White pale makeup smear over his sardonic Glasgow smile with demented eyes charges into Gotham’s General Hospital with his henchmen on a dark and stormy night; shooting the hospital’s security guard and pistol-whips a nearby patient in need of care from doctors. The Violent acts of an unhinged mind with a sadistic mordant sense of humor holds Gotham’s General Hospital hostage and threatens to kill everyone with a broken congested maniacal laughter until a doctor cures his large slightly raised blisters that spread across his entire body. The joker announces over Gotham’s hospital public address system that he’s dying. Three doctors place the joker on a hospital bed and organize preliminary test under the supervision of his henchmen. After initiating the visual display pulse of the joker’s heart, a nurse who aided the doctors’ escape from the joker and joker henchmen sight and pulls out her cellphone to call the police.
Batman, a moral solitary man from armor to the skin stood quiet and motionless enveloped by the black of the night actively listening to the live call-in feed to the police dispatch and infiltrates the hospital that is held hostage from the joker in a hasty attempt to defuse the situation. Batman then enters Joker 's patient room, where batman is fooled into thinking Joker is dead when he sees a Joker dummy attached to a flat-lining vitals monitor. Surprise! The real Joker knocks batman unconsciousness. “Paging Doctor Bat, paging Doctor Bat! Is there a Doctor
While in this vulnerable state he is easily subjected to the new ideas that Joker uses to corrupt and redesign Harvey Dent’s ethical codes. Ironically this is done in the hospital where people are supposed to heal. In the hospital evacuation scene the short conversation held between them made all the difference to the “White Knight’s” ethics leading him to pursue an entirely new philosophy as The joker instilled a new moral desire. The conversation held exposes Dent to the random, uncontrollable, anarchy that
The joker was a failed comedian who turns to committing a life of crime as the "red hood" to take care of his pregnant wife that was his first comic in 1951. When batman comes in he has to jump in a chemical vat which disfigures him and makes him totally
He loved what the Joker did in the movie by tormenting and killing others. The Joker was always recognized as the smartest villain because he always had boobie traps and poison gas in his arsenal when it came to weaken and slow down Batman. However, James took what he seen during the movie and see if he imitates the Joker's mentality. By the end of the film, Holmes had his hair dyed red like how the Joker's hair was and wore a gas mask like what Joker wore when he tends to poison his victims with gas and he began to shoot at everyone in the movie theater. When the police arrested him and did investigation, Holmes claimed himself to be the Joker and that he had a mental
In the film, The Dark Knight directed by Christopher Nolan, The Joker, one of Batman's most dangerous enemies whose aim is too push Batman to his ultimate limits, to break his personal rules and strict moral code. This, being the Jokers only reason to live, he has no fear of death and pain. The Joker is characterised as a calculating and logical criminal, a rebel with minimal empathy or moral and a nemesis who commits purposeless crime. Together these characteristics are developed through specific and appropriate use of technical aspects, such as, camera movement, camera angles, props and dialogue. Together these techniques create a character who is an extraordinary to watch, as he causes chaos in Gotham City, all to get
If he gets shot by a gun, he’s dead and if he gets stabbed by a knife in a vital area, he’s dead. Batman is too easy to kill and he is a very emotionally unstable guy, which causes him to think very deeply and ponder if he’s a good or bad person.
A central tenet of whiteness studies is a reading of history and its effects on the present, inspired by postmodernism and historicism, in which the very concept of racial superiority is said to have been socially constructed in order to justify discrimination against non-whites. Since the 19th century, some writers have argued that the phenotypical characteristics associated with specific races are without biological significance, and that race is therefore not a valid biological concept.[1] Many scientists have demonstrated that racial theories are based upon an arbitrary clustering of phenotypical categories and customs, and can overlook the problem of gradations between categories.[2] Thomas K. Nakayama and Robert L. Krizek write about
Has become docile, a zombie, and accepts to aid in the fall of Gotham. The murder of Martha and Thomas Wayne in the catalyst of creating Batman. However, there is a list of traumas behind him as well. Alfred kills off the Shaman responsible for brainwashing Bruce, an action which will impact both Alfred and Bruce.
The Joker, like many of the mentally unstable members of Batman's rogues gallery, has an obsession. Scarecrow's is fear, Riddler's is proving his intelligence, Two-Face's is fifty fifty chance. However, The Joker's obsession isn't about being a clown. The reason The Joker is insane is because he's obsessed with being insane.
In a movie where good and evil are divided by a very thin line, the Dark Knight rises up to fight against injustice and corruption in Gotham City. An action sequel to the original Batman Begins, this installment is a lot darker filled with more explosion, twists, and suspense. For the first time, a comic has been integrated into the issues of the real world. With the help of District Attorney Harvey Dent and Lieutenant Gordon, Batman sets out to dismantle the remaining mob members and clean the streets of Gotham for good. Their success is only short-lived when they encounter the Joker, a mysterious mastermind who is out to prove that nobility cannot hold in a world of anarchy.
Batman: The Dark Knight directed by Christopher Nolan is non-stop action thriller that continually did the unexpected. The film is based off of the original Batman comic book but additionally changes the perception of the everyday world as good to naturally bad. Throughout the movie, Batman stands for honesty and goodness while the Joker is a symbolism of chaos and evil. Both sides are forced to make quick-witted decisions in order to stop the opposing vigilante from doing his desired work. The citizens of Gotham are put in the heart of this circumstance and feel obligated to go against their values to stop the chaos. Numerous people habitually pursue their dreams and values but often become blinded from their
It occurs without any warning to the reader, in a sudden and quick paced page, with absolutely no dialogue. There are dramatic moment-to-moment and action-to-action panel transitions with Barbara’s detailed movements. And along with it is the Joker’s omnipresence throughout the page due to clever placing and coloring of specific objects, such as his camera, and Barbara’s blood, all creating a heavy impact on the reader. Moore and Bolland’s object coloring and placement on page 13 of Batman: The Killing Joke play a critical role in not only foreshadowing a traumatic outcome for Barbara, but also creating a empathetic relationship between the reader’s and Barbara’s
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He is able to effectively convince Batman he is crazy, make him lose his mind, take over the Bat Cave, and trap Batman, but his efforts are pointless because Batman is able to escape his shallow grave. Dr. Hurts greatest downfall is underestimating the Batman and the Joker. When he declares the Joker as one of his “servants” this turns the Joker against him. Ultimately Dr. Hurt is overcome by the
Batman’s violent actions in Frank’s Miller comic book demonstrated the darkness of his heroic personality. After ten year retirement, Batman became more troubled to Gotham City turning to a crime-ridden and a fugitive. According to Joseph Campbell words “everything begins with a story”. The beginning of Batman’s story started after the death of his parents. They were shot by some criminals because they were going to steal and hurt them. Having to experienced this horrible scene on his childhood, traumatized Batman
Batman's a whole other story. The filmmakers have worked out the mask problems from the previous film; Bale fills the suit with grace and danger. His voice is disguised as well - it's now a bass-heavy synthesized whisper. The character seems more than ever an extension of his high-tech toys (like the neat-o Bat-scooter that pops out of the Batmobile at one point, ecstatically rearing up like the Lone Ranger's Silver). He represents a citizen's darkest urges, though, and it eats at him. He's Dirty Harry crossed with Hamlet.