Wild Swans: Three Daughters of China by Jung Chang provides a thoughtful and beautifully painful chronology of three generations of women through some of China’s harshest periods in history. This book review will proceed in two parts. The first will address the significant themes present in Chang’s novel. The second will go beyond literary analysis and delve into identifying the author’s own bias, and comment on the structure and perspective of Chang herself. This review will overview the themes and then critically comment on the efficacy of the author’s development of those themes. Chang shows how adversity can bring out the best in people; and how love, loyalty, and self-sacrifice are imbued in their family.
Love within the family is one of the strong feelings throughout Chang’s work. When Shou-yu, her father, is imprisoned his children- including Jung herself- take turns to visit him. There is no established transportation so their journeys were always dangerous and they could have easily risked their lives. Of course they are able to get a ride when possible, but it was not guaranteed, meaning that the Chang siblings always took the well-being of their father over the hardship to get to him. Love within the family is also present when Shou-yu has a nervous breakdown in the hospital. Despite the fact the medical staff at the hospital say to Jung that he is in good care she still chooses to be with him, meaning she accepts the opportunity cost which may go toward helping
The Death of Woman Wang, by Jonathan Spence is an educational historical novel of northeastern China during the seventeenth century. The author's focus was to enlighten a reader on the Chinese people, culture, and traditions. Spence's use of the provoking stories of the Chinese county T'an-ch'eng, in the province of Shantung, brings the reader directly into the course of Chinese history. The use of the sources available to Spence, such as the Local History of T'an-ch'eng, the scholar-official Huang Liu-hung's handbook and stories of the writer P'u Sung-Ling convey the reader directly into the lives of poor farmers, their workers and wives. The intriguing structure of The Death of Woman Wang consists on observing these people working on
Four Chinese mothers have migrated to America. Each hope for their daughter’s success and pray that they will not experience the hardships faced in China. One mother, Suyuan, imparts her knowledge on her daughter through stories. The American culture influences her daughter, Jing Mei, to such a degree that it is hard for Jing Mei to understand her mother's culture and life lessons. Yet it is not until Jing Mei realizes that the key to understanding who her
Over there nobody will look down on her, because I will make her speak only perfect American English. And over there she will always be too full to swallow any sorrow! She will know my meaning because I will give her this swan- a creature that became more than what was hoped for.” (Tan 1) The culture in China the mothers of Joy Luck dealt with was unlike anything their daughters could ever imagine or appreciate. Between the mothers Lindo, Suyuan, An-mei and Ying-ying, the Chinese culture forced them into being married by a matchmaker, giving up babies, witness desperate attempts to save loved ones, and having an abortion. In many ways the Chinese culture scared each woman, although they were proud of their heritage, their daughters deserved better. These four mothers had very high hopes for the better lives that they wanted to give their daughters by raising them in America. They didn’t like or want to have their daughters looked down upon, just because they were Chinese women. From each of their own experiences, they learned that they wanted to improve the lives of their following generation.
The story is around an American-conceived Chinese lady, Jing-mei, who goes to China to meet her twin stepsisters that her mom was compelled to relinquish numerous prior years. Since her mom had passed away just a couple of months prior, the meeting is full of vulnerability and bitterness. Jing-mei battles with self-character issues and what it truly intends to be Chinese. En route, she takes in reality about the reasons her mom deserted her sisters and the significance behind their names. At last, she at last associates with her sisters and makes the passionate association with her Chinese legacy.
The Death of Woman Wang, by Jonathan D. Spence, paints a vivid picture of provincial China in the seventeenth century. Manly the life in the northeastern country of T’an-ch’eng. T’an-ch’eng has been through a lot including: an endless cycle of floods, plagues, crop failures, banditry, and heavy taxation. Chinese society in Confucian terms was a patriarchal society with strict rules of conduct. The role at this time of women, however, has historically been one of repression. The traditional ideal woman was a dependent being whose behavior was governed by the "three obedience’s and four virtues". The three obedience’s were obedience to
In “Plight of the Little Emperors” by Taylor Clark the article talks about the difficulties of young children growing up in China.
In the novel A Daughter of Han by Ida Pruitt, the readers are taken through a journey of one woman through her life’s highs and lows. Through the eyes of Ning Lao T'ai-t'ai, readers can truly understand the life of a working woman during this time period. Although life may not have been easy at times, Ning Lao shows the determination and passion she had for her family and for their lives to be better. The life of a working woman is never an easy life but adding in the social rules and opium addiction that effected each part of Ning Lao’s life made it much more difficult.
Book Review: Growing Up in the People’s Republic: Conversations Between Two Daughters of China’s Revolution. By- Ye Weili with Ma Xiaodong
The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chines culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member in the Chinese society nor the poor we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, An American woman whom helps him write the book. When
In Wild Swans, Jung Chang describes the life of three generations of woman in her family. Beginning in the year 1909 and ending in present time, it gives an insight into almost eighty years of the cultural history of China. Jung Chang has said in a interview that her intention in writing Wild Swans was to show how the Chinese people, and in particular the women in her family, "fought tenaciously and courageously against impossible odds."
As China faced new international pressures and the change to a communist society, gender relations transformed women from servants of men to full independent workers, who finally became soldiers of the communist state. In Jung Chang’s novel, Wild Swans, the three women – grandmother Yu-Fang, mother Bao-Qin and daughter Jung Chang – exemplify the expected gender roles of each generation. I will argue that Confucian society presented few economic opportunities for women to support
Medieval China, as seen in the Stories from a Ming Collection, was characterized by distinct separations between men and women’s abilities, typical old fashioned family structure, and a desire to advance their social status. Throughout all the stories in this book, it dives deep into different aspects of how men and women are treated, how families were structured and how that affects their lives, as well as the values these people held. A very common trend in the stories was how different men and women were treated and the limitations they may or may not had.
The Chinese people have experienced rapid change, in government and culture in the 20th century. Although the common people seemed to have risen up against oppression from the ruling class, liberty and equality often remains out of their grasp. For centuries the dynastic cycle has dominated the culture and collective consciousness of the Chinese people. This process is characterized by unification, followed by prosperity and success, followed by corruption and instability, and finally rebellion and overthrow. This gives way to a new dynasty that was said to have received the mandate of heaven. This cycle, in some ways, ended with the fall of the Qing dynasty. This marked the end of over 2000 years of
I chose this topic because I view women as the backbone to the development or a nation, therefore the Chinese woman is paramount in one of the world’s great civilizations. The role of women in Chinese culture has changed over the years. When we consider the position that women held in ancient Chinese society we find that they have come a long way to be where they are today.
Chinese women who chose to remain in China traded freedom for their culture. They were afraid to leave the familiarity of their lives thee for an uncertain future in America Had they gone to America, they would have lost the opportunity to experience Chinese culture firsthand. They lose the freedom that the next generation would have and gained the experience of living in their native culture ane accepting it as a way of life. These women were admirable because of their strength to choose their culture and family over anything else. Their dedication is at a level close to monks and saints. They were able to find harmony in their lives because it was all they ever knew.