Joseph LaShelle

Isolation is prevalent in “The Glass Menagerie” by Tennessee Williams. This is presented in symbols such as blue roses and the glass unicorn, for they are imagined objects and only existent in another fantasy world. Williams incorporates such arcane symbols to draw out his characters, Amanda, Laura, and Tom, and how they cope with confinement. Most importantly, the symbols of the play represent how isolation debilitates them psychologically in an attempt to connect with reality. The jonquils represent

Symbolism is an integral part of every play. The author uses symbolism in order to add more depth to the play. In Tennessee Williams’ play, The Glass Menagerie, he describes three separate characters, their dreams, and the harsh realities they face in a modern world. The Glass Menagerie exposes the lost dreams of a southern family and their desperate struggle to escape reality. Everyone in the play seeks refuge from their lives, attempting to escape into an imaginary world. Williams uses the fire

In his novel The Hours, author Michael Cunningham describes his characters in a very unique way. Cunningham portrays his characters through the descriptions of rooms in which each person spends most of their day. The rooms become a window to each character’s personality and personal situation. Through reflection of her own room, Clarissa Vaughn comes to realize that she is completely unhappy with the way her life has turned out. Similarly, Cunningham uses Laura Brown’s time in her kitchen and her

In the beginning Communism seemed to the people of Russia as a utopian ideal. The promise of the elimination of classes, of guaranteed employment, "The creation of a comprehensive social security and welfare system for all citizens that would end the misery of workers once and for all." Lenin's own interpretation of the Marxian critique was that to achieve Communism there would first have to be a socialist dictatorship to first suppress any dissent or protest. Through coercive tactics this

Kurtz and the Horror Throughout the first two parts of Joseph Conrad's book, Heart of Darkness, the character Kurtz is built up to be this amazing and remarkable man. In the third book, however, we learn the truth about who Kurtz really is. Kurtz cries out in a whisper, "The horror! The horror!"(p. 86), and in only two words he manages to sum up the realization of all the horrors of his life during his time in the Congo. In the first parts of the book most of the characters Marlow meets

demons and come to some sort of understanding regarding his place in the universe and the inevitability of death, he has an extremely difficult time acclimating himself to civilian life once the war ends. Of all the novels read in War Literature, Joseph Conrad’s Heart of Darkness and two Tim O’Brien novels: Going After Cacciato and The Things They Carried, best illustrate the inability of a soldier to deal with his original settings after returning from war. By studying the actions of Marlow, Paul

SECRECY OF BANK DEPOSITS LAW PEOPLE OF THE PHILIPPINES vs. JOSEPH ESTRADA AND SANDIGANBAYAN I. Problem Whether the Sandiganbayan erred in holding that the use of alias by respondent Estrada was not public, was allowable under banking rules, and was an exception to illegal use of alias punishable under CA 142; in limiting the coverage of the amended Information in Criminal Case 26565; and in departing from its earlier final finding on the non-applicability of Ursua v. Court of Appeals

Intro German cinema was greatly affected during the Nazi movement between 1933 and 1945. Once appointed Chancellor of Germany on January 30, 1933 Hitler wasted no time and almost immediately began working on his propaganda strategy. Typically “propaganda targets a mass audience and relies on mass media to persuade. Propaganda is aimed at large numbers of people and, as such, relies on mass communication to reach its audience” (Gass, 14). The Nazi party used film propaganda to brainwash

Compare and Contrast The Romantics: William Blake and Mary Wolstonecraft Mary Wollstonecraft’s A Vindication of the Rights of Woman sets out to invalidate the social and religious standards of her time in regards to gender, just as William Blake sets out to do the same for children. Both Blake and Wollstonecraft can be read by the average man and woman, lending its attention toward both upper and middle class. Wollstonecraft’s revolutionary themes of tyranny and oppression of women parallel

James Joyce uses religious references throughout Araby to express his resentment towards the Catholic Church, and Catholicism as a whole. The story revolves around religious symbolism and a boy's intnse desire for a girl. Joyce's reasons for rejecting the Catholic Church are unknown, but in many scenes his attitude towards religious hypocrisy becomes clearer. The introduction to Araby sets the religious tones, which flow through a neighborhood, dark and full of desire. The