Essay on What is the federal theatre project

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What Was The Federal Theatre Project?????
Throughout the late 1920's an important theatrical movement developed: The Workers' Theatre Movement. In the end, it diminished around the middle of the 1930's, and one of the developments aiding the decline of the Workers' Theatre Movement, was the creation of the Federal Theatre Project. The Federal Theatre Project was the largest and most motivated effort mounted by the Federal Government to organize and produce theater events. Once the government took on the duty of putting people to work, it was able to consider the movement. The Federal Theatre Project’s purpose was “to provide relief work for theatrical artists that utilized their talents and to
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The W. P. A., or Works Progress Administration, was started in the year 1935 to provide jobs for unemployed people in their areas of skill. Harry Hopkins headed this reform as well. There were four art projects developed

for white-collar workers: Music, Writers, and Theatre and Art. The four art projects spent less than 3/4 of 1 percent of the total WPA budget, but were blamed and accused for being un-democratic and inefficient. The FTP was “the most controversial and short-lived of the Works Progress Administration art projects.” (www.answers.com) With its first production in the year 1936, The Federal Theatre Project remained in existence until the year 1939. It employed nearly 10,000 people per year on average; up to 12,000 people at it’s highest. The Federal Theatre Project provided 1200 productions as a minimum of 850 main works and of 309 innovative plays (29 new musicals) to an audience estimated at 25 million people in 40 states. It also “employed actors, playwrights, directors, producers, composers, and technicians, including notables as Orson Welles, Arthur Miller, John Huston, E. G. Marshall, and John Houseman.” (Manning) The FTP gave many Americans their first opportunity to attend live theater performances. It sent companies on tour to smaller cities and also gave shows for younger audiences.
Harry Hopkins did not want just a relief development, though it was important. He then turned to Hallie Flanagan who

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