Italian Renaissance painting

The Act of Sodomy in Florence During the Italian Renaissance During the Italian Renaissance, the sexual environment of fifteenth-century Florentine society is described as Florentine men partaking in some kind of same-sex experience. These same-sex acts were not just wrong doings, but a fundamental part of Florentine masculine identity. More specifically I will focus on sodomy, the act of anal or oral sex, which can be heterosexual or homosexual. What I will be analyzing in this paper is the term

lives and representations of women in the Florentine Renaissance In Biblical imaginary, the image of woman often originated from the image of Eve. Eve was allured by the devil and impelled Adam to disobey God and eat the forbidden fruit, resulting in their exclusion from the paradise, mortality and hardship in their lives living on Earth. Since then, the female descendants of Eve were held responsible for this loss of paradise. During the Renaissance era, women were oppressed by men because of the

The Renaissance was a movement that began in Italy with the purpose of reviving classical sources and breathing new life into them. Art specifically, would forever change, setting the stage for distinct and innovative art styles and ideas. Fra Angelico’s Coronation of the Virgin (Figure 1) and other forms of religious artwork from Renaissance Europe, although sometimes varying in interpretation, were created in order to bring social divisions together under the protection of the ecclesiastical hierarchy

The works of Sandro Botticelli are among the most revered of renaissance painting. The sweeping curves of his women and the ethereal beauty of their gazes are recognized instantaneously: from a grandmother in a small town to the cognoscenti of New York or Paris, few can claim to be unmoved by his work. Patronized by the Vatican as well as one of the most rich and powerful Florentines of his time, Lorenzo di Pierfrancesco de' Medici, Botticelli was hugely popular in his own day. His most magnificent

The Bronze David by Donatello of the Early Renaissance shows a subtle transition through style and form to the High Renaissance when compared to the marble David by Michelangelo. Yet a similar Renaissance interpretation of the character of David is seen in both pieces. Donatello’s David embodies the humanism and classicism of the Italian Renaissance, and pioneers styles that would influence a generation. The perfection of David by Michelangelo creates a similar allusion to humanism and classical

approaches on it and see if there are similar meanings that can be drawn from this work. Long, Jane C. "Dangerous Women: Observations on the Feast of Herod in Florentine Art of the Early Renaissance." Renaissance Quarterly 66, no. 4 (2013): 1153-205 Long uses her article to look at early Florentine Renaissance artists and their depictions of Salome and Herodias as dangerous women. She chose four examples from Giotto, Lorenzetti, Pisano, and Donatello and analyzed how they chose to approach the scene

The Renaissance age started in Italy, specifically in Florence. The economy started to change during the 13th hundred: trade, commerce and banking grew. The Internet, on the other hand, was invented in 1969 by a man called J.C.R Licklider. Changes Internet did to our economy are basically employment, payments and time value. Since the world began, history has repeated itself in extraordinary and also horrible ways. A positive example of this is the growth and improvements in both the Renaissance culture

of the Italian Renaissance Renaissance means rebirth in the French language, the renaissance happened between the fifteenth century and sixteenth century. Beginning in Italy, the Renaissance was an era that rediscovered the culture of ancient Greece and Rome in the fourteenth century and witnessed a continuation of the economic, political, and social trends. Jacob Burck-hardt, a swiss historian and art critic, created the Renaissance in his celebrated book The Civilization of the Renaissance in Italy

made specifically in the 1490’s or the Early Renaissance time period and directly came from Florence, Italy where it was commissioned by the church as an altarpiece. Ghirlandaio specifically used tempera and gold on panel for this painting which he made in his family enterprise. Overall, the painting is roughly five and a half feet in length and height and is an excellent example of the type of works one would expect to see out of the Early Renaissance time frame. From everything that can be appreciated

By the beginning of the 17th century Britain became a worldwide trading nation. Enormous personal fortunes were created and the aristocracy turned their attention to the improvement and embellishment of their estates. Many were educated and well versed in the arts and classics. It was the age of the grand tour, a journey of artistic refinement through France and Italy. ”They came back enthralled with Palladian architecture and seeing visions of Claude’s ideal landscapes in their own domains, where