Who Is Edwin S. Porter's Influential Film?

It's a picture book, a graphic novel, a celebration of the early days of the cinema in particular Georges Méliès, the great silent filmmaker who created “A Trip to the Moon” in 1902. And in that tradition all in black and white. Georges Méliès was a French illusionist and filmmaker. later in life he lost all his fortune and his movie studio and make living as a sweets and toy salesman at a train station in Paris.

It was Thomas Edison who was also responsible for the invention of Motion pictures . Thomas created equipment that would record and playback images so that they could be watched later on.

A fantastic linear narrative storyline accompanied The Great Train Robbery upon release, with interesting editing, sophisticated camera work and a satisfying finale. Audiences at the time had only seen long shots, where the action took place within a linear narrative and in a less than exciting frame. It was only when Porter introduced this experimental form of film making that audiences saw how dull and mundane the features they had previously been exposed to had been.

I was once asked, if I thought the decision to reorganize of the state was right. Specially taking about creating the JDOC command structure, I said, “who else is going to do what we are doing?” The job of domestic operations has always been an additional duty, with very little time for planning or preparing for upcoming events. We are a reactive organization and I can see how that can kill us in the end. Our focus in the past 15 years has been on how prepare to go to war, which is our federal mission, and we have forgotten how to take care of our citizens in our own back yard which is our state mission. This reorganization has forced us to look to our left and right, and view the Oregon National Guard a one force both Army and Air. We as an organization are learning each other’s capabilities, strengths, weaknesses, and how we can better support each other in the

He spoke for his society and fought for what he believed in, all while promoting positive messages and spreading love and peace. He was unique in the ways that he made significant contributions to both US history and culture; he brought new aspects of film to the table that had never been seen before and paved the way to the cinematic elements that we have today, while simultaneously leading and speaking for the people during troubling times in both the economy and foreign relations. For these reasons, his legacy is likely to live on forever in the hearts and minds of

It wasn’t until sound films hit the scene in the 1930’s that Frank found his niche in directing. Because of his engineering education, he adapted more easily to the new sound technologies than most other directors of that time. He found immense success in 1934 with a film called “It Happened One Night” which became the first film to win all five top Oscars (Best Picture, Best Director, Best Actor, Best Actress and Best Screenplay). A few years later, Frank directed a couple popular films that landed him in some controversy due to their political expressions during a sensitive time of war.

It had been a hot, midsummer day when Jacques Kubrick bestowed a camera upon his son, Stanley. It had been an old, Graflex camera, and from that day forward, young Stanley could be seen lugging around his father’s gift everywhere he went. He spent much of his time snapping still photos and creating home movies depicting the Bronx, his hometown, in all its glory (Uhlich). No one could have predicted that this gift was one that would affect the world. That day - July 26th, 1941 - had been renowned American filmmaker, director, and screenwriter Stanley Kubrick’s thirteenth birthday, and it had been a ripple in time, the simple start of a visionary whose future work would one day be celebrated on various platforms by more than one generation. As

Edison Films unwitting invention of the movie-making industry was driven by a desperate struggle to make a profit out of his failing product, the Kinetoscope. He was under commercial attack from rival systems and needed a strong marketing tool to save the flagging technology. Edwin S Porter, Edison’s chief cameraman, produced The Great Train Robbery and the rest is history. Not a straightforward teleogical history though with a beginning and a pre-determined end with the goal of making films more real. Realism is a relative term in filmmaking. When the actor, George Barnes appears at the beginning/end of The Great Train Robbery dressed as the bandit chief and fires his pistol straight at

Orson Welles didn’t just impact the filming realm, but, by being an actor himself, showed that he possessed a very strong standpoint on what an ideal actor was. Orson said that, to him, acting “was like a sculpture. It’s what you take away from yourself to reveal the truth of what you're doing that makes a performance. A performance deserves to be considered great or important. It’s always entirely made up of the actor itself and entirely achieved by what he has left in the dressing room before he came into the camera’s view. There’s no such thing as becoming another character by

Before we get into this deeply let's get this out of the way, “mr.faden, are you the Associate Professor of English and Film Studies at Bucknell University?” *rhetorical question because we all know he is* Therefore back to factor one, Professor Faden studies early cinema and digital image technologies, and creates

He is survived by loving wife, Celeste Lana Stump-Felici, daughter Sheri and spouse Enrico Deburcheo, daughter Jami Nicholas, son Tim and spouse Jenny Porterfield, son Sammy Felici, son Mike and spouse Luchrisa Hatalovsky, daughter Nicole and spouse Willis Lay, brother Steve and spouse Jackie Stump, grandson Shane Smith and partner Lauren Sweat, grandchildren; Chris Marsh, Rowyn Porterfield, Aiwin Porterfield, Madison Cox, Candace Lay, and great-grandson Jace

The work of photographer Eadweard Muybridge is commonly regarded as the origins of the cinema. Muybridge was an English emigrant to the United States who settled in California during the Gold Rush. An entrepreneur like many of the area’s new arrivals, he opened a successful bookstore

In the early years of post production, there was a distinct lack of editing within the film industry. Everything filmed was for the most part one continuous shot and lacking too much creativity in the post production region. Edwin Porter was one of the key founders that changed the way post production was addressed. Although he originally filmed following what is referred to as Aristotelian construction (Musser, 1991, p167) he began paying closer attention to how a story could be told more effectively through visual representation. Edwin began straying away from Aristotelian construction and instead opted to use cutting to help him create the story he wished to create. Whilst this was not an

The use of editing within Porter’s films help audiences follow the progressing linear narrative, more specifically the technique of intercutting allowed Porter to shift the action between the protagonist and the antagonist.

No matter who a person thinks invented the motion picture camera, whether it was Louis Lumiere or Thomas Edison, I'm sure they had no idea what it would become at the turn of the century. Motion pictures, has become an entertainment medium like no other. From Fred Ott's Sneeze to Psycho to Being John Malkovich, the evolution from moving pictures to a pure art form has been quite amazing. Different steps in filming techniques define eras in one of the most amazing ideas that was ever composed. Silent to Sound. Short to long. Black and white to color. Analog to Digital. All were important marks in the History of Motion Pictures. "It's different than other arts. It had to be invented"