Henri Matisse Essay

Women have always played a significant role in art and art history. Women have been used as models, subjects, inspiration, muses, supporters, etc. of male-created art. The most well-known artists have almost all been male: DaVinci, Picasso, Van Gogh, Rembrandt, Pollock, Warhol, Renoir, Dali— all men, who have become famous for their art, and their depiction of the female form. Unfortunately, these men have failed to portray women in a positive light and have instead objectified women. Objectification

1922 to “promote the advancement of education and the appreciation of the fine arts and horticulture.”1, has one of the greatest collections of post-impressionist and early modern art in existence. With extensive collections from Renoir, Cezanne, Matisse, Picasso, and many more art masters of the time. These collections were artfully arranged for display in a building Barnes crafted specifically for the display and study of his collection. Barnes willed his collection to never be sold, rented, or

The beginning of the 20th-century ushered in a new era of Technology: Automobiles, Trains, Airplanes and the Telegraph, changed the way we perceived and interpreted the world. This new modern era, as it would later be called, had a profound impact on the Arts and Architecture. Gone was the old romanticism and symbolism that had dominated the 19th-entury earlier. Instead, Artists around the world started to incorporate the emerging geometrics of technology into their art. Cubism, Futurism, Fauvism

Does one ever question what opposition to cultural trends can lead someone? What if they were to question they type of success that could erupt from dislocating and distorting one’s work into a brand unique to no one but yourself? Pablo Picasso and Zaha Hadid were two of the most successful artists within the modernist movement. Both Picasso and Hadid laid the foundation for their success with a strong educational background. Each artist understood their sheer talent and works would not contribute

With so many rules in the English language, it is easy for one to wonder how they were created. The dictionary, for example, was only created a few hundred years ago by people who thought that was how language was supposed to be. Many artists have had the mission to go forward and break these “rules.” Gertrude Stein’s Tender Buttons, bill bissett’s “text bites,” and John Agard’s “I Ain’t No Oxford Don” question rules of grammar and synaptic normality. By the way, these poems disrupt words, use non-standard

“I love creation more than life, and I must express myself before disappearing.” Sonia Delaunay certainly lived up to her own expectation, creating an immense impact on the artistic world as an avant-garde member of the Modernist movement. From a young age, she displayed talent in the painting medium, eventually shifting her focus to fashion. While her creations were sometimes not considered art, Sonia Delaunay proved the world otherwise through her unusual yet beautiful work. Eventually, she became

Georgia O'Keeffe is a 20th century American painter and pioneer of American modernism best known for her canvases depicting flowers, animal skulls and southeastern landscapes. Georgia was born on November 15, 1887, on a wheat farm in Sun Prairie, Wisconsin and studied at the Art Institute of Chicago and the Art Students League in New York. Alfred Stieglitz gave O'Keeffe her first gallery show with her early artworks in 1916 as time grew between them, so did love, and the couple married in 1924. After

With this in mind, he and his siblings decided to instead look to discovering pieces from more younger and unknown artists. They were not afraid to take risks when doing so; when Leo Stein first saw Henri Matisse’s Woman with a Hat, he remarked that the piece was "the ugliest daubings of paint," but after returning to the it time and time again, he found a deeper appreciation of the piece and purchased it. Purchases like these completely transformed

As humans have changed and progressed throughout history, so has their art- from cave paintings to Greek sculptures to the incredible realism of the Renaissance. In addition, throughout history art has been questioned- why did the artist make this? What are they trying to convey? What is the purpose, the symbol, the reason? Every artist has a motive for creating, and it may be as honorable as challenging a social injustice, or as mundane as a commission. The three most universal motives for making

Le Café de Nuit by Vincent van Gogh is possibly one of Van Gogh’s most famous paintings, located at the Yale Art Gallery in New Haven, CT. It stands at 28 1/2 inches tall and has a width of 36 1/4 inches, and for being nearly 130 years old this piece is extremely well preserved. This is an oil painting done on canvas circa 1888, that depicts the Café de l’Alcazar, a place where van Gogh often ate his meals, and watched as the walls of this building slowly filled with prostitutes and vagrants each