Lars von Trier

Backstoried Who What Wear Have a clear motivation like the people in movies do. These shirts quickly and silently deliver your lengthy exposition, so everyone you meet will understand exactly who you are. That or they'll just glance at it, shake their head, and mutter "TLDR" under their breath. Child labor, right? My other shirt is an pair of cargo shorts with a hole cut out for my head, but that’ll happen when your personal shopper is only four years old. All I wanted was to help a little girl

English essay The degradation of woman in media harmful to the cause for woman's rights Isn't it funny, how no matter where you decide to plot yourself on the globe, woman are constantly facing objectification? Even though we live in a century were both sexes are meant to be seen and treated as equal citizens. So why are females being treated differently to their male counterparts? And why is it when faced with the question " what makes perfect female" most minds automatically paint the picture

“Wim Wenders places a digital camera everywhere and creates cinema!”, I exclaimed after a retrospective of his films at FTII in Pune. A disastrous strive in one of my practices to emulate the grasp made me realize the way it takes meticulous planning and the satisfactory information of the cinematic language for two hours to look so casual and natural.One cannot simply place the camera and shoot. And this, to my thoughts, is what ails maximum of our movies today. Mise-en-Scene is the protoplasm

Felix Van Groeningen’s The Broken Circle Breakdown continues the long-standing tradition of showcasing graphic sexuality in European cinema. Europe has never been shy when it comes to nudity or sexual content in their films. In contrast, the United States has been much more conservative about showing sex on screen until relatively recently. A film like The Broken Circle Breakdown is a good representation of how Europe has almost always been much more advanced at handling sex on screen than the United

The Walking Dead, Timothy Morton’s Hyperobjects and Lars Von Trier’s film Melancholia, all open with the end of the world as their starting points to begin their narrative, aiming to demonstrate how the end of contemporary time, as familiar to both the characters in the show, as well as Morton and Trier’s audiences (us), are forced to adapt, alter, and change the way in which we perceive the world, and act in order to survive in our new conditions. The following essay, utilizing the apocalyptic theme

imprisoned and have done horrible acts. A death sentence is inhumane to me personally, because I picture my mother getting sentenced to death and having no say in what is happening. Recently, I watched a movie titled Dancer in the Dark directed by Lars von Trier. This movie featured a young single mother raising a child while she was becoming blind. She became friends with her neighbor who was a cop, and the cop became immensely suicidal one evening due to a lack and heavy spendage of income from his

evaluated digital filmmaking practices and the new range of techniques that modern technology has brought about, giving reference to the rise of importance in editing since the development of red-one and the response to this of various filmmakers, Lars Von Trier etc. New aesthetics would have also been explored, looking at films such as Inland Empire (Lynch, 2006) and Trash Humpers (Kornine, 2009) and the