessness. At this point, he believed that due to his social standing, it was only right that the sister of the man he had been quite close with were to be his current love affair. His honor lies with the accepting of his offer – without it, he would take her by force. This relates back to manliness and honor coexisting. Obtaining a women’s virtue is a sign of manliness, no matter the generation, and it is because of this that the Duke believes this virtuous women must sleep with him. If a woman were to refuse, as the sister did in this tale, the man would turn to
Larissa Taylor takes her readers on a journey through the life of the infamous Joan of Arc. Joan can be easily recognized as a historical figure in the 15th century, a female warrior, and a woman that was fiercely independent and determined. Joan’s life has been told again and again, which has slowly taken away from the incredible woman that held so many triumphs. Instead of giving her readers a list of Joan’s accomplishments, Taylor enthralls the reader by detailing every step of Joan’s life, start to finish, so that one can really understand the life of the warrior.
The Courtier, originally written as a “courtesy book”, can now be considered to provide significant insight into the norms and practices associated with courtship and gender during the Renaissance era. The book’s third volume is a particularly insightful window into 16th century romantic ideals. Throughout Book Three, Baldassare Castiglione builds an elaborate perspective on what makes the perfect court lady, what sexual and social behavior is acceptable, and how an ideal couple (both courtier and court lady) should function.
Throughout history, our society has created gender norms that are followed consistently by members of communities. Though they differ from place to place, we recognize trends that seem almost prescribed to certain genders. Specifically, in the 1600s, men and women had explicit roles that were designated by people of stature. These expectations were followed loyally and people who failed to follow suit were shunned or sometimes even suffered seriously punishment including crude public beatings that were mot only pain inflicting but also status damaging (Rocke, Gender and Sexual Culture, 159). Looking deeper into the novel The Return of Martin Guerre, we identify from the start the expectations that are in place and how they play a role in the story. In comparison of Characters, taking into consideration the standard that had been set for men of this era, we notice that Pansette (Arnaud du Tilh) is an almost faultless example of what is expected for men and in contrast, Martin Guerre fails to meet these standards.
The study of honor in Renaissance cities presents an intriguing paradox. On the one hand, honor seemed ‘more dear than life itself’, and provided one of the essential values that shaped the daily lives of urban elites and ordinary city folk. For wealthy merchants and aspiring artisans, honor established a code of accepted conduct against which an individual’s actions were measured by his or her peers, subordinates and social superiors. Possessing honor helped to locate a person in the social hierarchy and endowed one with a sense of personal worth. The culture of honor, which originated with the medieval aristocracy, directed the everyday activities of urban-dwellers of virtually all social groups from at least the fourteenth century on.
In some cases butterflies represent beauty, freedom, and imagery. In the Time of the Butterflies, by Julia Alvarez, The Mirabal sisters represent honor and freedom by the way they react in the book. An example of Minerva Mirabal exemplifying freedom is when she says, “I stare at Manuel de Moya as if pinning him to the wall. ‘I’d sooner jump out that window than be forced to do something against my honor’” (111). This quote explains how Minerva will stick for her true roots, and will not ever do anything to dishonor her family. Minerva and the rest of the Mirabal sisters do what they think is right and will do whatever it takes to stay true to what they believe in. Another example of the Mirabal sisters representing a butterfly is when
Werewolves a very well-known fantasy creature, who have been depicted as vicious beasts who will turn on their best friends. In the lay “Bisclavret” the stereotypes of werewolves is no different. Marie de France redefines the werewolf in a very courageous tale of a man and his loyalty. Bisclavret was a very loyal man regardless being werewolf or not. This was shown in multiple scenarios, such as the interaction with his and wife and with the King. The O.E.D. defines loyalty as “Faithful adherence to one's promise, oath, word of honor” (def.1). Throughout the entire story Bisclavret is faithful to everyone he made an oath too. Others have to break
Most humans create a facade which they hide behind. A person will create an identity that fits their expected role in their family, community, and society. All of these factors play into the human ideal because no one expectation of an ideal human matches another, but people still want to meet the expectations of the people around them. One common thread comes from even under the mask that all humans wear. Within The Odyssey by Homer, The Republic by Plato, and The Holy Bible, honor is able to play a role into a human’s life in many different ways; it is what pushes people into becoming the leader, teacher, and follower of what is believed in, and honor is what creates an ideal human.
In Milun, honor has a big place in the story. For example, Milun must go to the other country to fight the one knight who claims to be better than him to defend his honor. Although when he realizes he has been beat by him he shows respect for him because he has truly been beat. His son also shows respect when he sees his gray hair and recognizes that he had hurt an older man. This shows the good side of chivalry where the knights respected each other and good duels.
Some would say that honor is a thing of the past; a thing long since extinct with the King Arthur and the knights of the round table. In fact, it is not, it is real and can still be seen all around through people all the time. In Charles Dicken’s novel, A Tale of Two Cities, honor and dishonor are main themes that are exemplified and enacted through many characters. To be honorable, or to act in honor, is to act in a way that is not necessarily socially acceptable, but is morally right, noble, and kind. To be dishonorable is to neglect the basic responsibility of treating every human being in the respectful manner they deserve, giving no variance to rank or status. Throughout the book different men show varying degrees of honor and dishonor.
Throughout history, there have been different codes of ethics that are often more important to a society that the governing laws of the land. While laws are written standards that people are compelled to abide by for fear of punishment, these codes serve as guideline for how people should live their lives. Two such codes are comitatus as demonstrated in Beowulf and chivalry as depicted in Morte D’Arthur. When the characters in these stories live by the constructs of these social systems, the society flourishes. When characters stray from each social code, however, the entire society falls victim.
Marie de France lived in a time when social graces were paramount to a good reputation, lordships and to securing good marriages. A woman was considered less valuable if she lost her virginity; a wife was subjected to her feudal lord, father, brother or son after her husband’s death. According to Angela Sandison’s article “The Role of Women in the Middle Ages”, this was because in the Middle Ages the Church and the aristocracy controlled public opinion and the legal system. These authorities of the times believed a woman’s place was in a submissive role to a man. In The Lay of the Nightingale, we will see how this social and religious hierarchy will impact the behaviors of the three people involved.
Honor; honor is something that all will strive to achieve in life. Honor shapes people and without it, the world would be very contradistinct. But the concept of honor has changed over time. Today, honor is telling the truth, putting others before oneself, being kind, and protecting people no matter the cost. However, in the French epic, The Song of Roland honor is a very incommensurable thing. Honor is idealized by characters like Roland, Ganelon, and Marsilion as bravery to the point of stupidity and ultimately even death. Honor was not defending others, but safeguarding one’s own reputation and legacy. And a multitudinous amount of characters in this epic put honor above all else, and it’s not always smart.
When at the Legion of Honor, we as a group came across a painting known as “The Pâté” which was completed by French artist John Baptiste Oudry in 1743. Some quick dimensions of the painting include, 69 3/4 x 49 (177.2 x 124.5 cm) being a rather average size painting in that century in that geographical location. The artist John Baptiste Oudry was a well known Rococo painter, tapestry designer as well as illustrator. Most of his praised work was centered around hunted game or animals in well forested landscapes. He attended the French Royal academy and towards the later end of his life was made head of the Beauvais tapestry. The painting which is a trompe-l 'œil, which literally translates to “fools the eye” was made during a time of economic and cultural prosperity in France and most parts of Europe. Under the reign of Louis XV we see acquisition of new land by France and relative economic strength at the populous level. This is also a times of artistic prosperity and freedom with the vast amount of academies and schools available to the population (nominally the rich, educated, particularly skilled). However, the only evidence of societal influence we see in this art piece is the French Royal insignia, on the mixing bowl that symbolizes French society and strength
During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.
In Chronicle of a Death Foretold by Gabriel Garcia Marquez, honor is a very prominent theme in the town and its culture. The need for honor influences many actions taken by individuals and traditions that characters strictly follow. As the narrator’s mother states, honor is love. The reader sees this statement supported throughout the story through beliefs and actions of the Vicario twins, Angela’s mother, and the townspeople as a whole. Honor is such a guiding force in the small community that it almost replaces what love should be. Pura Vicario, Angela’s mother, for example, values honor more than she values true family cherishing and love. Angela’s twin brothers have high respect for their own family honor, and they strive to uphold it by showing their love for their sister in hunting Santiago to retrieve her honor. The townspeople display their devotion to honor as they do not attempt to stop Santiago Nasar’s death. The qualified statement honor is love applies to the novel in actions by the twins, Angela’s mother, and the townspeople, and how their desperation to defend honor controls them.