924 Gilman Street

My proposed project to promote the Gilman Scholarship and International education would be to create a scripted journal. This journal would be filled with practicing of my experiences of what I will learn in a different country. I hope to present scripted journal with friends, staff, and others at my home school as well to others to the international program center as a way to promote my studying and career choice in a different region. My artistic careers are an easy way to catch people’s attention

PowerPoint that was broken into three sections; before Korea, during Korea, and after Korea. I talked about the important of applying to scholarships and of course the Gilman Scholarship. I showed them my budget and how everything was paid for thanks to the scholarships I had applied to and I then proceeded to show them the Gilman website so they could get familiar with it. It was shocking how many of them hadn’t even thought of the possibility of studying abroad and it was sad. I asked before I

Armstrong, bassist and backing vocalist Mike Dirnt, and drummer Tré Cool. In 1986, 14 year olds, Billie Joe and Mike formed a band named Sweet Children in Rodeo, California. In 1989, Larry Livemore, owner of Lookout! Records saw the band live at The 924 Gilman Street Project, a notorious club that was once home to Green Day, and signed them to his label. Right before the release of

My friends and I walk into a packed venue, and are immediately met by a young guy with shaggy brown hair and a skull hoodie, who holds up a white piece of paper with a hastily scrawled "$8" in the center. I pull out my worn wallet from the left pocket of my leather jacket. My hands strain momentarily to pull the snaps open, before my fingers find their way to my single worn 10 dollar bill. The man hands me two dollars in change and stamps my hand with a blue paw print, and I turn to face the stage

E SSAYS ON TWENTIETH-C ENTURY H ISTORY In the series Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig Also in this series: Paula Hamilton and Linda Shopes, eds., Oral History and Public Memories Tiffany Ruby Patterson, Zora Neale Hurston and a History of Southern Life Lisa M. Fine, The Story of Reo Joe: Work, Kin, and Community in Autotown, U.S.A. Van Gosse and Richard Moser, eds., The World the Sixties Made: Politics and Culture in