Without a Name, a novel written by Yvonne Vera, explores the journey of a young Zimbabwean woman, Mazvita, during the late 1970’s guerilla war. In 1963, the two political parties in Zimbabwe were banned, which led to guerilla warfare in 1966. This ultimately led to emigration out of Rhodesia. In the novel, Mazvita traveled from her hometown of Mubaira, to the city of Harare. In her hometown, she faced rebel forces, which sexually abused her along with destroyed her village. In the course of her journey to Kadoma and the city of Harare, Mazvita encountered more political violence and a revolutionary social change. Generally, Yvonne Vera, the author, has been known for poetically writing about strong female protagonists who experience traumatic events in their lifetimes. However, Corwin L. Mhlahlo argues differently in “Advocating a Nameable Desire.” Mhlahlo believes that it is not only Mazvita’s negative experiences, which interest Vera, but also the female sexual pleasure Mazvita feels and how it relates to the colonized black gendered subject’s claim to a ‘phallic privilege.’ Corwin Mhlahlo’s argument begins with fully understanding the Africa perspective on female sexual desire. In these patriarchal societies, like Zimbabwe-Rhodesia, female desire and sexual pleasure is frowned upon, which led women and their needs discouraged, suppressed, and repressed (Mhlahlo 97). This negative view on female sexual desire began with the traditional “male-chauvinistic” views: an
Mothers, fathers, daughters, sons, aunts, uncles, grandparents, pimps, prostitutes, straight people, gay people, lesbian people, Europeans, Asians, Indians, and Africans all have once thing in common: they are products of sexuality. Sexuality is the most common activity in the world, yet is considered taboo and “out of the norm” in modern society. Throughout history, people have been harassed, discriminated against, and shunned for their “sexuality”. One person who knows this all too well is activist and author, Angela Davis. From her experiences, Davis has analyzed the weakness of global society in order to propose intellectual theories on how to change the perspective of sexuality. This research paper will explore the discussions of
Urged by women and the “code of chivalry,” which was like the “cult of true womanhood,” men lost sexual access to their wives. Because of this, prostitution flourished. Though men were urged to control themselves, it was understood that desire was “in a man’s nature,” and therefore very hard for him to control.
One of Slocum’s contemporaries, Eleanor Leacock (1922-1987) chose to differently analyze gender research, focusing on distinctions in power as it relates to society, the economy, and politics (2011: 397). She concentrated on North American natives and aboriginal Australians and their changing gender roles as the result of Western influence. Another feminist trend gave emphasis to gender identities, analyzing the ways in which race, class and gender converge. David Valentine, born in 1966, illustrates such an emphasis in his work which concerns the cross-cultural variations on the westernized concepts of gender identity and sexuality, by which we categorize sexual desire (2011:398). As evidenced by the variety of emphases within the theory, feminist anthropologists were fully committed to assessing all previously ignored facets of the subjugated female within numerous cultures worldwide.
“In men, in general, sexual desire is inherent and spontaneous” whereas “in the other sex, the desire is dormant, if not non-existent, till excited” (457). Greg’s terminology is extremely power-laden. “Spontaneous” has the connotation of energy and activity, whereas “dormant” and “victim” imply inactivity. An important concept is the assumption that men, the “coarser sex,” act on women, the “weaker sex” (457).
The slave owner’s exploitation of the black woman’s sexuality was one of the most significant factors differentiating the experience of slavery for males and females. The white man’s claim to the slave body, male as well as female, was inherent in the concept of the Slave Trade and was tangibly realized perhaps no where more than the auction block. Captive Africans were stripped of their clothing, oiled down, and poked and prodded by potential buyers. The erotic undertones of such scenes were particularly pronounced in the case of black women. Throughout the period of slavery in America, white society believed black women to be innately lustful beings. The perception of the African woman as hyper-sexual made her both the object of white man’s abhorrence and his fantasy. Within the bonds of slavery, masters often felt it was their right to engage in sexual activity with black women. Sometimes, female slaves made advances hoping that such relationships would increase the chances that they or their children would be liberated by the master. Most of the time, slave owners took slaves by force.
Dancing Skeletons by Katherine Dettwyler is an ethnography that focuses on how infant feeding practices and childhood malnourishment leads to life threatening disease like measles, diarrhea, tetanus, malaria, and diphtheria. On the other hand, the author also experiences how Malian people perceive illness, society structure, and cultural norms of how men are viewed toward a women’s sexuality. However, cultural relativism has controversial cultural practices in Dancing Skeletons which has horrifying traditions and require us to take into account before we form a bias opinion (Lavenda, 2009, pp. 222-223).
In Ending Footbinding and Infibulation: A Convention Account, Mackie (1996) examines the practices of female foot binding in China, and infibulation in Africa. Specifically, the paper considers the conditions which brought these practices about, how foot binding came to an end, and why infibulation still persists. Mackie offers his 'convention account' and asserts that such practices are self-enforcing conventions which are perpetuated by interdependent expectations on the marriage market (Mackie 1996: 999). In doing so, Mackie primarily applies a rational choice paradigm in his examination, while also utilising structural functionalist and hermeneutic paradigms. Ultimately, I will posit that this synthesis of paradigms provides an effective
In the novel, The House On Mango Street, women face numerous challenges in their lives. Women face abuse, objectification, and oppression. They are also subjects to the societal roles that hinders them from being free and successful. Cisneros utilizes metaphors to reveal the theme of society’s gender roles restricting the lives and sexuality of women.
The author, Margaret Atwood demonstrates the theme that in a violent isolated world, feminism is despised by the offended society, the inhuman treatment that women received may lead to physical and psychological perils; conversely, one’s firm belief could embody hope and reveal a precise future. Atwood uses irony to impart the theme. Significantly, the protagonist Offred feels she increasingly losing control of her body as “ an instrument, of pleasure” (Atwood 84). But the infinite emptiness inside her can never swap out the
Since the dawn of early civilisation and subsequent traditional gender roles, one of the most prominent issues with which society struggles is gender inequality. The Book of Negroes illustrates Aminata’s worries as she is provided only one option: to entertain men with her body. “...I wondered how I would earn enough for food, clothes and repairs for my shelter. ‘What?’ Sam said. ‘You think rebels don’t have brothels? As long as there are fighting men, there will be work for girls like Rosetta - and work for you as well.’” (Hill 312) British soldiers and American rebels both sexualised the bodies of black women to the point of encouraging the prostitution of young girls. In a similar context, a 2008 study conducted by researchers from Wesleyan
The author starts the book with the story of her aunt. This story was a well-kept family secret being that her aunt’s actions were of great disappointment to the family. The “no name woman” as the story names her, was forgotten by all her family because she had a child that was not from her husband. This story gives a clear
Lynn Nottage’s Pulitzer Prize winning play Ruined takes place at Mama Nadi’s brothel in the Congo where a civil war is being waged and coltan is the new gold being mined from the earth. Mama Nadi reluctantly takes Sophie and Salima into her establishment to work alongside Josephine as entertainment for miners and soldiers. Before coming to Mama Nadi’s, Sophie, Josephine, Salima all experienced rape. The word rape is so common in our society that it has lost its intensity and heinousness to a person who has not experienced it. Rape is a general term to describe what the women experienced but it does not give any hint to the struggle that comes after the event. For example, what it does to a person’s mind, the lasting scars on someone’s body, and how it can change a person’s personality. Many critics assume that rape is the tragedy in the play, but Nottage’s use of the word “ruined” emphasizes that the real tragedy is the consequences of those soldier’s actions on these women 's lives and how it affected their interactions with society.
In The Introduction to the History of Sexuality, Foucault explains how during the 19th century with the raise of new societies, the discourse or knowledge about sex was not confronted with repulsion but it “put into operation an entire machinery for producing true discourses concerning sex” (Foucault 69). In fact, this spreading of discourse on sexuality itself gives a clear account of how sexuality has been controlled and confined because it was determined in a certain kind of knowledge that carries power within it. Foucault reflects on the general working hypothesis or “repressive hypothesis,” and how this has exercised power to suppress people’s sexuality. It has power on deciding what is normal or abnormal and ethical or unethical
Michel Foucault was a French philosopher, historian, social theorist, philologist and literary critic whose work had a tremendous impact on several disciplines. He was not a sociologist by training, but he worked diligently on sociological issues and otherwise had significant influence on the work of other sociologists. One of his most famous works is the The History of Sexuality, in which he examines the emergence of "sexuality" as a discursive object and separate sphere of life. According to Foucault, the idea that everyone has a sexuality is relatively a recent development in the West. In Volume 1, Foucault discusses the relationship between sex and power in a historical context. He states that the ways in which humans think about sexuality is primarily shaped by the "repressive hypothesis," which claims that Western society had suppressed sexuality from the 17th to the mid-20th century, and this was due to the rise of capitalism and the bourgeois society. There are several key concepts in this book that will be discussed in this paper include repressive hypothesis, sexuality, power, and discourse. This paper will seek to show the ways in which sexuality is a discursive object, and how sexuality was linked to power throughout history.
Nervous Conditions is concerned with women who live in a traditional African society in Zimbabwe (former Rhodesia), who struggle to find their place in the patriarchal system and who search for their independence. Each female protagonist in the novel finds her own way of dealing with her situation; however, this essay focuses on two characters-Tambu and Nyasha whose response to the male power is very different. While Tambu escapes from the environment of inequality in order to seek her liberation, Nyasha chooses to resist the patriarchy but her rebellion against her father ends up tragically as she suffers from the nervous conditions.