Jesus Christ Superstar

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    I think the rock opera “Jesus Christ Superstar” gained much attention because it appealed to youth, but appalled the older generation because of its rock theme and interpretations. After all, some believed the theme went against the grain of the church (Bible) and how people viewed it. The brilliance in this opera was to tell the story of Jesus Christ using “rock” music to tell the complete story of Jesus Christ from beginning to end by providing a synopsis of the story as was told in the Bible

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    Jesus Christ Superstar painted a picture of Jesus that was similar and different from the painting of the gospel of Mark. For instance; in Jesus Christ Superstar Jesus is portrayed as a white man, he is aggressive, has different colored followers and is tempted sexually by Mary. Although in the gospel of Mark, there is no indication of Jesus being white or black, he is more aggressive, there are not any details of his followers being different colors, and Mary was never depicted as having a sexual

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    Jesus Christ Superstar

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    Jesus Christ Superstar, a rock-opera, emerged from the imagination of Andrew Lloyd Webber (music) and Time Rice (lyrics),which was later brought to life on the big screen by director Norman Jewison in 1973. Filmed on location in Israel, the movie is centred around the last seven days of Christ's life, from the time he arrived in Jerusalem up until his crucifixion. The movie is truly from the point of view of Judas Iscariot, one of the most infamous of all the 12 apostles. In the film, Judas portrays

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    Jesus Christ Superstar is adapted from Andrew Lloyd and Tim Rice's Broadway with the genre of rock opera. In this Performance it records the last days of Jesus's life before his crucifixion a modern, more understandable way. This performance is played through the perspective of Judas Iscariot. In this wonderful story we are shown betrayal and how it can hurt not only Jesus but his supporters, this betrayal is brought on after Judas begins to worry about Jesus overwhelming himself and also growing

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    undoubtedly left a huge influence on even secular western culture- from politics to theater to film. Depictions of Christ-like figures and interpretations of Jesus Christ can be seen in a variety of media. One example of an analytic rendition of Jesus’ life is musical production Jesus Christ Superstar, which is a semi-gospel rock opera interpretation of the seven days prior to Jesus Christ’s death. It was first debuted on Broadway in 1971 with a movie adaptation later being made in 1973 by Norman

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    In 1971, when Jesus Christ Superstar made its first debut, a lot of heads began to turn. During this time period a lot of controversial subjects came to a head. Much disapproval and disagreement was obvious between different people and other religions. In some places, the musical was even condemned. While others played it every chance they could get. Jesus Christ Superstar was based on the crucifixion of Jesus and many were upset as to how the story was portrayed in the musical. The people felt that

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    The rock opera Jesus Christ Superstar was written by Tim Rice, then 25-year-old lyricist and Andrew Lloyd-Webber, then 21-year-old composer. The rock opera portrays the last seven days of the life of Jesus as it was seen through the Judas’ eyes. This piece of art is considered as a fairly radical rock hybrid concerning the final days of the life of Jesus. This was the third musical that had been written by Webber and Rice. His long fascination with Judas Iscariot made him perceive Judas as a dear

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    examples to support your response. (2 Paragraph minimum) The rock opera, “Jesus Christ Superstar”, presents Jesus from both the viewpoint of a high Christology as well as from a low Christology. Low Christology means that it focuses on Jesus humanity where as a High Christology focuses on his divinity. The musical tries to relate the life of Jesus to our lives today by using modern dress, activities, and music. One example of Jesus’ humanity being displayed in this musical is the personal relationship

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    films, “Jesus Christ Super Star,” “La La Land,” and “The Grand Budapest Hotel” have a musical score that expresses a story better than any words could ever express.      I grew up Catholic, just as my family grew up Catholic. Every year during the season of Lent, around the time of Holy Week, my family and I would honor Jesus’s final days with many traditions. Tradition such as attending mass, receiving palms, having our feet washed and of course watching the 1974 classic “Jesus Christ Superstar.” Now

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    Pippin The Musical

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    such as the Wizard of Oz, The Sound of Music, Jesus Christ Superstar, and most recently My Fair Lady where I had the pleasure of playing Freddy Eynsford-Hill the main love interest. Winning many local awards and a few state awards SCCAS has proved that they are ready to step up into more complex and dynamic productions. Robert Bell, was very gracious to receive the Adelaide theatre guide award for his performance as Jesus in Jesus Christ Superstar, was determined to bring something fresh, and exciting

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