Looking up at the night all people see different things. They see constellations, heaven, a lifeless void. All of these interpretations are unique to the person. There is a poem that covers this idea of mixed meaning named When I heard the Learn’d Astronomer by the writer Walt Whitman written in 1865 and published in 1867. The poem explains the speaker is sitting in on a lecture by a knowledgeable astronomer. The man is sitting in a lecture-room and shows an obvious distaste for his setting by explaining he “soon became tired and sick.” The lecture uses many blunt mathematical terms such as figures, columns, charts, diagrams, addition, subtraction, and division. And after the man begins to feel uneasy he steps out of the lecture-hall outside. It is here that he looks up and admires the stars. The speaker of “When I heard the Learn’d Astronomer” shows distaste for over analysis and the lack of connection to the natural world through word choice, meter, and sectioning. First, the meter of the first half of the poem helps develop the idea of overanalysis. An example to illustrate this idea is the first half of the poem: “When I heard the learn’d astronomer, When the proofs, the figures, were ranged in columns before me, When I was shown the charts and diagrams, to add, divide, and measure them, When I sitting heard the astronomer where he lectured with much applause in the lecture-room.” The amount of syllables in the first half increases from 9, to 14, to 18, to 23. The steady syllable count increase is done intentionally to induce a sense of tension. This tension is needed to give a growing sense of urgency for the speaker to deny, and turn around and Whitman also put “When” at the beginning of each line of lines 1-4. Rigid flow gives a sense monotony, thus making the poem expectable and not in any way intriguing. The aforementioned case is a connection the speaker wants us to make through his repetition. To make us associate the mathematical explanation of the heavenly bodies with drudgery. The line “When I was shown the charts and diagrams, to add, divide, and measure them...” is also a good example of that idea. The learn’d astronomer is making connections between mathematical concepts and great beauty
Over all, the poem helps imagine a possible student siting in a desk, reading a poem, and pulling his/ her hair out. Also the poem’s sound seems to be rushed. Together with the tone, it makes the poem sound like an angry student speaking very fast as to why he/she hates poetry. The rhythm seems to be regular. It shows to have a regular beat of unstress and distress. Each line follows a beat, but the lines don’t rhyme. The poem seems to show a few figures of speech. “Has difficulty retaining such things as addition and subtraction facts, or multiplication tables” meaning has a hard time understanding the poem more than math (Collins). “May recognize a word one day and not the next” means the reader would have a hard time remembering the overall meaning od a poem and its means (Collins). Also it would mean that the reader was very annoyed that he/she forgot everything about the
INTRODUCTION – (1 paragraph) STRUCTURE 1. Opening sentences which introduce the poem, its author and its form.Explain why the poem is of a particular form (either a ballad or lyric poem). 2. Thesis statement: A general statement about what the poem communicates about life and life experience. 3. Signpost: briefly outline the more specific reasons for how/why the poem conveys this life experience and / or message. (Introduce the main features which will be explored in more detail in the body of your essay).
“But you are rather waiting to hear from me how it occurred to me to venture to conceive any motion of the earth, against the traditional opinion of astronomers and almost against common sense…” (39).
The first and most prominent literary device used is the structure of the poem. Throughout the poem we hear both points of view (that of the father and son). We further observe that the “time of thought is constantly changed.” The audience is transported to the present as shown by,
His prominent station in Danish society left him in an awkward situation. He wanted nothing more than to continue his studies of the heavens, but it was unheard of for a man of his status. He therefore spent some time giving lectures at the University of Copenhagen. His talks centered on the history of Astronomy, including that of
As the speaker sits in an auditorium, they observe the lecturer’s many notes, “When the proofs, the figures, were ranged in columns before me, / When I was shown the charts and diagrams, to add, divide, and measure them,” (lines 2-3). This line provides strong visual imagery of complex investigations in astronomy, and a reader can easily imagine a full lecture room with endless notes and charts which aids in providing the mind-numbing mood of the experience. Moreover, the repetitions of what are essentially synonyms in this context make these lines sound like the rambles of the astronomer, contributing to the tone. As the speaker tires of the lecture, he leaves the room and “In the mystical moist night-air, and from time to time, / Look'd up in perfect silence at the stars” (lines 8-9). Here Whitman again employs imagery to make the night seem appealing and
Prompt: Write a well-organized essay in which you analyze how the poem's organization, diction, and figurative language prepare the reader for the speaker's concluding response.
Like in many of his other poems, Whitman uses free verse in this short literary work. His free verse style in this one stanza is written without a specific pattern of rhyme or meter. Innovation flows through the lines as Whitman is unpredictable with his rhythm. In the eight lines (one stanza) of this poem, he creates an anecdotal feel by having the lines vary in length and giving variety to the stressed and unstressed syllables. For example, the first two lines stress the long beat on the third syllable with the words “heard” (line 1) and “proof” (line 2), whereas the third line stresses the fourth syllable with “shown” (line 3). Then continues to the fourth line to stress the long beat on the second syllable using a comma: “When I,” (line 4). These first four lines act as a setup while the speaker recalls listening to the astronomer’s lecture. Whitman demonstrates anaphora in the poem by having each line in this setup begin with the word “When” to illustrate to the reader that the speaker is evoking a prior experience. Whitman utilizes multiple
Prior to Galileo’s time, the Greek and medieval mind, science was a kind of formalism, a means of coordinating data, which had no bearing on the ultimate reality of things. The point was to give order to complicated data, and all that mattered was the hypothesis that was simplest to understand and most convenient. Astronomy and mathematics were regarded as the playthings of intellectuals. They were accounted as having neither philosophical nor theological relevance. There was genuine puzzlement among Churchmen that they had to get involved in a quarrel over planetary orbits.
(Frova 41) Galileo’s confirmation of Copernican’s heliocentric theory explained through logical arguments and mathematical laws clearly the answers to these difficulties.
Because the poem is long, it won’t be quoted extensively here, but it is attached at the end of the paper for ease of reference. Instead, the paper will analyze the poetic elements in the work, stanza by stanza. First, because the poem is being read on-line, it’s not possible to say for certain that each stanza is a particular number of lines long. Each of several versions looks different on the screen; that is, there is no pattern to the number of lines in each stanza. However, the stanzas are more like paragraphs in a letter than
Along with the use of metaphors, the form of the poem plays an important role in uncovering the views of Whitman. First and foremost, this poem was written in free verse which is a form of poetry that lacks structure. The free verse stucture of the poem is shown in the lack of form in the stanzas of the poem. Some stanzas are six lines long while others are only one, and the lines can be either concise or drawn out. The poem also lacks any apparent rhyming scheme or rhythm. Unlike Shakespearean poetry, where the foot of the poem stays the same, the lack of any apparent structure to the poem leaves the reader unable to predict what is coming next. In addition to this, at the time this poem was written, free verse was not common. In fact, Whitman may have been one of the first poets to use this form, showing that he may have been rebelling against the predominant structured form in poetry. The lack of any apparent structure guides the reader towards the conclusion that Whitman did not like structure in poetry, and can even be
“I calculate the motion of heavenly bodies but not the madness of people” – Sir Isaac Newton (The Church of England Quarterly Review (1850), p. 142)
This is another poem that links Whitman to the Romantics. The "birth of the poet" genre was of particular importance to Wordsworth, whose massive Prelude details his artistic coming-of-age in detail. Like Wordsworth, Whitman claims to take his inspiration from nature. Where Wordsworth is inspired by a wordless feeling of awe, though, Whitman finds an opportunity to anthropomorphize, and nature gives him very specific answers to his questions about overarching concepts. Nature is a tabula rasa onto which the poet can project himself. He conquers it, inscribes it. While it may become a part of him that is always present, the fact that it does so seems to be by his permission.
Here is the interpretation and analysis of the poem based on the sections that respect the grammar and meaning of its sentences: