Futurist Manifesto

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    “What Makes Modernism Modern” Ebony Lee Yu MIVC502.1 Illustration & Visual Communication: Critical Frameworks “I think, therefore I am.” is a well known phrase said by René Descartes, French philosopher and mathematician, meaning that “I will only believe what I can see and prove”. Modernism is a movement of all creative forms like art, literature, music and so on, which began roughly around the 1850’s till approximately the 1970’s when it slowed down in Western

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    Although Nietzsche isn't responsible for creating modernism, his philosophies were representative of the concerns and uncertainly of the modernist artists. Nietzsche and the modernists shared a dark outlook on society, one that he had called in his works "sick" and weak due to the constraints put upon them by the Christian church, and traditional values that had gone unquestioned for too long. To truly realize oneself, you must break free, denounce this imposed morality and search deep inside to

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    Photomontage is a defining characteristic of Berlin Dada; a vital interwar period movement, which primarily took place between 1915 and 1924. Although photomontage is associated with the interwar period, it undoubtedly had a monumental influence on the fine arts well after it’s initial collective disbanded, which included figures such as John Heartfield, Hannah Hoch, George Grosz, Kurt Schwitters, and Raoul Hausmann. In fact, even celebrated post-war and contemporary artists, such as David Hockney

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    There is no debate that the world's first power of surviving relies on evolution, to a point where one does not have to look outside the box to witness it ... they're sitting on it. Many have mistaken the term "Evolution" with a state of randomness, an improvement or even a biogenesis. Others have related it to the origins of the universe, a social Darwinism that resulted in a massive diversity regarding theory and ideology. While people choose to rest their bodies on a chair in attempt to find an

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    Intro: In Steven Connor’s ‘Ears Have Walls: On Hearing Art’ (2005) Connor presents us with the idea that sound art has either gone outside or has the capacity to bring the outside inside. Sound work makes us aware of the continuing emphasis upon division and partition that continues to exist even in the most radically revisable or polymorphous gallery space, because sound spreads and leaks, like odour. Unlike music, Sound Art usually does not require silence for its proper presentation. Containers

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    Sustainable Development and Population Control       A nineteen year old pregnant Chinese girl is forced to abort because she is "too young" to have a child. Iran, an Islamic nation, instructs religious leaders to promote contraception as a social duty. A Norwegian international banker worries about "migratory tensions" that would engulf his nation with waves of third world immigrants. A Los Angles Times article decries the lack of an official United States population policy. What do these

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    Censorship Of War In Art

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    The war to end all wars, the war that killed thousands, the war that brought about a new age. What can we truly call World War One? How do we define such a grand event? World War One was the war for artists, it was the war that created a new age of both technology and modernism in art. As the reality of the war became more known to the greater public, the government used artists to spread propaganda to publish a false version of the war. In response to that, artists worldwide fought the censorship

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    Communism And Cubo-Futurism

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    CONSTRUCTIVISM Background, 1914-1917 The catastrophic violence and destruction of World War I tore Russia apart. And with the revolution and civil war that immediately followed, the country was in near-ruin. The revolution came largely due to the continuous strain of an unsuccessful war in which Russian losses were in the millions. Broken down by the demands of war and the overthrow of the Tsar, Russia was prepared to embrace the future. Communism was the new rule and it held a lot of promise for

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    Technological Singularity

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    In a guest column, Computers vs. Brains on the Opinionator of The New York Times, Sandra Aamodt and Sam Wang analyzed some of the arguments by inventor Raymond Kurzweil, one of the leading inventors of our time, in his most recent futurist manifesto: “The Singularity Is Near: When Humans Transcend Biology” (2005). Kurzweil estimates that machines will inevitably be able to surpass our thinking capabilities within a few decades. Kurzweil's speculative reasoning has been heavily debated and challenged

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    1) Oliverio Girondo’s poetry is representative of a “new style” of art encompassed in José Ortega y Gasset’s The Dehumanization of Art. Aesthetics no longer conform to the traditional classical style but instead, champions a futurist type meant to bypass the limitations of rationale in a trivial and playful nature likened to sport. Girondo clearly breaks from the platonic ideals of beauty and delves into the aesthetics of the grotesque by using antipoetic language, which sublimes the abject. This

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