Albert and David Maysles

Since the beginning of Documentary Filmmaking, films have shown the eternal search for truth. Exposing reality as it is to the world through Film became a goal to Documentary Filmmakers. For a period of time Filmmakers lost their path along the way and became promoters who manipulated the audience around the world into believing what they wanted. During the 1960’s two special movements began to emerge in different parts of the world. Direct Cinema in North America and Cinema Vérité in Fance. These

Discuss the relationship between the live event and the document within performance practice This paper will explore a range of perspectives on the relationship between the live event and the document within performance practice, specifically focus on in relation to body, time and space. Performance art is commonly known as a performance presented to a viewer within a fine art context. Through performance artists emphasize the body’s role in artistic production. Performance archive has been characterized

This paper will explore a range of perspectives on the relationship between the live event and the document within performance practice, specifically focus on in relation to body, time and space. Performance art is commonly known as a performance presented to a viewer within a fine art context. Through performance artists emphasize the body’s role in artistic production. Historically, performance archive has been characterized as an unfaithful representation of the momentary art experience. Yet,

FILM LANGUAGE FILM LANGUAGE A Semiotics of the Cinema Christian Metz Translated by Michael Taylor The University of Chicago Press Published by arrangement with Oxford University Press, Inc. The University of Chicago Press, Chicago 60637 © 1974 by Oxford University Press, Inc. All rights reserved. English translation. Originally published 1974 Note on Translation © 1991 by the University of Chicago University of Chicago Press edition 1991 Printed in the United States of America 09 08 07 6