William Shakespeare 's ' Three Sets ' Nature And The Romantics Are Two Sides Of The Same Coin

This excerpt shows the darkness of nature that Whitman believes possesses the human soul. It also shows the dark and sinister thoughts that he experienced as a romantic writer.1 According to the romanticist characteristic of the “Awe of nature”, “Romantics stressed the awe of nature in art and language and the experience of sublimity through a connection with nature. ”3 Through Whitman’s experience with nature, he is able to connect the bleakness of the human soul to the most dreary forms of nature. Walt Whitman’s Song of the Open Road offers a contrasting attitude to the latter poem.

Lastly, de Botton discusses the sublime in terms of its ability to call attention to the duality of pain and happiness. He includes several pictures in this chapter of vast landscapes that express the contrast of light and dark far more evidently than in other pictures throughout the book. The inclusion of these pictures serves to prompt the reader to recognize the stark contrast yet intimate relationship between light and dark. Likewise, De Botton’s description of the sublime is often in opposition to itself; he describes the sublime as “to do with feelings of weakness”, “threatening”, “can provoke anger and resentment” and “a defiance to man’s will” (de Botton 164).

Secondly, the sense of the sublime. Romantic poet, William Wordsworth, defined the sublime as the “mind [trying] to grasp at something which it approaches but is incapable of attaining”

Nature is very important to romantics; it is a departure from the enlightened ideals of study and the “classroom” environment. Dr. Victor Frankenstein shows a great appreciation of nature through diction, especially through Edmund Burke’s idea of the sublime. Burke’s article, On the Sublime, defines sublimity in relation to nature, “astonishing [...] with a degree of horror”, which is a feeling Dr. Frankenstein frequently describes when he is in nature. In one passage, Frankenstein uses the words, “troubled”, “awful majesty”, “wonderful and stupendous”, “vast” and “glittering” (Shelley 101). These words resemble the “sublime” by combining the beauty of nature and the terror it’s vastness brings, just as Burke illustrates. Shelley also uses imagery. Imagery portrays the beauty that the character’s see in nature to the reader. One instance of

Robert Frost’s poetic techniques serve as his own “momentary stay against confusion,” or as a buffer against mortality and meaninglessness in several different ways; in the next few examples, I intend to prove this. Firstly, however, a little information about Robert Frost and his works must be provided in order to understand some references and information given.

Shelley’s unrivaled admiration for the intensity and dominance of the natural environment forces the reader to feel to take on that same perspective. This first stanza alone, essentially gives the reader a brief topographic and geographical analysis of the distinct features of the mountain, which eventually will be the foundation on which he forges his coming metaphors concerning human imagination. As the poem continues, Shelley concurrently reflects on the distressing supremacy of the ordinary world and it’s counterpart, the unseen vastness of the universe both inside the conscious and around him. This is where Shelley first melts the idyllic nature of romanticism with the idyllic concepts of environmental conversationalist

As I was reading William Wordsworth’s poem, “Lines Composed a Few Miles Above Tintern Abbey,” I connected many things from the poem to Romantic Literature. At the very beginning of the poem in the first few lines, it says the words: summer, winter, water, mountain springs, and cliffs. I automatically knew without having to read any further that this was going to be about nature. Nature is one of the main elements in Romantic Literature. The settings were always very detailed just like they are in the poem. The nature element also says that it is able to alter human perception and the way that one may feel. On line 56 of the poem, it says, “thou wander through the woods, how often has my spirit turned to thee.” This says that once you go outside,

Wordsworth says that poetry is pleasure created through rhythmic beauty of feeling. Therefore, he uses the rhythmic beauty of words and describes the feeling of Nature with the sights and sounds of the phenomena. In the lines, "little we see in Nature is ours;", he uses the symbol of sight, as if to say that not only have we lost a connection with Nature, but that we are also limiting our view of the world beyond materialistic concerns. In the third stanza he comments again that he longs for "glimpses that would make me less forlorn; have sight of Proteus rising from the sea".

Lastly, the Romantic Era blended human emotions with nature. The interfacing of emotion and nature was emblematic of Romantic poetry, whether it engrossed the idea of bequeathing human emotions to an innate article like a river or connecting the scenery to the temperament of the writer. (James, 491) This kind of beauty that is

In "Lines Composed A Few Miles Above Tintern Abbey", Wordsworth uses imagination to help him and others to live in the physical world peacefully. He recalls playing in Tintern Abbey, a forest nearby there and played in it when he was young. Now he comes back for different reasons. He escapes the world which is individualism and goes to the forest to get away from all the burden. He tells his young sister that she can always come here to get away from her problems as well. In the poem, Wordsworth uses nature to solve problems in life.

Charles Baudelaire’s poetry is a great example of when two seemingly opposing styles of writing, romanticism and realism, meet. The two intertwine in this work to form a masterpiece of natural beauty and painful realism. His use of nature to drive many of his deeper contemplations gives this work an air of romanticism. He contrast this beauty by discussing topics that a writer of strict romanticism would typically stray away from, such as the strongly negative reality of human behavior. However, the combination of these two styles that appear to stand in opposition of one another is part of the unique and haunting beauty that Baudelaire offers in his poetry.

The beauty of nature is often overlooked and underappreciated in today’s society. The neglect and lack of respect given to such a beautiful creation by members of society is widely reflected in Romantic poetry. The romantic era began in 1798, where writers such as William Wordsworth and Samuel Taylor Coleridge expressed their opinions and feelings towards nature. Overall such writers typically express a positive outlook on the natural world around them, however some stray the other way. Specifically Coleridge and Wordsworth began to express the feeling of disconnect towards nature. Both writers began to feel as though they could not understand nature and cannot connect with the beauty it gives off as expressed in poems such as “Dejection”, “London 1802”, and “Lines Composed a Few Miles Above Tintern Abbey”. Not only did some of these writers begin to feel a disconnect but a select few also begin to feel as though people are disrespecting the balance of nature and are trying to disrupt the balance and manipulate it. Writers such as Mary Shelley, author of the novel Frankenstein, expresses the concern of people taking the laws of nature and twisting them. Writers and people living during this time period not only express an appreciation for nature but also the truth about the human relationship with nature. The relationship between humans and nature is on of mistreatment.

William Wordsworth's "Tintern Abbey" celebrates imagination and emotion over rationality and reason, and intuition over science. It is the beginning of English Romanticism in the 1800's and Wordsworth was one of the leading poets of that era. He introduced the readers to grasp nature and fully appreciate all aspects of it. "Tintern Abbey" focuses on Wordsworth's nostalgic experience on returning to the Abbey, but pays much attention to the poem's theme of emotional beauty and nature. In this poem, the reader finds Wordsworth's intense and loving memory of natural scenes.

The poets of this period accordingly placed great emphasis on the workings of the unconscious mind, on dreams and reveries, on the supernatural, and on the childlike or primitive view of the world, this last being regarded as valuable because its clarity and intensity had not been overlaid by the restrictions of civilized reason. (Mutter)

The romantic period in literature started in roughly the 1790s and ended around the 1830s. This was a period when people’s imagination and love for nature flourished, prospered and then sky-rocketed. When comparing the two poems The Ropewalk and Because I Could Not Stop for Death for theme and tenets of romanticism, it is evident that both poets’ exemplify the power of imagination and the weight of nature through poetic devices. While one poet expresses the individual-self the other contradicts with a more social mindset. These comparisons help reveal that the poets’ purposes are to notice the influence of imagination and to also relish nature.