Two text that I believe explain the way we are socialized and why come from sociologist Dr. Michael Schwalbe who explains that we learn to socialize by following social patterns, and Erving Goffman who believed the process of socialization is more or less like the theatrical stage. In the book, The Sociologically Examined Life, chapter 7, by sociologist Dr. Michael Schwalbe, he explains that people follow certain patterns in order to navigate life. He states, “…part of being sociologically mindful is seeing that the social world works in patterned ways.” We learn to become members of society by identifying and following patterns of a given society. Through patterns we learn which behaviors and practices we must follow. These patterns, …show more content…
According to Goffman, social interactions are very similar to the interactions involved in theatre. For example, he compares people in everyday life to actors onstage, acting out their designated role, or cluster of duties, rights, and obligations associated with a particular social position or status. The audience consists of individuals observe the performers and critique their performance. In social interaction, like in theatre, there is the front region where actors perform for their audience, and then there is the backstage stage, where individuals are not seen by the audience and can truly be themselves. The actor’s front, is the part of the actor’s performance that defines the situation for the audience; the impression the actor is trying to leave on the audience. A social front is kind of like a script. Some scenarios have social scripts that advise the ways which the actor should act or interact in a given situation, with specific people. Through the performance the actor’s objective is to make the audience believe their act, thus reaching dramatic realization. The actor is able to convince the audience of this through appearance. Appearance is used to portray to the audience the performers role and status. Appearance shows things such as gender, social status, and occupation. All of this happens onstage. The front stage is where the actor performs and knows they are being watched. Because
Performance. The interactions are viewed as a performance, constantly being shaped by the environment and audience, with the objective of providing others with impressions that are consonant with the desired goals of the actor. Specifically Goffman states as “all the activity of an individual which occurs during a period marked by his continuous presence before a particular set of observers and which has some influence on the observers” (1959, 32). Goffman (1959) uses the
Goffman refers to the act of an individual presenting themselves in front of an audience or a specific set of observers a ‘performance’. The performers convey impressions and information to others in order to support the identity they are presenting, some of the factors engrained in the performance are an appropriate setting, manners, appearance, and front. Goffman refers to a front stage, back stage, as well as an off stage, these regions are meant to reflect how an ‘actor’ may act when in front of different audiences or no audience at all. Goffman touches upon how an
The front stage is where we are able to control what someone may see. Whereas the back stage is where we are able to let our guard down. Both front and back stage is something we are able to control, how people perceive us is something we can not control.
In “Presentations of Self in Everyday Life,” Goffman is constantly explaining how everyday life is a dramaturgy. A dramaturgy is the art of dramatic composition and essentially the production of a theatrical play. A social situation is much like a play. Every play has a stage, actors, a script, a set, rehearsals, and practices. In a social situation, the stage is where the encounter takes place, the actors are the people involved in the encounter, the script is the social norms of the social encounter, and the set is the environment where the encounter takes place. It takes practices and
Socialization is an ongoing process in which individuals obtains a personal identity, learns norms, values and behaviour appropriate to his/her position. People constantly require approval of the things they do, they continually seek to be socially competent and to be accepted by those around them. It is human nature to want to be similar from others in order to be accepted in a certain social spheres but at the same time wanting to be different and unique. There are primary and secondary agents of socialization. The primary agents are those that are basic and fundamental to social beings, these include family and friends from which we learn behaviour at young age; they transmit norms and values to us. The secondary agents are those that are more external to us than family such as social institutions/organisations, these include schools,
Theatre is a collaboration of various forms of fine art which utilizes live performances presenting before the audience on a stage at a specific place within a scheduled time (Dugdale 10). The message is communicated through a combination of various channels like songs, speech gestures or dances. Stagecraft skills are combined with elements of art to make the performance more physical and near to real life experience. Theatre is categorized broadly into drama, musical theatre, comedy, tragedy and improvisation. Any form of these accepts integration of various production modes and collective reception to influence the artwork being presented. As a result of this cooperation of items in the theatre
The performance hall was designed in a thrust manner, which from a frontal view of the stage, I sat on the left hand side. This designed allowed for an unorthodox relationship between the actor and the audience. The actors would commonly come off the stage and run around the hall, lacing the rows. While running around, they would sometimes sing to one individual or extend their hand for
“All the world’s a stage, and all the men and women merely players.” William Shakespeare may have written these words in As You Like It in 1600, but Erving Goffman truly defined the phrase with his dramaturgical theory. Dramaturgical analysis is the study of social interaction in terms of theatrical performance. Unlike actors though, who use a script telling them how to behave in every scene, real life human interactions change depending upon the social situation they are in. We may have an idea of how we want to be perceived, and may have the foundation to make that happen. But we cannot be sure of every interaction we will have throughout the day, having to ebb and flow with the conversations and situations as they happen.
In the words of Gay McAuley, “for an activity to be regarded as a performance, it must involve the live presence of the performers and those witnessing it…” (McAuley, 2009, cited in Schechner, 2013, pp.38). This statement recognises the importance of both the actor and the audience for something to truly function as a performance. In addition, Lloyd Llewellyn-Jones highlights the significance of the theatrical space and how it can influence an audience stating that “on entering a theatre of any kind, a spectator walks into a specific space, one that is designed to produce a certain reaction or series of responses” (Llewellyn-Jones, 2002, pp.3). The relationship between actor, audience and theatrical space is no less important today than it was at the time of theatre during the Spanish Golden Age and the creation of Commedia dell’arte in Italy. Despite being very close geographically with theatre thriving for both in the same era, sources that explore the social, cultural and historical context of these countries and the theatre styles will bring to light the similarities and differences. This essay will analyse the staging, the behaviour of the audience as well as the challenges the actors faced, and how this directly influenced the relationship between actor, audience and theatrical space.
The term socialization can be defined as the process in which individuals learn the behavioral patterns that are most likely accepted and tolerated in society. This process includes the learning values in which children are taught and they develop the social values of their parents or guardians just by observing them. Socialization occurs from the birth of the individual and continues throughout their life. Socialization is classified as one of the most important process in the family. Of all the major sociological perspectives, symbolic interactionism has probably developed the most detailed theory of socialization, Haralambos, Holborn. Sociology -
The above example illustrates not only how the theatrical performance affects the audience, but also how the audience influences its dynamics, development and the characters within it. The actors feel a certain level of acceptance from the viewer, who demands a certain way of depicting the character. Theatre is not just entertainment, itís something much more than that ñ itís education. Theatre should always represent things, rather than
The back stage is a comfortable setting for actors to vent feelings and styles of behavior they keep in check when on the front stage. (Gidden, 1991)
The main aim of physical theatre is to challenge the proscenium arch thus breaking the 4th wall and encourage the audience to participate so as to include the audience in the action with the end goal of catharsis i.e. the 2 way transferal of emotion between audience and actor/actress
Goffman was the first to introduce the topic of dramaturgy in his work. Dramaturgy is his idea that life is a play. The people are actors and the every day world around us is our stage. (1959, p.13) He uses the image of a theatre performance to express the behaviour of people in everyday social interactions. Although not always aware of it, every individual in a social situation is assigned a role in the performance. Every individual obtains a role in social interaction and the audience observes and reacts to the performance. Goffman discussed the three different regions of performance as the front stage, the back stage and off stage. Each region has a particular impact on one’s performance.
Another thing that stuck out to me relating to this topic was the small green piece of paper that Linda held up in class. We were able to give it any meaning we wanted (plant, everyone gets 100). It’s interesting to look at something and give it meaning and follow that for many years. It’s important to see the world through a sociological lens for a many reasons. Keeping in mind that not everyone was raised the way you are, not everyone has the same beliefs as you and keeping an open mind will help you understand why the world is the way it is. In other words, it is always good to keep an open mind that society shapes us as humans. Looking at society from a sociological perspective makes you think more about why things are they way they are. Another thing that I often think about is the strange in the familiar that we learned at the beginning of the semester, which means taking something that seems “normal” to us and asking ourselves why we do this? For example, we can take something familiar like a birthday party and analyze it. We put a birthday cake in front of a child on their birthday and have them blow it