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To Front: Musings On Codeswitching At Riverdale Analysis

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“To Front or Not to Front: Musings on Codeswitching at Riverdale”

Directions: Formulate a specific question that concerns something you would describe as an essential element/constituent of selfhood. Essay an argument that answers the question.

Question: How does one’s verbal communication (in terms of dialects and accents) reflect or not reflect one’s sense of self?

“Yo, it’s brick outside, b. I best be wearing a scarf.”
“Ma, baire onek thandha. Ami ekta es-scarf porbho.”
“Mami, hay mucho frío. Debo llevar una bufanda.”
“Mom, it is rather chilly outside. I should probably wear a scarf.”

Fours lines. Same subject. Same object. Same meaning. The difference lies in that I can only use option B to speak to my mother. The latter two choices will confuse her, while I’m sure muttering option A will end up with her hurling a leather sandal at my face. Since my diaper days, I’ve always spoken a kitchuri of vernacular English, Bengali, and Spanish, pushing and pulling the three in eternal dance. As a child of the …show more content…

Following the philosophies of Otto Frisch and Michel de Montaigne, Strawson believes each waking moment is similar to a rebirth into the world, a new beginning. Because this requires that humans live and only act in the present rather than looking back on memories or anticipating a future, the autobiographical narrative, therefore, plays an insignificant role in our lives. But my whole life has been shaped by my autobiographical narrative, which I invent myself and experience as a single individual across time. It is my memories that form my sense of self, which along with my inner executive then influences the actions I take on in the future. I am not where I am know out of chance, and my personal identity is not independent of my future or past self. It is with this knowledge that I go on with my life with a sense of unity of purpose, dialectal differences and

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