Futurist Manifesto

phenomenon were known as futurists. Futurists practiced in every art aspect that there was. Such as music, poetry painting theater etc. In each different part of Europe where futurism was evolving there were unique artists arising. Such Luigi Russolo Vladimir Mayakovsky Filippo Tommaso Marinetti Richard Wagner and Claude Debussy amongst others. A futuristic artist that stood out to me the most and helped shaped the future was the composer Richard Wagner. His was a futurist in music. Musicians like

The process towards architectural construction takes on many forms, including various design stages. The graphic imagery and designs evolve until production begins. There are undoubtedly many considerations into a building’s design, which stresses their representation as even more important and influential to its potential construction. Elevation drawings and plans lay out the details of construction, they are useful to ensure the structure adheres to any local codes, however more detailed drawings

as harmless as Ernst’s frottage, and used the idea of unpredictability as an excuse to avoid accountability. Similarly in rejection to the current reality, the Dada movement protested logic and reason. Established by Tristan Tzara who wrote a Manifesto for the movement stating the Dada is, “a protest with it’s whole being engaged in destructive action.” Ironically, the reality the Dadaists was protesting against was World War 1, but their response to the war increased violence. It was the disgust

Graphic Design vs Art “Design is the method of putting form and content together. Design, just as art, has multiple definitions, there is no single definition. Design can be art. Design can be aesthetics. Design is so simple, that’s why it is so complicated”. The following items will be discussed to give better understanding of Graphic Design vs Art: definition of the two terms, what is considered art, what is considered design, and opinions of the two subjects. Sometimes the best way to communicate

Example 3: A Dictionary Story, Sam Winston A Dictionary Story is a typographic experiment, it is exploring the relationship of the visual and verbal syntax and the between word and image. It is a concrete poem, a fairy tale that is running away from a usually set form and starts to act out. According to the writer, Sam Winston it is an illustrated story which words from the dictionary come to life, take on human characteristics and cause a whole world of trouble on the page. (Sam Winston, Interview

The Avant-Garde Die First In the 19th century, under the suffocating weight of a centuries long tradition in academic art, artists began to break free. Tired of meaningless imitation and decoration, the avant-garde artists pushed for drastic revolutions in aesthetic and social taste. This experimentation rapidly grew less and less controlled, and new technique and new style, which shocked and enraged the critics and public, stopped being experimental and started desiring the side

one to write the original Dada manifesto in July 1916, and Tzara was an unofficial leader, especially of Zurich, Picabia was listed as the true beginning of the movement by Claude Rivière, “In his [Picabia’s] journey to the Jura in 1913, we can observe the first beginnings of what was later to be called the Dada movement.” (Richter 1997, p.11). As a movement, Dada’s origins in Zurich can be traced back to Hugo Ball, who opened Cabaret Voltaire and recited a manifesto in 1916, a year later from the

Movements such as Futurism, Cubism and Impressionism saw Artists such as Umberto Boccioni, Claude Monet, and Pablo Picasso use the speed, and compression to reference the leisure filled Modern City, while trying to keep pace with the advances(Technological and Theoretical), which were breaking the Traditional way of life. Examples of this include; Umberto Boccioni’s, The City Rises (1910); Claude Monet’s, Boulevard des Capucines (1873); and Pablo Picasso’s, Absinthe Drinker (1901). By embracing

The vampire is not by any means a new manifestation of the fears of a society. Their presence in human culture can be traced back for centuries in human folklore. The first Anglicized representations of the creature in literature date back to the English poetry of the early 1700s, and were then followed in the fiction genre by such works as John William Polidori’s The Vampyre, Sheridan Le Fanu’s Carmilla, and of course, Bram Stoker’s Dracula. For the audiences of the 18th century, vampires embodied

style that linked contemporary expression to industry, technology, and urban life.” (Fiero, p.11) Marinetti was captivated by early 20th century technology: the speed of the car, the airplane and the emerging industrial city. In 1909 in a series of manifestos, he fiercely prompted the contemporary concepts of the future to be included in all the arts. Key figures in this movement include the Italian sculptures Umberto Boccioni. “His near life bronze sculpture captures the sensation of motion as it pushes