The Waste Land By. Eliot

A common phrase that adults can testify to hearing from any given teenager is, “You don’t understand!” This proves a struggle between the youth and the adults that quite possibly is never-ending. Adults make assumptions about kids, based on the way they dress, which pushes kids further and further away. In the essay, “Goths in Tomorrowland” by Thomas Hine (2001), he emphasizes the beliefs that adults began the idea of youth alienation from older societies and the teenagers keep it that way. Donna Gaine’s (2001) essay, “Teenage Wasteland,” discusses four teenagers who were mocked and misunderstood by adults and reporters alike. Jon Katz (2001) lets the kids explain themselves about their seclusion from society and the misconceptions about them in his column, “More from the Hellmouth: Kids Tell About Rage.” The fear that elders show towards young people is merely a fear of the unknown. Adults are worried about the younger generations because of their misunderstandings of the youth culture, their failure to accept youth into the adult society, and the instigation provoked from young people.

In the chapter, the gray zone, the author Primo Levi describes the human relationships inside the Lager. In describing the gray zone, Levi discusses the different roles of prisoners assigned by the Nazi. The prisoners that did the work were seen as being more privileged which at the end of the day helped them get more food and live better. Therefore, the concept of the gray zone is analyzing the difference between the privileged and the non-privileged in the Lager. The difference can be seen by the tasks that the prisoners carried out, for example, one of the groups were seen as, “Low ranking functionaries... sweepers, kettle washers, night watchmen, bed smoothers... checkers of lice and scabies,

Poetry can sometimes allow one to explore the unknown. However, in some works of poetry, one can realise that some known ideas or values remain relevant to current society. This is certainly applicable to T.S. Eliot’s poems, The Love Song of J. Alfred Prufrock and Rhapsody on a Windy Night. Eliot’s manipulation of poetic techniques in both these poems allows the responder to realise that some ideas prevail in both modern and post-modern society. These poems explore the unknown phenomena of the obscurity regarding the purpose and meaning of life. This unknown phenomena causes the persona in both texts to resort to a sense of isolation or alienation. Eliot uses poetic techniques such as metaphors and personification to convey his ideas.

A Land More Kind than Home by Wiley Cash definitely fits the category of “grit lit.” It is a novel about the Hall’s, a family who is wracked with grief, anxiety, and guilt after the ‘mysterious’ death of one of their sons, Christopher or Stump. The story encompasses more than just the story of the family though as it is told from the perspective of Adelaide Lyle, an old wise woman from the town, Jess Hall the youngest son of the family, and Clem Barefield, the sheriff of Marshall who also had heartache of his own that is intertwined with this families story in more ways than one. The novel incorporates most if not all of the features that is “grit lit” including: an element of crime, a focus on the bleakness of life, lyrical language, and a central character who wishes to escape their environment or get peace inside it.

T.S Eliot’s poem, “The winter evening settles down” is a short, simple to read poem with several different examples of imagery. Eliot uses descriptive words, for instance, “withered leaves”, “broken blinds”, and “lonely cab-horse” (lines 7-10). He paints an extremely bleak image of a town that seems to be deserted of people. The tone of the poem plays hand-in-hand with the imagery used. This town is an unpleasant place where it has seemed to be neglected for some years now. Eliot’s use of imagery takes the reader to this deserted, torpid place; however, at the same time, his goal is to bring the life back into this grim town.

In The Waste Land, the speaker tells of the “flash of lightning” and “damp gust” that promises rain, but first, to earn the rain, humanity must listen to the advice of the thunder. In the Hindu faith, the thunder’s roar of “DA” tells all of humanity, the gods, men, and demons, how to work together to have peace and morality. “Datta” tells the gods to give, “Dayadhvam” tells humans to have compassion, and “Damyata” tells the demons to have self-control (Eliot 432). With the inclusion of these tenets of Hinduism, Eliot, as the prophet, longs to gain harmony in the world, a world that includes the love and hope that all cultures and faiths have to give. Rather than looking to a Holy Grail that is out of reach of the common man, Eliot presents a solution in his poem that humanity already possesses the answer. He gives practical steps towards earning the rain that the thunder promises through fellowship and unity instead of war and division. In the final stanza, Eliot quotes Dante’s Purgatorio in the original Italian which says, “Poi s’ascose nel foco che gli affina” (Eliot 427). Translated, this line means, “Then he hid himself in the fire that refines them.” While the pain of the present mixed with the immorality of the past seem

T.S. Eliot’s The Waste Land explores modernism, specifically focusing on the troubling of binaries and the breakdown of the traditional. The boundaries between life and death, wet and dry, male and female, and more are called into question in Eliot’s conception of modernity and the waste land. The blurring of gender boundaries—significantly through Tiresias and the hooded figure scene in “What the Thunder Said”— in the poem lends itself to Eliot’s suggestion that traditional masculinity breaks down and decays in the waste land. Traditional masculinity is further challenged through Eliot’s criticism of hyper-masculinity and heterosexual relations in the modern era through allusions to the myth of Philomela and the “young man carbuncular” scene in “The Fire Sermon.” Along with this, Eliot stages scenes charged with homoeroticism to further challenge ideas of traditional masculinity. Homoerotic scenes such as the “hyacinth girl” scene in “The Burial of the Dead” and the Mr. Eugenides scene in “The Fire Sermon” suggest an intensity and enticement towards male-male relations, while also offering a different depiction of masculinity than is laid out in the heterosexual romance scenes. Through scenes depicting queer desire and homosexual behavior, Eliot suggests that masculinity in the modern era does not need to be marked by aggression and

Message of Hope in Eliot's The Waste Land, Gerontion, and The Love Song of J. Alfred Prufrock

Cooperation is the key to human survival, and over time humans have been known to group together to survive. This strategy has allowed humans to develop massive cities and countries of immense power. Without the natural instinct to cling to one another, humans would not be as advanced as they are today, and may not have even made it out of the caves. Many authors display our natural instinct to cooperate in their works, allowing the characters to become more real to the readers.

T.S. Eliot in the twentieth-century wrote what is today widely-regarded as one of the most important text of modernist poems, “The Waste Land.” This poem evaluates many aspects of ancient and contemporary culture and customs, and how the contemporary culture has degraded into a wasteland. In “The Waste Land,” Eliot conjures, through allusions to multiple religions and works of literature in five separate sections, a fragmented and seemingly disjointed poem. Eliot repeatedly alludes to western and eastern cultural foundation blocks to illustrate the cultural degradation prevalent in the modern era of England. One specific eastern example is brought up in the third section of the poem, which T.S. Eliot names “Fire Sermon,” an allusion to

T. S. Eliot’s “The Wasteland” depicts a definitive landscape of desolation, reflecting the damaged psyche of humanity after World War I. Relationships between men and women have been reduced to meaningless social rituals, in which sex has replaced love and physical interaction has replaced genuine emotional connection. Eliot’s “The Love Song of J. Alfred Prufrock” goes a step further in depicting these relationships: the speaker reveals a deep sexual frustration along with an awareness of morality, in which he is conscious of his inability to develop a connection with women yet cannot break free from his silence to ask “an overwhelming question” (line 10). “The Wasteland” and “The Love Song of J. Alfred Prufrock” together illustrate that

This reinforces Eliot's claim that, 'Genuine poetry can communicate before it is understood'. The theme's that run throughout 'The Wasteland', such as sterility, isolation and death, are applicable to both the landscapes and the characters. When drawn together, it is these themes that give the poem structure and strength, and the use of myth mingled with historic, anthropological, religious and metaphysical images reinforce its universal quality.

In this discussion of Eliot’s poem I will examine the content through the optic of eco-poetics. Eco- poetics is a literary theory which favours the rhizomatic over the arborescent approach to critical analysis. The characteristics of the rhizome will provide the overarching structure for this essay. Firstly rhizomes can map in any direction from any starting point. This will guide the study of significant motifs in ‘The Waste Land.’ Secondly they grow and spread, via experimentation within a context. This will be reflected in the study of the voice and the language with which the poem opens. Thirdly rhizomes grow and spread regardless of breakage. This will allow for an

In T.S. Eliot’s most famous poem The Wasteland, a bleak picture of post-war London civilization is illuminated. The inhabitants of Eliot’s wasteland are living in a morally bankrupt and spiritually lost society. Through fragmented narration, Eliot recalls tales of lost love, misplaced lust, forgone spirituality, fruitless pilgrimages, and the “living dead”- those who shuffle through life without a care. These tales are the personal attempts of each person to fulfill the desires which plague them, though none ever stop to consider that what they want may not be what they need, nor do they consider why it is they feel they must do these things. Through studies in Sigmund Freud’s psychoanalytic perspective

In our daily lives, we are too busy to do the things that we always want to do. So, we live lives of boring repetition. However, we have become adjusted to it so almost none of us complain. T.S. Eliot was born in St. Louis, Missouri and eventually moved to London, England. Extremely well educated, Eliot wrote many highly praised poems. For example, The Waste Land was assembled out of dramatic vignettes based on Eliot’s London life. Another poem, Preludes, talks about the daily lives of people where it starts off simple, but leads into something deeper than everyday life. Three reasons why I relate to Preludes by T.S. Eliot are evenings, mornings, and spiritually.