Art Essay-
The context, of which art is created, clearly reflects its history and where it is from. Society’s values are further highlighted by the piece and give us insight into what life was like. This is interestingly interpreted by Juan Bautista de Espinosa’s exuberant baroque style painting, with a heavily catholic influence from Spain in the late 1500’s, as well as Margaret Olley’s contrasting and simplistic sensibility of the mid 20th century. Each artist’s aesthetic, although significantly different; equally allow us to understand a certain time and place
Juan Bautista de Espinosa was born in 1590c. into a heavily Catholic family and country. Originally a gilder of altarpieces, Espinosa mastered the technique of still-life in
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The Spanish Empire, in an effort to increase its size and spread Catholicism, carried out many conquests overseas. In Bautista’s work “Still-Life with Grapes, Flowers, and Shells, 1628” reflects the “new delights” that the “new world” had to offer”. The arrangement of shells and exotic birds and flowers, is a combination of old and new: with a traditional style of painting depicting exciting and unexplored goods. This could possibly be a metaphor for the rather old and powerful Spanish empire, exploring into the unknown. The subtle uses of bright bold colours of peach and chartreuse, as well as warm earth tones are a clear reflection of the South American tropics, along with their exotic flora and fauna, and humid climate. It also creates moods of excitement in anticipation of what else there is to explore. The lusciousness of the brush strokes and use of highlights give the painting a new life, in the both things harsh like the foliage of the plants and soft like plumage of the birds. The sombre background and traditional table ground the contrasting arrangement and forms the basic structure of the piece. It also competes with the display, just like Spain and its conquest against other nations.
Margaret Olley is possibly one of Australia’s most famous still life painters. Born in 1923, Olley enjoyed art from an early age and even died with paint still on her fingers. She was trained at the East
14. What immediate developments in the seventeenth and early eighteenth centuries might have influenced the cultural patterns depicted in these illustrations? How does the broad context of the Columbian exchange help you understand these painting?
Margaret Olley and Van Gogh are two of the most well-known impressionists of their time. With more than a century between their eras, they both played significant roles in the progressing development of art today. Similarly painting still life’s and portraits, they also used the same media types and painted what they were surrounded by. For example, rooms of the houses they lived in, flowers and places they travelled. This comparative essay will compare and outline these two famous artists and the similarities between two of their most
Diego Velázquez’s oil-on-canvas painting, ‘Christ in the House of Martha and Mary’, can be said to have a very important role within seventeenth century Spanish art, as it is a lasting example of the close relations between society and religious devotion. Velázquez experimented with the bodegones, a stylistic form of genre painting set in every day settings, particularly the domestic as a means to relate scenes from his contemporary Spanish society to extracts of influential Biblical narrative. As such, Velázquez not only emphasises the realties of theoretical and ideological societal issues in Spain through his painting, but also expresses a need for religious devotion that was of paramount importance during the seventeenth century throughout
Therefore, this introduction and analysis of fifteenth-century Italian painting arises from looking at social relations. Through the institutional authorization, Baxandall examines the integration of social, cultural and visual evaluations. The author explores visual art not only from a social construction, but also looks at the major role it plays in social orders such as interactions between individuals or between larger social groups.
The painting The Holy Family with Saints Anne and John the Baptist, 1592 (oil on canvas) was created by Italian painter Sofonisba Anguissola (c.1532-1625). It is currently held at the Collection of the Lowe Art Museum, University of Miami, as a gift from Mrs. Forbes Hawkes and Bridgeman Images. This painting is among the unique pious narrative paintings by Anguissola. “The Holy Family” is the last dated painting by the artist. It was executed when she had just returned to Italy after spending 14 years working for King Philip II at the Spanish court. By this time, she had already married to a Genoese ship captain. Her various visits to court and her personal contacts with great painter at that time largely inspired herself. Through these contacts, she successfully stayed in touch with current developments in art. By closely observing this masterpiece, I argue that the artist perfectly sustain the beauty of counter-reformation arts in her work by use of light and shadow, delicate brushwork and accurate proportions of each subjects.
The painting, In Ictu Oculi (Fig. 1), by Juan de Valdés Leal is one of a set of two paintings and are each referred to as a Vanitas, or vanity painting, which is a still-life painting genre containing symbols of death to remind people of their eventual demise. The two paintings are also referred to as allegory scenes because of the hidden meanings behind the symbolism of the art. This paper will show that In Ictu Oculi is a dramatic change from the artist’s style previous to and after painting the vanities as shown in his paintings of biblical stories and historical events. I will discuss Leal’s paintings previous to and post In Ictu Oculi, why the Church of Hermandad de la Caridad in Seville commissioned him to paint the vanities and the symbolism in Valdés’ In Ictu
The Baroque era spans a period of 150 years. During this time, baroque art had four distinct styles. I plan to focus on the Italian Baroque and the Protestant Baroque styles. While these styles share some similarities, they are also very different. The Italian Baroque style is often ornate and focused on religion with an emphasis on the need for the church’s guidance. The Protestant Baroque style is plain with no obvious religious messages and less need for guidance from the church. Both styles contain many amazing pieces of artwork, but I plan to focus on Bernini’s Baldacchino and Vermeer’s Woman Holding a Balance.
Beautiful, flowing imagery through art renderings will show Don Isaac Abarbanel and Spain in her ‘golden years’ juxtaposed with stark images of the horrors of 15th century Spain with King Ferdinand and Queen Isabella, Catholic Priest Torquemada in the king’s court with condemned Jews in pointed hats, Jews fleeing
The grouping of these paintings is quite clear from a historical and visual standpoint. The paintings each feature warm colors with a splash of vibrancy, apparent subjects, perhaps due to their monochromatic backgrounds, and also display the same sort of calm and collected subject matter that much of Spanish Baroque art concentrated on. The Wine Flask, whose creator is unknown, fits in with warm color scheme and dates back around the same time as the rest of the exhibition, however it has a known origin of Japan.
This article explores the production of religious images by the Baroque movement as a mass production of icons and superimposing images. Although, this piece of work focuses mainly on this art movement and is effects on Mexican culture, it also describes how the appropriation of certain symbols can influence culture, religion, and politics of other societies.
If you have some free time and have always wanted to visit an art gallery, a start is the Art Sacré exposition. Just do not expect high quality art. Running from October twenty-third to December eight-teenth at Les Salles de Gesù, the exposition features four artists depicting spirituality and inner self.
He is most widely recognized for his contributions to Surrealism. His unique use of line, shapes, and color fulfill the Surrealist idea of creating work that liberates the creative potential of one’s unconscious mind. The forthcoming analysis will examine a painting by Miró completed in 1924 titled Pastorale, now located in the Museo Nacional Centro de Arte Reina Sofía in Madrid, Spain. This paper will provide biographical information on the artist followed by a formal and contextual analysis of the painting Pastorale. This analysis will draw links between Miró’s development as an artist prior to his time in Paris, his transition into the Surrealist movement, and
My favorite piece of art that’s been displayed, or at least talked about so far, this semester has got to be the little berserker chess pieces from the Germanic Tribes lecture. While not necessarily a primary piece of art, the small sculptures represent the tribe of Viking warriors that fought fearlessly. In detail, the depictions of the berserkers show them wielding swords and shields as if they always stood ready to battle. Then to add to the appeal, the berserkers in the chess set are biting on their shields as if they were wild animals. I imagine this group of Vikings looking very intimidating and using the wild and fearless personas to strike fear into their enemies. Another interesting fact worth mentioning is that the term “going berserk” came from the descriptions of this tribe.
Art is a form of human expression. Art can be seen as the artist sleight of hand on his mood. Art is in various media from posters to public wall of which we call “graffiti”. Art is elusive as the use of colors shapes and the surface used adds a new dimension. Art portrays various ideas, feelings such as triumph, love, happiness, sorrow and boredom in loss to mention a few. Art is beauty and creativity. During man’s evolution art has progressed over in its most primitive state up to its most modernized versions today.
I wonder what Clyde Butcher would say to me if I were to ask him to explain to me exactly how he feels when he is experiencing the Everglades and taking the amazing photographs of this beautiful place. Would his words come anywhere close to expressing his passion for the Everglades and other natural areas as his photographs do? Would his words be an even better explanation and expression of his feelings towards the Everglades than his photographs? How about Marjory Stoneman Douglas? What if I were to ask her to put her feelings and passion about the Everglades into a painting or into photographs? Would her works of visual art be a better representation of her connection with the Everglades than her literature? I